Books in the Theatre And series

This timely new title in the Theatre And series explores theatre and translation's interconnectedness in representing the stories of others.

This new title in the Theatre And series confronts the complex relationship between theatre and death.

This incisive and thoughtful new title in the Theatre And series confronts the difficult relationship between theatre and cancer. Challenging conventional narratives which rely on the binary of tragedy versus survival, Brian Lobel argues for an alternative approach to understanding cancer in relation to theatre.

This important contribution to the Theatre And series explores what the possibilities and limits of 'community' contribute to our understanding of theatre, and what theatrical practice and representation reveal about the tensions inherent in community settings.

This exciting new title in the Theatre And series explores how theatre and the environment have informed and continue to inform each other, considering both what theatre can do for the environment and what the environment can do for theatre.

This critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real, the treatment of women and the role of amateur performance.

This new title in the Theatre & series explores the intersections between theatre and Judaism, offering a uniquely nuanced approach as a counterpart to the more common discourse surrounding Jewish theatre.

All performance depends upon our abilities to create, perceive, remember, imagine and empathize. This book provides an introduction to the evolutionary and cognitive foundations of theatrical performing and spectating and argues that this scientific perspective challenges some of the major assumptions about what takes place in the theatre.

How can we rethink the importance of voice in performance? How can we understand voice simultaneously as music and text, as sound and body, or as both personal and political? This book explores voice across genres, media and cultures, inviting the reader to reassess established ways of analysing, enjoying and listening to voice.

Examining the relationship between theatre and photography, this book shows how the two intertwine and provide vantage points for understanding each other. Joel Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography's mutual preoccupation with posing, staging, framing, and stillness.

This fascinating account of the relationship between theatre and time explores how different concepts of time - including linear clock time, the cyclical time of the planets and seasons, the rhythms of the body and individual memories - have impacted on and been reinforced by theatre throughout history, from medieval times to the present day.

A vibrant introduction to theatre that engages with stories, conditions and experiences of migration. Arguing that migration is crucially about encounters with foreignness, Emma Cox traces international histories of migration and considers key issues in contemporary performance - from Cape Town and Melbourne, to London and Toronto.

This provocative book meets the supposedly 'live' practices of performance and the 'no-longer-live' historical past at their own dangerous crossroads. Focussing on the 'and' of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot - but often oppositional - arts and acts of time.

Walsh argues that there are many links between theatre and therapy when considering actor training, theatre in therapeutic contexts, and contemporary theatre and performance. He draws on a range of examples that include the drama of Sarah Kane, the method acting of Daniel Day Lewis and performances by Ruby Wax and David Hoyle.

Theatre & the Visual argues that theatre studies' preoccupation with problems arising from textual analysis has compromised a fuller, political consideration of the visual.

Lourdes Orozco considers different representations of animals in performance; suggesting that all animals have the ability to make us question the human, and its relationship to the other. She examines ways in which animals challenge theatre's ability to make meaning, and considers the surrounding ethical, political and social issues.

If violence is a terrible thing, why do we watch it? Nevitt explores the use of violence in theatre and its effect on spectators. Critically engaging with examples of stage combat, rape, terrorism, wrestling and historical re-enactments, she argues that studying violence through theatre can be part of a desire to create a more peaceful world.

Using examples from popular culture, dramatic texts and applied theatre it analyses how theatre and performance reveals economies of punishment, affects penal reform and both challenges and participates in narratives of reformation.

Theatre and architecture are seeming opposites: one a time-based art-form experienced in space, the other a spatial art experienced over time. The book unpicks these assumptions, demonstrating ways in which theatre and architecture are essential to each other and contextualizing their dynamic relationship historically and culturally.

The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances.

Drawing on sources from Aeschylus to The Lion King, Chekhov to Complicite, tragedy to advertising, the book argues for theatre's importance as a site of resistance to the ruthless spread of the global market. Foreword by Mark Ravenhill

What is ethics and what has it got to do with theatre? Drawing on both theoretical material and practical examples, Ridout makes a clear and compelling critical intervention, raising fundamental questions about what theatre is for and how audiences interact with it.

In a world of spectacular suffering and power plays - large and small - what is theatre's role in protecting human dignity? With its impassioned plays, inspired activism and outspoken artists, the theatre has long provided a venue for promoting and practising human rights;

How can an understanding of theatre in the city help us make sense of urban social experience?

In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.

What is the significance of theatre and performance within Irish culture and history? How do we understand the impact and political potential of Irish theatre? This innovative survey of theatre in Ireland covers a range of drama and performance, from the 17th century to the present. Expanding the field of Irish theatre to include mumming, wake games, prison protests and theatre riots, the book argues that Ireland's longstanding association with performance illuminates key aspects of its cultural history and politics. Foreword by Fiona Shaw

How has theatre represented the rural? And how does a re-viewing of theatre of and in the rural help to build and complicate our sense of place?Theatre & the Rural explores the different ways in which theatre has performed the rural from the medieval to the contemporary, and examines the changing relationships between place, performance and audience when theatre is staged in rural communities. The book argues that theatre has a key role to play in both producing and potentially changing understandings of the rural, challenging dominant views of the relationships between city and country which can affect the political, social and cultural lives of the nation.