Books in the University of Toronto Romance Series series

Suellen Diaconoff situates French-language texts from Moroccan women writers in a discourse of social justice and reform, arguing that they contribute to the emerging national debate on democracy and help to create new public spaces of discourse and participation.

The Persistence of Presence analyzes the relationship between emblem books, containing combinations of pictures and texts, and Spanish literature in the early modern period.

French Ecocritique is the first book-length study of the culturally specific ways in which contemporary French literature and theory raise questions about nature and environment.

Postcolonial Counterpoint is a critical study of Orientalism and the state of Francophone and postcolonial studies, examined through the lens of the historical and cross-cultural relations between France and North Africa.

Calin develops a synthesis of medieval French and English literature that will be especially useful for classroom study.

This study outlines and reiterates the relationship of theatre to casuistry, the Jesuit contributions to Spanish literary theory and practice, and the importance of casuistry for the study of early modern subjectivity.

In this book, Albert W. Halsall presents the first complete treatment in English of Hugo's plays - a history, plot summary, and detailed analysis of all the dramas, from Cromwel and Torquemada to the juvenilia and the epic melodrama Les Burgraves.

This study sets out to help restore Persiles to pride of place within Cervantes's corpus by reading it as the author's summa, as a boldly new kind of prose epic that casts an original light on the major political, religious, social, and literary debates of its era.

Gretchen Schultz explores how male writers and their readers in late nineteenth-century France took lesbianism as a cipher for apprehensions about sex and gender during a time of social and political upheaval.

A short essay and never before published photographs by Emile Zola during his self-imposed exile in England in the late nineteenth-century.

Dressed to Kill reconciles Zayas's Desenga os with the age in which it was written, contextualizing the book in baroque poetics, the Spanish honour code, and fifteenth-century martyr saints' lives.

On the Defensive considers how our ethical responses to the Nazi camps have unintentionally repressed and denied the experiences of their victims.

Calin explores the 20th-century renaissance of literature in the minority languages of Scots, Breton, and Occitan, and demonstrates that all three literatures have evolved in a like manner, repudiating their romantic folk heritage.

Analyses three important Latin American novels in an attempt to redefine the nature of the picaresque, especially in regard to the roles of spontaneous play and carnivalesque laughter.

Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century.

The Writing in the Stars explores Paz's life and ideas by establishing a dialogue between the structure and recurring images of his major poems and the ideas of Carl Jung.

Victims of the Book shows how the adolescent male reader became a subject of grave social concern in late-nineteenth-century France and how a new generation of writers later reworked the novel to subvert cultural norms about masculinity.

Writing by Ear examines the explicit articulation of listening-in-writing found in the work of Brazilian novelist Clarice Lispector. The terms "writing by ear," the "aural novel," and "echopoetics" rethink fiction as a poetics of listening to the world.