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Edward Carey's witty and entrancing story of a young woman trapped in a ramshackle English playhouse – and the mysterious figure who threatens its very survival.Norwich, 1901. Edith Holler spends her days among the eccentric denizens of the Holler Theatre, warned by her domineering father that the playhouse will literally tumble down if she should ever leave.Fascinated by tales of the city she knows only from afar, young Edith decides to write a play of her own about Mawther Meg, a monstrous figure said to have used the blood of countless children to make the local delicacy, Beetle Spread. But when her father suddenly announces his engagement to a peculiar woman named Margaret Unthank, Edith scrambles to protect her father, the theatre, and her play – the one thing that’s truly hers – from the newcomer’s sinister designs. Teeming with unforgettable characters and illuminated by Carey’s trademark illustrations, Edith Holler is a surprisingly modern fable of one young woman’s struggle to escape her family’s control and craft her own creative destiny.
A tender and witty coming-of-age story about the power of literature to inspire new beginnings, peppered with a cast of quirky characters and a unique heroine. Clara is a hairdresser at Cindy Coiffure, a sleepy French salon with an identity crisis. Her relationship is fizzling out. Her tanoholic boss Madame Habib worships Jacques Chirac and talks longingly of her days in Paris. And now Madame Lévy-Leroyer wants to go blonde. Clara can't help but wonder if there's more to life than this . . . Everything changes when a customer leaves behind the first volume of In Search of Lost Time by Marcel Proust. As Clara reads, she discovers a new world. And slowly but surely, she will work out who she wants to be.
Nathalia Guitry was a successful photographer. Until the day she caught a murder on camera. At therapy, Doctor Faber suggests a way out of her creative block: she must write stories about the people she sees in the building opposite, floor by floor. Starting with the actor turned YouTube life coach on the ground floor and going all the way to the fifth via a cartoonist and an ex-trader, Nathalia creates vivid accounts of her Parisian neighbours' lives. But are her tales real or imaginary? As their sessions play out, the doctor becomes increasingly uncertain. And when she gets to the final floor, it's up to Faber to do the talking . . .
Shortlisted for the Oxford-Weidenfeld prizeThis New York Times best-selling graphic adaptation of Proust's classic is an accessible yet still faithful rendering of Swann's Way. Proust's oceanic novel In Search of Lost Time looms over twentieth-century literature as one of the greatest, yet most endlessly challenging, literary experiences. Now, in what renowned translator Arthur Goldhammer says might be "likened to a piano reduction of an orchestral score," the French illustrator Stéphane Heuet re-presents Proust in graphic form for anyone who has always dreamed of reading him but was put off by the sheer magnitude of the undertaking. This graphic adaptation reveals the fundamental architecture of Proust's work while displaying a remarkable fidelity to his language as well as the novel's themes of time, art, and the elusiveness of memory.
A heartbreaking tale of impossible love in late-twentieth century Egypt. Cairo, 1980s. Tarek's whole life is laid out for him. A doctor like his father, he has taken over the family medical practice, married his childhood sweetheart and is well respected in society. When he opens a clinic in a disadvantaged area of the city, he meets Ali, a young man who is free from the societal pressures that govern Tarek's life. This chance encounter will change everything, throwing Tarek's marriage, career and his entire existence into question. From bustling Cairo to the harsh winters of Montréeacute;al, from the reign of Nasser to the dawn of a new century, Tarek wanders and reminisces. Meanwhile, thousands of miles away, someone is compiling the chapters of his story . . .
A memoir and manifesto from the world's most Michelin starred chef, Alain Ducasse, with introductions by internationally renowned writer Jay McInerney and chef Clare Smyth. At twelve years old, Alain Ducasse had never been to a restaurant. Less than fifteen years later, he received his first Michelin star. Today he is one of just two chefs to have been awarded twenty-one stars. Now, for the very first time, Ducasse shares a lifetime of culinary inspirations and passions in a book that is part memoir and part manifesto. Good Taste takes us on a journey from his childhood, where he picked mushrooms with his grandfather on a farm in Les Landes, to setting up groundbreaking schools and restaurants across the world. He is now taking off his chef's whites and passing on what he knows to the next generation. Ducasse writes a poignant ode to the humble vegetables that have inspired his entire cuisine and to the masters that guided him along the way, from Paris to New York to Tokyo. As he looks to the future, he reflects on just what 'good taste' means.
