Books in the The New Historicism: Studies in Cultural Poetics series

This analysis of important early-modern texts also provides a critique of postmodern theories of ideology. The author aims to contribute both to the reader's understanding of the Enlightenment, and to contemporary debates concerning cultural studies and critical literary theory.

Herodotus' great work is not only an account of the momentous historical conflict between the Greeks and the Persians but also the earliest sustained exploration in the West of the problem of cultural difference. This title asks fundamental questions about how Herodotus represented this difference.

Beginning with a startling endorsement of the patristic view of Judaism - that it was a 'carnal' religion, in contrast to the spiritual vision of the Church, the author argues that rabbinic Judaism was based on a set of assumptions about the human body that were profoundly different from those of Christianity.

Exploring the careers of five influential women writers of the Restoration and eighteenth century, this book reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel.

This account of the "peasant revolt" of 1381 demonstrates that the rebellion was not an uncontrolled, inarticulate explosion of peasant resentment, but an informed and tactical claim to literacy and rule. It focuses on six brief texts by the rebels themselves.

The Gold Standard and the Logic of Naturalism discusses ways of creating value in turn-of-the-century American capitalism. Focusing on such topics as the alienation of property, the invention of masochism, and the battle over free silver, it examines the participation of cultural forms in these phenomena. It imagines a literary history that must at the same time be social, economic, and legal; and it imagines a literature that, to be understood at all, must be understood both as a producer and a product of market capitalism.

Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, Jose Limon examines the politically motivated Chicano poetry of the 60s and 70s. He bases his analyses on Harold Bloom's theories of literary influence but takes Bloom into the socio-political realm. Limon shows how Chicano poetry is nourished by the oral tradition of the Mexican corrido, or master ballad, which was a vital part of artistic and political life along the Mexican-U.S. border from 1890 to 1930.Limon's use of Bloom, as well as of Marxist critics Raymond Williams and Fredric Jameson, brings Chicano literature into the arena of contemporary literary theory. By focusing on an important but little-studied poetic tradition, his book challenges our ideas of the American canon and extends the reach of Hispanists and folklorists as well.