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Volume VIII contains three of Dryden's Plays, along with accompanying scholarly appartus: Wild Gallant, Rival Ladies, and Indian Queen.
In the last decade of Dryden's life, he wrote four new works: a dramatic opera; a tragedy; a tragicomedy; and appendages to an old comedy by John Fletcher. The plays are presented in this volume: "King Arthur", "Love Triumphant", "The Secular Masque" and "The Pilgrim".
The three plays in this volume, composed between 1672 or 1673 and 1675, demonstrate Dryden's versatility and inventiveness as a dramatist.
Kept women, comic clerics, and political schemers enliven the four plays in this volume of the California Dryden. Dryden asserted that The Kind Keeper was a moral play, dedicated to exposing the "e;crying sin"e; of keeping a mistress. The production was closed after three nights, but whether because of the play's success in moralizing, or in exposing, is hard to know.
Volume XI contains three of Dryden's Plays, along with accompanying scholarly appartus: The Conquest of Granada, Marriage A-la-Mode, and The Assignation.
Contains the poems of Dryden extending from 1681 to 1684. Along with the poems of Dryden and associated extensive commentaries and textual notes from the editors, this title also contains the dramatic prologues and epilogues Dryden wrote for the plays of other writers from this period of time.
This collection of prose writing from the pen of Dryden dates from 1668 to 1691, and contains work that the editors describe as "e;a sampler of Dryden as biographer-historian, political commentator, religious controversialist, literary polemicist, literary theorist, and practical critic. Among the works contained here is his "e;Essay of Dramatick Poesie."e;
This volume in the Works of John Dryden covers his last three years of published works. They begin with "Alexander's Feast" and end with "Fables", his largest miscellany of poetical translations. Included are extensive and detailed notes.
Contains the poems of Dryden extending from 1649 to 1680. Along with the poems of Dryden and associated extensive commentaries and textual notes from the editors, this title also contains the dramatic prologues and epilogues Dryden wrote for the plays of other writers from this period of time.
For the first time since 1695, a complete text of De Arte Graphica as Dryden himself wrote it is available to readers. In all, Volume XX presents six pieces written during Dryden's final decade, each of them either requested by a friend or commissioned by a publisher. Two are translations, three introduce translations made by others, and the sixth introduces an original work by one of Dryden's friends.The most recent version of De Arte Graphica, Saintsbury's late nineteenth-century reissue of Scott's edition, based the text of the translated matter on an edition that was heavily revised by someone other than Dryden. In fact, only one of the pieces offered here, the brief Character of Saint-Evremond, has appeared complete in a twentieth-century edition. The commentary in this volume supplies biographical and bibliographical contexts for these pieces and draws attention to the views on history and historians, poetry and painting, Virgil and translation, which Dryden expresses in them.Many other volumes of prose, poetry, and plays are available in the California Edition of The Works of John Dryden.
This volume contains Dryden's 1688 translation of Dominiques Bouhours "The Life of St. Francis Xavier," a sixteenth century Jesuit and missionary to the Far East.
This volume contains Dryden's 1684 translation of Louis Maimbourg's "e;The History of the League,"e; a work relating to the religious wars of France in the preceding century, and which Dryden used as a commentary on the religious persecutions of his own time in England.
Volume XIII contains three of Dryden's Plays, along with accompanying scholarly appartus: All for Love, Oedipus, and Troilus and Cressida.
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