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This study considers Wharton's fiction as a reaction against both the male pastoral romance and the female domestic novel. It argues that her novels are concerned with the bond that exists between the individual and society rather than an escape from, or passive acceptance of, social constraints.
Through close readings of Doris Lessing's novels from The Grass is Singing to The Fifth Child, Margaret Moan Rowe maps many of the literary and cultural negotiations that make Doris Lessing both a maverick and a mainstream novelist.
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