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PHILOSOPHY OF THE SKY is not a work of philosophy in an academic or traditional sense. It is, however, highly philosophical, totemic, and personal. In the book, Evan uses the sky as an abstract philosophical concept, like a cinematic backdrop, to explore conceptual associations between selfhood, objecthood, the body, apocalypticism, masculinity, masturbation, and self-destruction. The text, symbol, and glyph are partially augmented by chance cut-up processes such as language translators, Markov chain generators, and AI natural language generators for the purpose of eliminating narrative preconception, discovering subconscious visual realms, and spotlighting a point of tension between natural and artificial aesthetic forms. The formatting of text becomes an important cinematographic framing tool.
In 1994, in the company of Italian anarchist & photographer "Dekaro," the author travelled across Morocco & the disputed Western Sahara. The notebooks from that journey furnished the basis for The Garden which, after appearing piecemeal in magazines, was published as the inaugural title in the Salt Modern Fiction Series (Cambridge, 2001). Long out-of-print, this complete, unexpurgated edition restores to its full scope a work that more than twenty years after it was written remains confronting.
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