Books in the Tuttle Classics series

"e;This is a freaking great book and I highly recommend itif you are passionate about the history of 'the world's greatest city,' this book is something you must have in your collection."e; JapanThis.com Edward Seidensticker's A History of Tokyo 1867-1989 tells the fascinating story of Tokyo's transformation from the Shogun's capital in an isolated Japan to the largest and the most modern city in the world. With the same scholarship and sparkling style that won him admiration as the foremost translator of great works of Japanese literature, Seidensticker offers the reader his brilliant vision of an entire society suddenly wrenched from an ancient feudal past into the modern world in a few short decades, and the enormous stresses and strains that this brought with it. Originally published as two volumes, Seidensticker's masterful work is now available in a handy, single paperback volume. Whether you're a history buff or Tokyo-bound traveler looking to learn more, this insightful book offers a fascinating look at how the Tokyo that we know came to be. This edition contains an introduction by Donald Richie, the acknowledged expert on Japanese culture who was a close personal friend of the author, and a preface by geographer Paul Waley that puts the book into perspective for modern readers.

"e;Clear-eyed glimpses of human behavior in the extremities of poverty, stupidity, greed, vanity Story-telling of an unconventional sort, with most of the substance beneath the shining, enameled surface."e; The New York Times Book Review Widely acknowledged as "e;the father of the Japanese short story,"e; Ryunosuke Akutagawa remains one of the most influential Japanese writers of all time. Rashomon and Other Stories, a collection of his most celebrated work, resonates as strongly today as when it first published a century ago. This volume includes: In a Grove: An iconic, contradictory tale of the murder of a samurai in a forest near Kyoto told through three varying accounts Rashomon: A masterless samurai contemplates following a life of crime as he encounters an old woman at the old Rashomon gate outside Kyoto Yam Gruel: A low-ranking court official laments his position all the while yearning for his favorite, yet humble, dish The Martyr: Set in Japan's Christian missionary era, a young boy is excommunicated for fathering an illegitimate child, but not all is as it seems Kesa and Morito: An adulterous couple plots to kill the woman's husband as the situation threatens to spin out of control The Dragon: A priest concocts a prank involving a dragon, but the tall tale begins to take on a life of its own With a new foreward by noted Akutagawa scholar Seiji Lippit, this updated version of a classic collection is a an excellent, readable introduction to Japanese literature.

"e;What Waley did create is literary art of extraordinary beauty that brings to life in English the world Murasaki Shikibu imagined. The beauty of his art has not dimmed, but like the original text itself retains the power to move and enlighten."e;Dennis Washburn, from his foreword Centuries before Shakespeare, Murasaki Shikibu's The Tale of Genji was already acknowledged as a classic of Japanese literature. Over the past century, this book has gained worldwide acceptance as not only the world's first novel but as one of the greatest works of literature of all time.The hero of the tale, Prince Genji, is a shining example of the Heian-era ideal manaccomplished in poetry, dance, music, painting, and, not least of all to the novel's many plots, romance. The Tale of Genji and the characters and world it depicts have influenced Japanese culture to its very core. This celebrated translation by Arthur Waley gives Western readers a very genuine feel for the tone of this beloved classic.This edition contains the complete Waley translation of all six books of The Tale of Genji and also contains a new foreword by Dennis Washburn with key insights into both the book and the importance of this translation for modern readers.

Long considered a masterpiece of the eerie and fantastic, Strange Tales from a Chinese Studio is a collection of supernatural-themed tales compiled from ancient Chinese folk stories by Songling Pu in the eighteenth century. These tales of ghosts, magic, vampirism, and other things bizarre and fantastic are an excellent Chinese companion to Lafcadio Hearn's well-known collections of Japanese ghost stories Kwaidan and In Ghostly Japan.Already a true classic of Chinese literature and of supernatural tales in general, this new edition of the Herbert A. Giles translation converts the work to Pinyin for the first time and includes a new foreword by Victoria Cass that properly introduces the book to both readers of Chinese literature and of hair-raising tales best read with the lights turned low on a quiet night.Some of the stories found in these pages include:The Tiger of ZhaochengThe Magic SwordMiss Lianziang, the Fox-GirlThe Quarrelsome BrothersThe Princess LilyA Rip Van WinkleThe Resuscitated CorpseTaoist MiraclesA Chinese Solomon

