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Edwina Taborsky moves semiotics away from being a descriptive tool within the humanities and uses its powers of analysis on the organic and social nature of cognition.
C.S. Peirce, the founder of pragmatism, was an American philosopher and mathematician whose influence has been enormous on the field of semiotics. Merrell uses Pierce's theories to reply to the all-important question: "What and where is meaning?"
This updated second edition of Signs combines some of Sebeok?s most important essays with a new general introduction, introductory passages at the outset of each chapter, a glossary, and brief biographies of the major semioticians.
Andrews grapples with Lotman's difficult, sometimes contradictory, theories of human language, perception, and memory, offering semioticians the opportunity to read the first sustained study of Lotman's work in English.
Based on the premise that deconstruction and demystification are a necessary counterforce to 'shared myths', Tochon offers a provocative assessment of mass educational concepts and teacher education, proposing a rethinking of pedagogy in general.
Focusing on analogical sensing, rather than digital reasoning, Merrell argues that human sensation and cognition should be thought of in terms of continually changing signs that can be accounted for in terms of topological forms.
The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.
Providing a dynamic, forward-looking reorientation towards a new universe of reference, Remodelling Communication makes a significant, productive contribution to communication theory.
Following Sebeok, Merrell reminds us that 'any and all investigation of nature and of the nature of signs and life must ultimately be semiotic in nature.'
Horst Ruthrof argues that the body is an integral part of this hermeneutic activity and proposes that language is no more than a symbolic grid which does not signify at all unless it is brought to life by non-linguistic signs.
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