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In purely poetic value, Paradise Regained is little inferior to its predecessor. There may be nothing in the poem that can quite touch the first two books of Paradise Lost for magnificence; but there are several things that may fairly be set beside almost anything in the last ten. The splendid "stand at bay" of the discovered tempter -- "'Tis true I am that spirit unfortunate" -- in the first book; his rebuke of Belial in the second and the picture of the magic banquet (it must be remembered that, though it is customary to extol Milton's asceticism, the story of his remark to his third wife and the Lawrence and Skinner sonnets, go the other way); above all, the panoramas from the mountaintop in the third and fourth; the terrors of the night of storm; the crisis on the pinnacle of the temple -- are quite of the best Milton, which is equivalent to saying that they are of the best of one kind of poetry. -- The Cambridge History of English and American Literature
The Visionary; or, Pictures from Nordland (Den Fremsynte) was first published in English translation in 1894.
Also included in this volume are "A Haunted Island," "A Case of Eavesdropping," "Keeping His Promise," "With Intent to Steal," "The Wood of the Dead," "Smith: An Episode in a Lodging-House," "A Suspicious Gift" and many more.
New Inn, the background of this story and one of the last surviving inns of Chancery, has recently passed away after upwards of four centuries of newness. Even now, however, a few of the old, dismantled houses (including perhaps, the mysterious 31) may be seen from the Strand peeping over the iron roof of the skating rink which has displaced the picturesque hall, the pension-room and the garden. The postern gate, too, in Houghton Street still remains, though the arch is bricked up inside. Passing it lately, I made the rough sketch which appears on next page, and which shows all that is left of this pleasant old London backwater. . . .
I had just finished breakfast and was filling my pipe when I got Bullivant's telegram. It was at Furling, the big country house in Hampshire where I had come to convalesce after Loos, and Sandy, who was in the same case, was hunting for the marmalade. I flung him the flimsy with the blue strip pasted down on it, and he whistled. "Hullo, Dick, you've got the battalion. Or maybe it's a staff billet. You'll be a blighted brass-hat, coming it heavy over the hard-working regimental officer. And to think of the language you've wasted on brass-hats in your time!" I sat and thought for a bit, for the name "Bullivant" carried me back eighteen months to the hot summer before the war. I had not seen the man since, though I had read about him in the papers. For more than a year I had been a busy battalion officer, with no other thought than to hammer a lot of raw stuff into good soldiers. I had succeeded pretty well, and there was no prouder man on earth than Richard Hannay when he took his Lennox Highlanders over the parapets on that glorious and bloody 25th day of September. Loos was no picnic, and we had had some ugly bits of scrapping before that, but the worst bit of the campaign I had seen was a tea-party to the show I had been in with Bullivant before the war started. The sight of his name on a telegram form seemed to change all my outlook on life.
Sir Nigel is a historical novel set during the early phase of the Hundred Years' War, spanning the years 1350-56 and written in 1906. It is the background story to Doyle's earlier novel The White Company.
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