Books in the Theatre Makers series

In this volume, Litz Pisk examines the emotional and psychological impulses that motivate an actor in their role on the stage. Her theory is illuminated by her comments on specific texts and the relationship between meaning and movement. It is also a practical manual for keeping the body fit.

2014 was a spectacular year for playwright Simon Stephens, who has been described by the Independent as ''a brilliant writer of immense imagination'' and by the Financial Times as having ''emerged in this millennium as an outstanding playwright''.2014 was a year for Simon Stephens which featured a high number of world premiere plays including one for the theatre of his birthplace, Manchester''s Royal Exchange, a major new play for the Downstairs space at London''s Royal Court, and a Chekhov translation for London''s Young Vic; a transfer of his West End hit The Curious Incident of the Dog in the Night-Time to Broadway; and projects in Germany, a country which has seen Stephens lauded, in which he has worked extensively, and which has shaped much of his dramaturgy. In addition to these major projects, Stephens continued his role as a mentor of young writers, actors and directors, and continued to be one of the most frequent, outspoken and fiercely intelligent voices of the playwriting scene. In an exceptionally honest account, Simon Stephens opens up to us, through daily diary entries, his working practices, his inner-most thoughts, his philosophy on theatre, the arts and politics, and his feelings and reactions to specific projects he has worked on. Through this, we are given unprecedented access to the mind of one of the most important playwrights of the twenty-first century.

What are the key elements that go into creating a work of art for the stage? Which are the most productive conditions and methods of rehearsal? In this collection of interviews, 18 international artists share their experience and offer practical advice on the creation of performance work. Their answers provide a goldmine of tried and tested approaches as they discuss the common problems and difficulties of creative work, their turning-point experiences, and ways in which they have challenged performers and themselves to go beyond conditioned reflexes to create groundbreaking new work.

"He taught us to be artists" Steven Berkoff. Jacques Lecoq, one of the most inspirational theatre teachers of our age and founder of the International Theatre School, Paris shares his philosophy of performance, improvization, masks, movement and gesture.

Consists of interviews with 27 female professional theatre directors in the United Kingdom and United States. --

A new edition of Arthur Miller's account of his time in China in 1983, directing a production of Death of a Salesman. It is published here as a new edition with an introduction that considers this production's impact on American theatre in China as well as how Miller's work is received and critiqued in China in the twenty-first century.