Books in the University of North Carolina Studies in Germanic Languages and Literature series

Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stephan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film.

In this thorough study of the figure of the hermit in the works of German writers, Fitzell analyses characters in works by Lessing, Goethe, Klinger, Hoffmann, Wieland, Eichendorff and others. The author argues that the figure of the hermit characterizes the quality of inwardness and withdrawal from society characteristic of German literature.

Presents the first English translation of one of the most original literary products of the German medieval period. The book is introduced with a sketch of the poet's life, an evaluation of his work as autobiography and as fiction, and a survey of the extensive criticism that has been devoted to it.

Examines the content and style of Tannhauser's verse, discusses his sources and his influence on other medieval poets, and gives a history of the ballad material in which he appears. Also included is a diplomatic edition of Tannhauser's poems, both verse translations of the poems and a version of the ballad, and an extensive bibliography.

In this 1954 study of poetic realism and the Novelle form, Silz examines nine Novellen by Brentano, Arnim, Droste-Hulshoff, Stifter, Grillsparzer, Keller, Meyer, Storm and Hauptmann. Through his textual interpretation of these works Silz draws the threads of the transition from Romanticism to Naturalism and the development of the Novelle form.

Explores the question of Tieck's reception in and influence on the American literary scene before 1900, with the additional goal of shedding light on the reception in America of German Romanticism as a whole.

In this first definitive study of Friedrich Schiller's relationship to music, R.M. Longyear discusses Schiller's personal, literary, and philosophical utilization of music as well as the influence of Schiller's works on composers from 1782 through the 1960s.

In this piece of German-American cultural history, Krumpelmann traces the paths and influence of young men from the American South who attended German universities in the age of Goethe. Discussed are Hugh Legare, Jesse Burton Harrison, George Henry Calvert, Thomas Caute Reynolds, Basil Lanneau Gildersleeve, James Woodrow, and others.

Originally published in 1965, this volume presented the only comprehensive bibliography of the writings of the Austrian novelist, journalist, and playwright Stefan Zweig and of the books and articles about his work.

Presents in comprehensive fashion the extraordinary development of Ariadne auf Naxos from its conception to the final operatic version. The unique collaboration of Hofmannsthal and Strauss is examined and the classical myths that served as a basis for the libretto are investigated.

An essential tool for gaining access to the writings of the humanist Peter Schott. The commentary volume comprises explanatory notes to Volume I, including English summaries of all items and, in addition, pertinent cultural, economic, and political information.

Ulrich von Hutten (1488-1523), Renaissance-Reformation publisher and ardent champion of German nationalism, has previously been characterized as a bitter and vehement political satirist. From this concise, critical survey of his comic writing a more balanced, congenial image of Hutten emerges.

Critics have called Else Lasker-Schuler the greatest of all German women poets and one of the finest Jewish poets. This selection of translations by Robert Newton, supplemented by a biographical and critical introduction and a selected bibliography, was the first substantial presentation of her works in English at its original publication in 1982.

The first comprehensive study of the dramas of Nicodemus Frischlin (1547-1590), one of the most versatile and complex playwrights of early modern Germany. Frischlin's broad range encompassed biblical, confessional, and historical drama, all of which expressed bold social and political criticism.

Philosophers, theologians, and literary historians discuss important aspects of Nietzsche's attack on Judaism and Christianity. The book contains studies of his view of biblical figures, Luther and Pascal as well as comparisons of his thought with that of Spinoza, Lessing, Heine, and Kierkegaard.

Provides a critical study of all seven of Hoffmann's Kunstmarchen. Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality.

These previously published essays discuss Nietzsche's influence on Arthur Schnitzler, Carl Sternheim, Georg Kaiser, Robert Musil, and Hermann Hesse. As a Festschrift, it also contains a tribute to Herbert W. Reichert and a bibliography of his writings.

Relying on an edition of Novalis' notebooks which includes much of the author's scientific and philosophical musings, Neubauer's study evaluates Novalis' outline for a creative science and philosophical background of the eighteenth century.

These essays represent the push to provide interdisciplinary Brecht research to English-speaking audiences following his death in 1956 and offer novel readings of his works indicative of the major literary questions of the time. The essays explore both Brecht's theoretical approach and political thought.

These essays range from close textual analysis to discussions of larger problems such as Goethe's relation to Christianity as illuminated by the theme of sacrifice in Faust. This work is viewed with particular reference to Goethe's natural scientific epistemology and to the problems confronting Western man in our own times.

The novelty of this study lies in its techniques for understanding the deliberate narrative contradictions and elusive parody in Goethe's work. Interpretation of the entire Unterhaltungen, including the Marchen, establishes Goethe's principles of cyclical composition.

A poetic English rendering of Rainer Maria Rilke's Duineser Elegien printed together with the original German on facing pages. The translation places high value on conveying the meaning of the Elegies, although it does not attempt to retain the original meter.

Originally published in 1967, Richard Allen's volume with a foreword by Robert Weiss was the first comprehensive bibliography of Arthur Schnitzler's writings, including his literary works, philosophical reflections, essays, correspondence, and medical writings, together with general criticism and dissertations on the author.

Examines the way in which the identity of foreign workers and foreign writers in Germany is negotiated on the basis of language use and literary activity. The book looks at the history of immigration to Germany since the turn of the century and a description of the social situation of foreigners living there at the dawn of the twenty-first century.

Originally published in 1955, this rendering in rhyming couplets was the first English translation to appear of the medieval Oedipus legend of Gregorius, made known to readers by Thomas Mann in his novel The Holy Sinner (1951). The introduction situates Hartmann's poem in the pantheon of Gregorius legends by writers from Sophocles to Mann.