Lahore's Mayo School of Arts, as the National College of Arts (NCA) was called then, was Pakistan's equivalent of London's South Kensington School of Design (presently Royal College of Art, UK). One of the last of the four colonial art schools established in India, the others being in Calcutta, Bombay and Madras, the Mayo School of Arts was founded in 1875 to perpetuate the memory of the Lord Earl of Mayo, the only Indian Viceroy to be murdered while in office. Established by Rudyard Kipling's father Lockwood Kipling, the school had on its staff some of the most renowned names in the Indian art world, such as Ram Singh, Percy Brown, Lionel Heath, S. N. Gupta, B. C. Sanyal and A. R. Chughtai. The Mayo School gave birth to the most celebrated Indian art historical publication in the world, the Journal of Indian Art and Industry. The journal ran 30 illustrated volumes published by London's Imperial Publishers using the most advanced techniques of chromolithography. The pioneers of colonial anthropology in Punjab, the fabled "e;men on the spot,"e; such as Richard Temple, Denzil Ibbetson and Baden Powell, were associated with the establishment and administration of the Mayo School of Arts. They played a foundational role in the ethnographic reconstruction of artisan castes as suitable boys of "e;primitive"e; tribal Punjabi society through administrative reports, exhibition catalogues and gazetteer literature. Constituting the colonial cultural subtext to art education, the colonial discourses provided necessary anthropological foundations for the education of the "e;primitive"e; artisans in the industrial art schools of Punjab. Through its pedagogy, the Mayo School also framed the emergence of the Indo-Saracenic school of architecture and patronized the traditional styles of paintings in Punjab.Despite its strong industrial art agenda, in the early decades of the twentieth century, the Mayo School of Arts was able to give the Indian art world a Punjab School of modern painting. Officially acknowledged in the British Indian Empire Exhibition of 1924, the Punjab School stood apart from the Calcutta School of Indian paintings and comprised largely of drawing masters of the Mayo School. Lionel Heath, a European miniaturist, whose career as the Principal of the Mayo School is overshadowed by his equally illustrious predecessors, was responsible for Mayo School's drift into modern art. Printmaking, graphic design and sculpture made their beginning in the 1930s at the Mayo School under B. C. Sanyal and M. M. Hussain. A. R. Chughtai, one of the most illustrious painters and printmakers of the Punjab School, learnt his skills as a printmaker from the Mayo School. The Mayo School of Art's printing press designed, lithographed and printed hundreds of posters, invitation and greeting cards, calendars, illustrated educational texts, including war publicity posters, by drawing on all the major Western art movements from Arts Nova to Art Deco and Bauhaus.In the founding decades of Pakistan, to mark the cultural transition from a colonized to an independent national identity, the "e;old"e; Mayo School was reorganized and raised as the National College of Arts in 1958. To reflect its role in developing national culture and imparting professional visual art education, the NCA was established on the model of Bauhaus with three main departments in fine art, design and architecture. Some of the most important men in Pakistan's cultural history, such as poet Faiz Ahmed Faiz, painter Shakir Ali, art patron Ghulam Mueenuddin and American sculptor Mark Sponenburgh h,ave been associated with the development of the NCA as the aesthetic center of fine art and design in Pakistan.
A beautiful and beautifully simple story, from an author who has trained as a graphic designer and brings a powerful and meaningful concept to this book. A picture book for the 0-5 age group.
Don't just chase your goals, smash them - with this empowering, action-filled approach...
THE INSTANT NEW YORK TIMES BESTSELLING SERIES! OVER 2.5 MILLION COPIES SOLD, NOW IN GORGEOUS HARDBACK WITH UNIQUE FOILED JACKET, REVERSE FAN ART JACKET, EXCLUSIVE ENDPAPERS AND STUNNING FOILED BOARD.From the No. 1 international bestselling author of Powerless, comes a sizzling and heart-racing story set in the Kingdom of Ilya. Perfect for fans of The Hunger Games and Fourth Wing. Adena and Paedyn have always been inseparable. Fate brought them together when they were young, but friendship ensured they’d always protect each other and the home they built in the slums of Loot. But now Paedyn – an Ordinary – has been selected for The Purging Trials, which means almost certain death. Now alone in Loot, Adena must fend for herself. After attempting to steal, it’s a mysterious man from the market who comes to her rescue. Mak’s shadowy past and secretive power set him apart from the other low-level Elites of Loot. And as the pair team up to see their loved ones before the Trials begin, the quest tests their loyalty, their love, and their lives… Follow Lauren Roberts on TikTok and Instagram @LaurenRobertsLibrary Powerless and Reckless available now. Fearless available to pre-order now. RETURN TO ILYA WITH THIS UNMISSABLE COMPANION TO THE MULTI-MILLION COPY BESTSELLING POWERLESS TRILOGY.Praise for Powerless: ‘Nothing short of epic’ Rosie Talbot, bestselling author of Sixteen Souls 'A thrilling fantasy with the most delicious slow-burn romance' M.A. Kuzniar, bestselling author of Midnight in Everwood ‘A masterpiece’ Goodreads Reader Review ‘Everyone needs to read it’ TikTok Review ‘The BEST book I’ve read’ NetGalley Reader Review ‘A sizzling slice of fantasy romance’ Booksellers Review ‘Incredible and impressive’ Goodreads Reader Reader ‘A riveting fantasy debut’ Bookseller Review ‘This destroyed me... In a good way!’ Bookseller Review
"The author opens a powerful dialogue between agricultural history on the one hand and environmental history on the other... a brilliant and provocative synthesis of a thousand years of coastal farming." Tim Soens, University of Antwerp, Belgium.
Hundreds of actors were auditioned, but only two remained. This novel tells the story of the boy who wasn't chosen. It's 1999. Martin Hill is ten years old, crazy about Arsenal and has a minor crush on a girl named Betty. Then he makes it to the final two in the casting for Harry Potter and the Philosopher's Stone. In the end, the other boy is picked for the role of a lifetime. A devastated Martin tries to move on with his life. But how can he escape his failure, especially when it's the most famous film series in the world?Foenkinos's smash-hit Second Best is a playful, poignant story about fate, loss and forging one's own path in an age of never-ending comparison.
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