"e;Five charming novellas which have astonishing freshness, color, and warmth."e; The New Yorker First published in 1686, this collection of five novellas was an immediate bestseller in the bawdy world that was Genroku Japan, and the book's popularity has increased with age, making it today a literary classic like Boccaccio's Decameron, or the works of Rabelais. The book follows five determined women in their always amorous, erotic and usually illicit adventures. The five heroines are Onatsu, already wise in the ways of love the tender age of sixteen; Osen, a faithful wife until unjustly accused of adultery; Osan, a Kyoto beauty who falls asleep in the wrong bed; Oshichi, willing to burn down a city to meet her samurai lover; and Oman, who has to compete with handsome boys to win her lover's affections.But the book is more than a collection of skillfully told erotic tales, for "e;Saikaku could not delve into the inmost secrets of human life only to expose them to ridicule or snickering prurience. Obviously fascinated by the variety and complexity of human love, but always retaining a sense of its intrinsic dignity he is both a discriminating and compassionate judge of his fellow man."e;Saikaku's style, as allusive as it is witty, as abbreviated as it is penetrating, is a challenge that few translators have dared to face, and certainly never before with the success here achieved in a translation that recaptures the heady flavor of the original.

Japanese Folktales is one of the most complete collections of stories translated to English and introduces the reader to the vast world of Japanese ghouls, goblins, ogres, sea kings, magical birds, dragons, and of course, Momotaro, the Peach Boy. Japanese folklore is richly imaginative and the 22 classic stories collected here are some of the most popular ever told. Each story transports the reader to a different realm of magical kingdoms, mysterious seas, and mythical lands including: The story of goldfish dancers and carp musicians who entertain a brave warrior The tale of a lonely girl whose life is changed by a shining disc left by her mother The explanation of how the jellyfish lost its bones And the adventures of a boy born from a peach that washes up on a riverbank that every Japanese child knows by heart.These well-loved folk tales are sure to delight readers young and old while introducing them to Japan''s vivid fantasy tradition.

This epic saga of brotherhood and rivalry, of loyalty and treachery, of victory and death, forms part of the indelible core of classical Chinese culture and continues to fascinate modern-day readers. In 220 EC, the 400-year-old rule of the mighty Han dynasty came to an end and three kingdoms contested for control of China. Liu Pei, the legitimate heir to the Han throne, elects to fight for his birthright and enlists the aid of his sworn brothers, the impulsive giant Chang Fei and the invincible knight Kuan Yu. The brave band faces a formidable array of enemies, foremost among them the treacherous and bloodthirsty Ts'ao Ts'ao. The bold struggle of the three heroes seems doomed until the reclusive wizard Chuko Liang offers his counsel, and the tide begins to turn.Romance of the Three Kingdoms is China's oldest novel and the first of a great tradition of historical fiction. Believed to have been compiled by the play-wright Lo Kuan-chung in the late fourteenth century, it is indebted to the great San-kuo chi (Chronicles of the Three Kingdoms) completed by the historian Ch'en Shou just before his death in 297 CE. The novel first appeared in print in 1522. This edition, translated in the mid-1920s by C. H. Brewitt-Taylor, is based on a shortened and simplified version which appeared in the 1670s. An Introduction to this reprint by Robert E. Hegel, Professor of Chinese and Comparative Literature at Washington University, provides an insightful commentary on the historical background to the novel, its literary origins and its main characters.

This epic saga of brotherhood and rivalry, of loyalty and treachery, of victory and death forms part of the indelible core of classical Chinese culture and continues to fascinate modern-day readers. In 220 EC, the 400-year-old rule of the mighty Han dynasty came to an end and three kingdoms contested for control of China. Liu Pei, the legitimate heir to the Han throne, elects to fight for his birthright and enlists the aid of his sworn brothers, the impulsive giant Chang Fei and the invincible knight Kuan Yu. The brave band faces a formidable array of enemies, foremost among them the treacherous and bloodthirsty Ts'ao Ts'ao. The bold struggle of the three heroes seems doomed until the reclusive wizard Chuko Liang offers his counsel, and the tide begins to turn.Romance of the Three Kingdoms is China's oldest novel and the first of a great tradition of historical fiction. Believed to have been compiled by the play-wright Lo Kuan-chung in the late fourteenth century, it is indebted to the great San-kuo chi (Chronicles of the Three Kingdoms) completed by the historian Ch'en Shou just before his death in 297 CE. The novel first appeared in print in 1522. This edition, translated in the mid-1920s by C. H. Brewitt-Taylor, is based on a shortened and simplified version which appeared in the 1670s. An Introduction to this reprint by Robert E. Hegel, Professor of Chinese and Comparative Literature at Washington University, provides an insightful commentary on the historical background to the novel, its literary origins and its main characters.

