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This book argues that serious study of theme parks and their adult fans has much to tell us about contemporary transmediality and convergence, themed and immersive spaces, and audience relationships with places of meaning.
A close analysis of the notions of authorship in fanfiction related to Sherlock, Supernatural, and Game of Thrones and the fictions' sites, receptions, and fan rejections.
This book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value.
This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies.
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