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Books in the University of Toronto Romance Series series

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  • - Sa Vie et Ses Ouvrages
    by Charles Baudelaire
    £20.49

    The earliest foreign study of the life and works of Edgar Allan Poe, the text presented in this volume is something of a landmark in the history of comparative literature.

  • - Emblem and Ritual in Baroque Spain
    by Bradley J. Nelson
    £37.99

    The Persistence of Presence analyzes the relationship between emblem books, containing combinations of pictures and texts, and Spanish literature in the early modern period.

  • - Reading Contemporary French Theory and Fiction Ecologically
    by Stephanie Posthumus
    £53.49

    French Ecocritique is the first book-length study of the culturally specific ways in which contemporary French literature and theory raise questions about nature and environment.

  • - Orientalism, France, and the Maghreb
    by Farid Laroussi
    £62.49

    Postcolonial Counterpoint is a critical study of Orientalism and the state of Francophone and postcolonial studies, examined through the lens of the historical and cross-cultural relations between France and North Africa.

  • by William Calin
    £44.99

    Calin develops a synthesis of medieval French and English literature that will be especially useful for classroom study.

  • - The Poetry of Things in Twentieth-Century France and America
    by John C. Stout
    £72.49

    Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century.

  • - Reading and Masculinity in Fin-de-Siecle France
    by Francois Proulx
    £70.49

    Victims of the Book shows how the adolescent male reader became a subject of grave social concern in late-nineteenth-century France and how a new generation of writers later reworked the novel to subvert cultural norms about masculinity.

  • - Clarice Lispector and the Aural Novel
    by Marilia Librandi
    £64.49

    Writing by Ear examines the explicit articulation of listening-in-writing found in the work of Brazilian novelist Clarice Lispector. The terms "writing by ear," the "aural novel," and "echopoetics" rethink fiction as a poetics of listening to the world.

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