Books published by Aarhus University Press

Explores the stories of German refugees who fled to Denmark during World War II.

Tiende bind i Det Danske Institut i Athens skriftserie. Dette nummer indeholder bidrag om den danske diplomat Holger Andersens antiksamling på Haderslev Katedralskole, søofficeren Frederik von Scholtens tegninger og akvareller fra Athen 1824-29, en nytilskrivning af en af Ny Carlsberg Glyptoteks arkaiske sfinx-skulpturer til den kendte Kalvebærer/Moscophoros-mester, dansk-græske udgravninger i den antikke by Sikyon på det nordlige Peloponnes og om fund fra udgravninger på Cypern.

The book introduces a largely unknown chapter in the history of Danish and Muscovite foreign policy and diplomacy by addressing the unprecedented treaties of alliance and cooperation concluded by the two powers in the final decades of the Middle Ages.

The history of modern design and architecture has seen many attempts to embrace and merge different art forms, and to bring art into the framing of everyday life and the organisation of modern society, in a process understood as total design or total architecture. These attempts were historically based on the romanticist idea of merging all art forms into a uniting and transgressing work of art, mostly associated with – but certainly not limited to – Richard Wagner’s theoretical writings and musical dramas.This utopian dream of the Gesamtkunstwerk, or Total Work of Art, was intended both to bring unity to the people and to bring art into the everyday life of their homes, as well as into factories, cities and even modern media. As a result, the experiments ranged from music, poetry and drama to architecture, design, visual communication and city-planning. These ideas of merging art forms into more immersive and transgressive installations or design interventions to change everyday life are widespread today, but their complex and often problematic roots are mostly ignored. Design and architecture have delivered some of the broadest and most influential experiments with the Gesamtkunstwerk, from garden cities for workers and corporate identity design to the German AEG corporation.

Most food found on supermarket shelves exists because consumer research has proven that the product will be in demand once it is made available by the food industry.This book strives to shed light on the aspects of our everyday sustenance that we normally don’t think about; above all the problematic consumer unawareness of foods’ nu­tritional value – and the technology behind industrially grown, raised and manu­factured fruits, vegetables, meat, milk, eggs, processed and fast food.Our ancestors created and secured modern food production through hard work; this occurred over a couple of million years in three leaps:- Meat Cooking (1,8 million years ago)- Agriculture Society (10.000 years ago)- Industrial Specialization (300 years ago)Now, we are at the frontier of a new era of future-food, driven by the need to feed nine billion people. But there are risks, as well as rewards, we must be conscious of as we move toward these new kinds of food.Among the key question we must consider: Is your body ready for these new sources of nutrition, or might you thrive even better with the foods you are already accus­tomed to?Reading this book will reward you with a new chance to make the right choices during shopping trips to your store or on the internet – in the food jungle.The book unfolds and presents for you a map of the conditions underlying our modern food supply, to help guide you safely in navigating the food jungle and increase your feeling of responsibility for your food intake. It will make you a better shopper and consumer; and empower you to leverage your newfound knowledge in helping drive the food industry toward manufacturing the healthiest foods possible for your body.

Danish director Lars von Trier has produced more than 20 films since his first appearance with The Elements of Crime in 1984. One of the most acknowledged – and most controversial – film directors of our time, Trier’s films often escape the representational production of meaning. In Lars von Trier’s Renewal of Film 1984-2014. Signal, Pixel, Diagram scholar Bodil Marie Stavning Thomsen offers a comprehensive discussion of Lars von Trier’s collected works. Examining Trier’s experiments with narrative forms, genre, camera usage, light, and colour tones, she shows how Trier’s unique ethically involving style activates the viewer’s entire perception apparatus. In understanding this affective involvement, the author frames the discussion around concepts from Gilles Deleuze, Alois Riegl, Brian Massumi and others on the haptic image, the diagram, affect and the signaletic material.