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A study of early Christian music in medieval western Europe, which surveys the repertoires of Byzantine and Roman chants. Summarized accounts of Syrian, Armenian, Coptic and Ethiopian chants are represented alongside the Christian chant by way of an introduction to other musical forms.
Volume IX completes The New Oxford History of Music in 10 volumes, and includes the whole span of western instrumental music and opera in the greater part of the nineteenth century.
Takes account of developments in late-mediaeval music scholarship during the latter decades of the 20th century, and includes experience gained through changes in performance practice. The book discusses marginal areas of the subject, such as Jewish traditions and mediaeval dance music.
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