Books in the The Visual Arts of Africa and its Diasporas series

W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955-1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism.

Delinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944.