Books in the The Wellek Library Lectures series

Acclaimed philosopher Catherine Malabou traces the modern metamorphoses of intelligence, seeking to understand how neurobiological and neurotechnological advances have transformed our present-day view. She emphasizes the intertwined, networked relationships among the biological, the technological, and the symbolic.

Instead of treating art as a unique creation that requires reason and refined taste to appreciate, Elizabeth Grosz argues that art-especially architecture, music, and painting-is born from the disruptive forces of sexual selection. She approaches art as a form of erotic expression connecting sensory richness with primal desire, and in doing so, finds that the meaning of art comes from the intensities and sensations it inspires, not just its intention and aesthetic.By regarding our most cultured human accomplishments as the result of the excessive, nonfunctional forces of sexual attraction and seduction, Grosz encourages us to see art as a kind of bodily enhancement or mode of sensation enabling living bodies to experience and transform the universe. Art can be understood as a way for bodies to augment themselves and their capacity for perception and affection-a way to grow and evolve through sensation. Through this framework, which knits together the theories of Charles Darwin, Henri Bergson, Gilles Deleuze, Felix Guattari, and Jakob von Uexkull, we are able to grasp art's deep animal lineage. Grosz argues that art is not tied to the predictable and known but to new futures not contained in the present. Its animal affiliations ensure that art is intensely political and charged with the creation of new worlds and new forms of living. According to Grosz, art is the way in which life experiments with materiality, or nature, in order to bring about change.

Wendy Brown explains the hard-right turn in Western politics. She argues that neoliberalism's intensification of nihilism coupled with its accidental wounding of white-male supremacy generates an apocalyptic populism willing to destroy the world rather than endure a future in which this supremacy disappears.

In this work philosopher Wolfgang Iser offers a fresh perspective on questions such as why do human beings need fictions? And why do human beings need to interpret, despite the fact that complete interpretation is unattainable?

N. Katherine Hayles traces the emergence of what she identifies as the postprint condition, exploring how the interweaving of print and digital technologies has changed not only books but also language, authorship, and what it means to be human.

An exploration into the "strange science of writing", in which the author reflects on the writing process and explores three distinct areas essential for "great" writing: the crucial role dreams play in literary inspiration; the importance of depth; and the notion of death.

Examines the intersection of the public and private meaning of music. This book incorporates the music criticism of Adorno, musical ideas from literary works by Proust, and criticism by Benjamin and de Man, and discusses performers such as Glenn Gould, Arturo Toscanini, and Alfred Brendel and such composers as Beethoven, Wagner, and Strauss.

Timothy Morton argues that ecological awareness in the present Anthropocene era takes the form of a strange loop or Mobius strip, twisted to have only one side. Deckard travels this oedipal path in Blade Runner (1982) when he learns that he might be the enemy he has been ordered to pursue. Ecological awareness takes this shape because ecological phenomena have a loop form that is also fundamental to the structure of how things are.The logistics of agricultural society resulted in global warming and hardwired dangerous ideas about life-forms into the human mind. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think. Morton explores the logical foundations of the ecological crisis, which is suffused with the melancholy and negativity of coexistence yet evolving, as we explore its loop form, into something playful, anarchic, and comedic. His work is a skilled fusion of humanities and scientific scholarship, incorporating the theories and findings of philosophy, anthropology, literature, ecology, biology, and physics. Morton hopes to reestablish our ties to nonhuman beings and to help us rediscover the playfulness and joy that can brighten the dark, strange loop we traverse.