Books in the University of North Carolina Studies in Germanic Languages and Literature series

Examines the way in which the identity of foreign workers and foreign writers in Germany is negotiated on the basis of language use and literary activity. The book looks at the history of immigration to Germany since the turn of the century and a description of the social situation of foreigners living there at the dawn of the twenty-first century.

Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stephan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film.

In this 1954 study of poetic realism and the Novelle form, Silz examines nine Novellen by Brentano, Arnim, Droste-Hulshoff, Stifter, Grillsparzer, Keller, Meyer, Storm and Hauptmann. Through his textual interpretation of these works Silz draws the threads of the transition from Romanticism to Naturalism and the development of the Novelle form.

Critics have called Else Lasker-Schuler the greatest of all German women poets and one of the finest Jewish poets. This selection of translations by Robert Newton, supplemented by a biographical and critical introduction and a selected bibliography, was the first substantial presentation of her works in English at its original publication in 1982.

Presents in comprehensive fashion the extraordinary development of Ariadne auf Naxos from its conception to the final operatic version. The unique collaboration of Hofmannsthal and Strauss is examined and the classical myths that served as a basis for the libretto are investigated.

An essential tool for gaining access to the writings of the humanist Peter Schott. The commentary volume comprises explanatory notes to Volume I, including English summaries of all items and, in addition, pertinent cultural, economic, and political information.

Ulrich von Hutten (1488-1523), Renaissance-Reformation publisher and ardent champion of German nationalism, has previously been characterized as a bitter and vehement political satirist. From this concise, critical survey of his comic writing a more balanced, congenial image of Hutten emerges.

Provides a critical study of all seven of Hoffmann's Kunstmarchen. Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality.

The first comprehensive study of the dramas of Nicodemus Frischlin (1547-1590), one of the most versatile and complex playwrights of early modern Germany. Frischlin's broad range encompassed biblical, confessional, and historical drama, all of which expressed bold social and political criticism.

Philosophers, theologians, and literary historians discuss important aspects of Nietzsche's attack on Judaism and Christianity. The book contains studies of his view of biblical figures, Luther and Pascal as well as comparisons of his thought with that of Spinoza, Lessing, Heine, and Kierkegaard.