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Presents a range of critical and theoretical methods, and applies them to contemporary and historical performance genres - from stage plays, dance-dramas, performance art, cabaret, stand-up comedy, and jazz to circus, street theater, and shamanistic ritual. This edition features sixteen essays, which are organized into nine theoretical categories.
Analyses uses of space, time, media communication, and corporeality in protests such as virtual sit-ins, flash mobs, scarfazos, and hashtag campaigns, arguing that these protests not only challenge hegemonic power but are also socially transformative.
Sheds light on the critical role that women artists have played in the evolution of the American avant-garde
Explores how North Korean state-sponsored propaganda performances - including public spectacles, theater, film, and other visual media including posters - shape everyday practice in a country where the performing arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize people.
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