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In a work with far-reaching implications, Chela Sandoval does no less than revise the genealogy of theory over the past thirty years, inserting what she terms "U.S. Third World feminism" into the narrative in a way that thoroughly alters our perspective on contemporary culture and subjectivity.What Sandoval has identified is a language, a rhetoric of resistance to postmodern cultural conditions. U.S liberation movements of the post-World War II era generated specific modes of oppositional consciousness. Out of these emerged a new activity of consciousness and language Sandoval calls the "methodology of the oppressed". This methodology -- born of the strains of the cultural and identity struggles that currently mark global exchange -- holds out the possibility of a new historical moment, a new citizen-subject, and a new form of alliance consciousness and politics. Utilizing semiotics and U.S. Third World feminist criticism, Sandoval demonstrates how this methodology mobilizes love as a category of critical analysis. Rendering this approach in all its specifics, Methodology of the Oppressed gives rise to an alternative mode of criticism opening new perspectives on a theoretical, literary, aesthetic, social movement, or psychic expression.
Alphonso Lingis, traveller extraordinaire, discusses the trust that is inherent in travel and reflects on his many journeys. He finds a condition close to childlike innocence, where trust is ultimate and on the way discovers new truths about spirituality, masculinity, love, death, ecstasy and change.
This investigation of power and the body offers an account of the nature of force as it functions in religious rituals, sorcery, political relations, and other social domains. It should be of interest to those interested in how bodies and power circulate in a range of human contexts and cultures.
A contribution to contemporary philosophical and political thought, Agamben develops the concept of community and the social implications of his philosophical thought.
An intertwining of the philosophy of art and psychoanalytic theory. This book presents a theoretical exploration of shared affect and emergent expression, across the thresholds of identity and memory. The author replaces the phallic structure with a dimension of emergence, where objects, images, and meanings are glimpsed in their incipiency.
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