Books in the Verso Modern Classics series

Galvano Della Volpe was the dominant philosopher of Italian Marxism for twenty years after the Liberation. His most important book was a work of aesthetic theory—Critique of Taste. Della Volpe, proponent of a robust materialism in all his writings, was concerned to rehabilitate the inherently rational and intellectual nature of art. Opposing both the sociological reductionism of Plekhanov or Lukács, and the formalist irrationalism of Croce or New Criticism, Della Volpe’s aim was to demonstrate that conceptual meaning is always inseparable from aesthetic effect.Whether he is discussing Pindar or Góngora, Cleanth Brooks or Roland Barthes, Goethe or Mallarmé, Della Volpe is always challenging, always illuminating. Critique of Taste represents one of the major crossroads of twentieth-century aesthetics.

Antonio Gramsci was born in Sardinia in 1891, became the leader of the Italian Communist Party in his early thirties, was arrested by Mussolini’s police in 1927, and remained imprisoned until shortly before his death ten years later. The posthumous publication of his Prison Notebooks established him as a major thinker whose influence continues to increase.Fiori’s biography enlarges upon the facts of Gramsci’s life through personal accounts, and through Gramsci’s own writings to relatives and friends. In relating Gramsci’s growth as a political leader and theorist to his private experience, it offers acute insights into his involvement in the factory councils movement. It examines his relationship with political opponents, including Mussolini, and with his comrades within the Communist Party before and during Gramsci’s imprisonment. It is an approach which seeks to explicate, as well as underscore, the substantial achievement of one of the most important figures in western Marxism.