Books in the Toronto Iberic series

Building on recent research in medieval optics, physiology, and memory in relation to the devotional practices of the late Middle Ages, Jessica A. Boon probes the implications of an 'embodied soul' for the intellectual history of Spanish mysticism.

The work of Miguel de Cervantes - one of the most influential writers in early modern Europe - is a reflection of the rich culture of memory in which it was created. More than a theme, memory is a system of understanding in Cervantes's world, resulting from the major social, religious, and economic changes that epitomized Renaissance humanist culture and that informed the transition to modernity.Quixotic Memories offers insight into the plurality and complexity of memory and demonstrates how it plays an exceptionally critical role in Cervantes's Don Quixote. It acknowledges Cervantes's transition into modernity as he engaged with theories of memory that were developed in classical antiquity and adapted to the specific circumstances of his own time. Julia Domnguez explores the many spaces that memory created for itself in early modern Spain, particularly in the fields of philosophy, medicine, rhetoric, mnemotechnics, the visual arts, and pedagogy.Engaging with primary and archival sources, Quixotic Memories provides a new reading of Cervantes's famous novel by tracing the socio-historical and cultural prominence of memory throughout the author's lifetime.

In Josep Pla, Joan Ramon Resina teases out the writer's deep-seated intellectual concerns and challenges the assumption of Pla as an anti-intellectual.

In Moors Dressed as Moors, Javier Irigoyen-Garcia draws on a wide range of sources to reveal the currency of Moorish clothing in early modern Iberian society.

In The Epic of Juan Latino, Elizabeth R. Wright tells the story of Renaissance Europe's first black poet and his epic poem on the naval battle of Lepanto, Austrias Carmen (The Song of John of Austria).

In Cervantes and the Literature of War, Stephen Rupp connects Cervantes's complex and inventive approach to literary genre and his many representations of early modern warfare.

Michael Scham uses Cervantes's Don Quijote and Novelas ejemplares as the basis for a wide-ranging exploration of early modern Spanish views on recreations ranging from cards and dice to hunting, attending the theater, and reading fiction.

Patricia Keller analyses the aesthetics of haunting and the relationship between ideology and image production by revisiting twentieth-century Spanish history through the camera's lens.

Arkinstall's study makes a major contribution to our understanding of the central role of women in late-nineteenth and early-twentieth-century democracy in Spain.

In this fascinating book, Evelina Guzauskyte uses the names Columbus gave to places in the Caribbean Basin as a way to examine the complex encounter between Europeans and the native inhabitants.

In the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off stage.

Stephanie Sieburth's Survival Songs explores how a genre of Spanish popular music, the copla, as sung by legendary performer Conchita Piquer, helped Republican sympathizers to survive the Franco regime's dehumanizing treatment following the Spanish Civil War (1936-39).

In Ficino in Spain, Susan Byrne uses textual and bibliographic evidence to show the pervasive impact of Ficino's writings and translations on the Spanish Renaissance.

Anxieties of Interiority and Dissection in Early Modern Spain brings the study of Europe's "culture of dissection" to the Iberian peninsula, presenting a neglected episode in the development of the modern concept of the self.

Robert Patrick Newcomb's Iberianism and Crisis examines how prominent peninsular essay writers and public intellectuals who were active around the turn of the twentieth century looked to Iberianism to address a succession of political, economic, and social crises that shook the Spanish and Portuguese states to their foundations.

In Inscribed Power, Ryan D. Giles explores the function of amuletic prayers, divine names, and incantation formulas that were inscribed and printed on parchment, paper and other media, and at the same time inserted into classic literary works in Spain.

Arms and Letters is the first study in English dedicated to the literary and cultural analysis of early modern Spanish military autobiographical texts.

A New History of Iberian Feminisms is both a chronological history and an analytical discussion of feminist thought in the Iberian Peninsula, including Portugal, territories of Span, and the Basque Provinces, Catalonia, and Galicia, from the eighteenth century to the present day.

In Ambiguous Antidotes, Hilaire Kallendorf explores the receptions of Virtues in the realm of moral philosophy and the artistic production it influenced during the Spanish Gold Age.

A surfeit of tropes about love exhausted Spanish literature in the age of Cervantes. This book provides a pioneering look at the rich array of ways in which Spanish Golden Age authors responded by crafting a new literary aesthetic.

Using Franco's Spain and la Espana sagrada as a counterpoint to European secularity's own development, By the Grace of God is the first sustained analysis within Spanish cultural studies of the sacred as a political category and a tool for political organization.

Medieval Iberian authors adapted French crusader culture to give voice to their own reality, shaped by domestic military conflict with Islam and an obsession with the conversion of subject Muslims and Jews.

Spain, the Second World War, and the Holocaust is the first comprehensive historical and cultural study of Spain's unique relationship to this turbulent historical period.

Written by the foremost specialists in the field of contemporary Spanish letters, the essays in Imagined Truths provide an analysis of stylistic and philosophical manifestations of nineteenth- and twentieth-century Spanish literary realism.

Lorca in Tune with Falla is the first book to trace Lorca's impact on Falla's music, and Falla's influence on Lorca's writings.

Examining films from several genres by key directors of the Transition, Inhabiting the In-Between explores how the child is represented as both subject and object, self and other, and consistently cast in a position between categories or binary poles.

By examining narratives about Spanish Mauthausen victims over the past seventy years, author Sara J. Brenneis provides a historical, critical, and chronological analysis of a virtually unknown body of work.