The most famous work of Japanese literature and the world's first novelwritten a thousand years ago and one of the enduring classics of world literature.Written centuries before the time of Shakespeare and even Chaucer, The Tale of Genji marks the birth of the noveland after more than a millennium, this seminal work continues to enchant readers throughout the world. Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier; gentle and passionate. Genji is also a master poet, dancer, musician and painter. The Tale of Genji follows Prince Genji through his many loves and varied passions. This book has influenced not only generations of courtiers and samurai of the distant past, but artists and painters even in modern timesepisodes in the tale have been incorporated into the design of kimonos and handicrafts, and the four-line poems called waka which dance throughout this work have earned it a place as a classic text in the study of poetry.This version by Kencho Suematsu was the first-ever translation in English. Condensed, it's a quarter length of the unabridged text, making it perfect for readers with limited time."e;Not speaking is the wiser part,And words are sometimes vain,But to completely close the heartIn silence, gives me pain."e;Prince Genji, in The Tale of Genji

This collection of writings from Lafcaido Hern paints a rare and fascinating picture of pre-modern Japan Over a century after his death, author, translator, and educator Lafcaido Hearn remains one of the best-known Westerners ever to make Japan his home. Almost more Japanese than the Japanese"e;to think with their thoughts"e; was his aimhis prolific writings on things Japanese were instrumental in introducing Japanese culture to the West.In this masterful anthology, Donald Richie shows that Hearn was first and foremost a reliable and enthusiastic observer, who faithfully recorded a detailed account of the people, customs, and culture of late nineteen-century Japan. Opening and closing with excerpts from Hearn's final books, Richie's astute selection from among "e;over 4,000 printed pages"e; not including correspondence and other writing, also reveals Hearn's later, more sober and reflective attitudes to the things that he observed and wrote about.Part One, "e;The Land,"e; chronicles Hearn's early years when he wrote primarily about the appearance of his adopted home. Part Two, "e;The People,"e; records the author's later years when he came to terms with the Japanese themselves. In this anthology, Richie, more gifted in capturing the essence of a person on the page than any other foreign writer living in Japan, has picked out the best of Hearn's evocations.Select writings include:The Chief City of the Province of the GodsThree Popular BalladsIn the Cave of the Children's GhostsBits of Life and DeathA Street SingerKimikoOn A Bridge

The Dream of the Red Chamber is one of the "e;Four Great Classical Novels of Chinese Literature."e; It is renowned for its huge scope, large cast of characters and telling observations on the life and social structures of 18th century China and is considered by many to be the pinnacle of the classical Chinese novel.The "e;Red Chamber"e; is an expression used to describe the sheltered area where the daughters of wealthy Chinese families lived. Believed to be based on the author's own life and intended as a memorial to the women that he knew in his youth, The Dream of the Red Chamber is a multilayered story that offers up key insights into Chinese culture."e;Henry Bencraft Joly's attention to detail and the faithfulness in his translation of Hong Lou Meng makes this revised edition of The Dream of the Red Chamber an excellent book for the student of modern Chinese."e; Edwin H. Lowe, from his introduction"e;this partial version certainly deserves a wider readership, as a brave early skirmish on the outer ramparts of this masterpiece. The re-issuing of Joly's work will undoubtedly provide a rich crop of fascinating raw material for the growing community of Translation Studies scholars."e; John Minford, from his foreword

This is a riveting and disturbing account of the medical atrocities performed in and around Japan during WWII.

"e;A Japanese writer of genius."e;Japan QuarterlySoseki Natsume is considered to be one of Japan's most beloved and respected authors. And Then is ranked as one of his most insightful and stirring novels.Daisuke, the protagonist, is a man in his twenties who is struggling with his personal purpose and identity as well as the changing social landscape of Meiji-era Japan. As Japan enters the Twentieth Century, ancient customs give way to western ideals, and Daisuke works to resolve his feelings of disconnection and abandonment during this time of change. Thanks to his father's wealth, Daisuke has the luxury of having time to develop his philosophies and ruminate on their meaning while remaining intellectually aloof from traditional Japanese culture and the demands of growing industrialization. Then Daisuke's life takes an unexpected turn when he is reunited with his college friend and his sickly wife. At first, Daisuke's stoicism allows him to act according to his intellect, but his intellectual fortress begins to show its vulnerabilities as his emotions start to hold greater sway over his inner life. Daisuke must now weigh his choices in a culture that has always operated on the razor's edge of societal obligation and personal freedom.