Books in the Works by Erich Neumann series

This selection of essays by one of C. G. Jung's favorite and most creative students explores important connections between analytical psychology and the study of literature and art.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Israeli analytical psychologist Erich Neumann, whom C. G. Jung regarded as one of his most gifted students, devoted much of his later writing to the theme of creativity. This is the third volume of Neumann's essays on that subject. Neumann found his examples not only in the work of writers and artists--William Blake, Goethe, Rilke, Kafka, Klee, Chagall, Picasso, Trakl--but as well in that of physicists, biologists, psychiatrists, and philosophers. Confronting the problem of portraying men and women as creative beings, Neumann expanded the concepts of Jungian psychology with a more comprehensive definition of the archetype and a new concept--"e;unitary reality."e; Whether or not humanity can be restored to health from its present situation as a self-endangered species depends, according to Neumann, on whether we can experience ourselves as truly creative, in touch with our own being and the world's being. The six essays comprising this volume--"e;The Psyche and the Transformation of the Reality Planes,"e; "e;The Experience of the Unitary Reality,"e; "e;Creative Man and the `Great Experience,'"e; "e;Man and Meaning,"e; "e;Peace as the Symbol of Life,"e; and "e;The Psyche as the Place of Creation"e;--all originated as lectures at the Eranos Conferences in the years 1952 to 1960.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Contains essays that reveal a concern about the one-sidedness of patriarchal Western civilization. They discuss the psychological stages of woman's development, the moon and matriarchal consciousness, Mozart's Magic Flute, the meaning of the earth archetype for modern times, and the fear of the feminine.

This landmark book explores the Great Mother as a primordial image of the human psyche. Here the renowned analytical psychologist Erich Neumann draws on ritual, mythology, art, and records of dreams and fantasies to examine how this archetype has been outwardly expressed in many cultures and periods since prehistory. He shows how the feminine has been represented as goddess, monster, gate, pillar, tree, moon, sun, vessel, and every animal from snakes to birds. Neumann discerns a universal experience of the maternal as both nurturing and fearsome, an experience rooted in the dialectical relation of growing consciousness, symbolized by the child, to the unconscious and the unknown, symbolized by the Great Mother.Featuring a new foreword by Martin Liebscher, this Princeton Classics edition of The Great Mother introduces a new generation of readers to this profound and enduring work.

Contains four essays on the psychological aspects of art that includes study of Leonardo that treats the work of art, and art itself, not as ends in themselves, but rather as instruments of the artist's inner situation; essays that discuss the relation of art to its epoch and specifically the relation of modern art to our own time; and more.