Books published by American University in Cairo Press

Volume one of Taha Hussein's classic work, unabridged, and supported with robust comprehension, interpretation, and analytical exercises, for advanced learners of ArabicTaha Hussein's autobiographical novel The Days helped usher in the era of modern Arabic writing and remains one of the most influential and best-known works of Arabic literature. With this guided study, the complete first volume of the novel is accessible to students of Arabic in a way never previously available. While Arabic literature provides a vast body of texts as a window into diverse cultures and eras, the lack of useful teaching material has often forced teachers to spend much of their time creating supplemental material, rather than focusing on the exploration of literary art and themes. This study will walk Arabic students through the unabridged novel in manageable lessons, supported with robust comprehension, interpretation, and analytical exercises, focusing on the historical context, elements of literature, and social themes. This book is organized to mirror the way an experienced teacher of Arabic literature would structure the lessons, and is thus perfectly suited as a textbook for an advanced Arabic or Arabic literature class, or as an independent study package for learners.

A guide to the Nubian Monuments with an introduction to the history and culture of Nubia during the pharaonic period

A stunning photographic compilation of Egypt's abandoned palaces and grand buildingsBetween 1860 and 1940, Cairo and other large cities in Egypt witnessed a major construction boom that gave birth to extraordinary palaces and lavish buildings. These incorporated a mix of architectural styles, such as Beaux-Arts and Art Deco, with local design influences and materials. Today, many lie empty and neglected, rapidly succumbing to time, a real-estate frenzy, and an ongoing population crisis. In 2006 Russian-born photographer Xenia Nikolskaya began the process of documenting these structures. She gained exceptional access to them, taking photographs at some thirty locations, including Cairo, Alexandria, Luxor, Minya, Esna, and Port Said. These photographs were documented in the first edition of Dust: Egypt's Forgotten Architecture, which soon after its release in 2012 became a rare collector's item.This revised and expanded edition includes photographs from the first edition together with extra unseen images and new photographs taken by Nikolskaya between 2013 and 2021. It also includes previously unpublished essays by Heba Farid, co-owner of the Cairo-based photo gallery Tintera, and architect and urban planner Omar Nagati, co-founder of CLUSTER, an urban design and research platform also in Cairo.Dust: Egypt's Forgotten Architecture leads us seductively into some of the most breathtaking architectural spaces of Egypt's recent past, filled with a sense of both the immense weight and the impermanence of history.

A fascinating, richly illustrated study of the role and significance of ancient statues in Egyptian history and beliefWhy do ancient Egyptian statues so often have their noses, hands, or genitals broken? Although the Late Antiquity period appears to have been one of the major moments of large-scale vandalism against pagan monuments, various contexts bear witness to several phases of reuse, modification, or mutilation of statues throughout and after the pharaonic period. Reasons for this range from a desire to erase the memory of specific rulers or individuals for ideological reasons to personal vengeance, war, tomb plundering, and the avoidance of a curse; or simply the reuse of material for construction or the need to ritually "deactivate" and bury old statues, without the added motive of explicit hostility toward the subject in question.Drawing on the latest scholarship and over 100 carefully selected illustrations, Ancient Egyptian Statues proceeds from a general discussion of the production and meaning of sculptures, and the mechanisms of their destruction, to review the role of ancient statuary in Egyptian history and belief. It then moves on to explore the various means of damage and their significance, and the role of restoration and reuse.Art historian Simon Connor offers an innovative and lucidly written reflection on beliefs and practices relating to statuary, and images more broadly, in ancient Egypt, showing how statues were regarded as the active manifestations of the entities they represented, and the ways in which they could endure many lives before being finally buried or forgotten.

GOURMAND AWARD WINNER 2023, BEST ILLUSTRATEDA delightfully illustrated selection of 100 commonly used Egyptian food expressions Can you guess what Egyptians mean when they say that something is "a peeled banana" or that someone is "sleeping in honey" or has "turned the sea to tahini"? You may find the answers quite unexpected when you open the pages of this delightful giftbook featuring some one hundred popular food-inflected phrases and sayings used by native speakers of Egyptian Arabic.Idiomatic expressions lend color, dynamism, and humor to everyday speech, and convey complex ideas and beliefs with an economy of words that also tell us something about the culture from which they spring. Each expression in Fish, Milk, Tamarind is given in Arabic script and English transliteration followed by its literal and intended meanings, while humorous color illustrations throughout help readers visualize and remember the expressions. Learners and native speakers of Arabic, as well as Egypt enthusiasts and language lovers will find much in this book to teach, entertain, and enthrall them.

"First published in Arabic in 2018 as Awlad haratina: sirat al-riwaya al-muharrama"--Title page verso.

"The art of the mosaic was developed by the Greeks, notably within the royal court of Macedonia, and was initially unknown to the Egyptians. Macedonian mosaicists then established busy workshops in the capital, Alexandria, and in the new towns of Greek Egypt. Under the stimulus of commissions from the Ptolemaic court, these workshops soon showed that they were capable of innovation. Beginning with pebbles, they then used tesserae of different sizes, and adopted new materials (glass, faience, paint) in order to transpose onto the floor images from grand paintings, which was the major art form of the time and was characterized by the vivid use of color. Alexandrian mosaicists were at the forefront of creativity during the Hellenistic period and their influence spread around the Mediterranean. After the Roman conquest of Egypt they adapted to the tastes of their new sponsors and to changes in architecture and were able to retain an important place within this art as it developed across the entire empire, in Rome and from east to west. The Mosaics of Alexandria provides the first overview of the mosaics and pavements of Egypt that were created between the end of the fourth century BC and the sixth century AD. It presents a selection of some seventy mosaics and pavements from Alexandria and Greco-Roman Egypt. Generally little known and more often than not unpublished, these works are illustrated here in full color, some for the first time. The aim is to better understand the artistic and artisanal production of a type of decoration that played an important role within the living environment of the ancients."--

""There could be no society, no family, and no social recognition without children. The way in which children were perceived, integrated, and raised within the family and the community established the very foundations of Egyptian society. Childhood in Ancient Egypt is the most comprehensive attempt yet published to reconstruct the everyday life of children from the Predynastic period to the end of the New Kingdom. Drawing on a vast wealth of textual, iconographic, and archaeological sources stretching over a period of 3,500 years, Amandine Marshall pieces together the portrait of a society in which children were ever-present in a multiplicity of situations. The ancient sources are primarily the expressions of male adults, who were little inclined to take an interest in the condition of the child, and the feelings of young Egyptians and all that touches on their emotional state can never be deduced from the sources. Nevertheless, by cross-referencing and comparing thousands of documents, Marshall has been able to explore how ancient Egyptians perceived children and childhood, and whether children had a particular status in the eyes of the law, society, and the Egyptian state. She examines the maintenance of the child and the care expended on its being, and discusses the kinds of clothing, jewelry, and hairstyles children wore, the activities that punctuated their daily lives, the kinds of games and toys they enjoyed, and what means were employed to protect them from illness, evil spirits, or ghosts. Accessibly written and copiously illustrated with 160 drawings and photographs, this book sheds unprecedented light upon the experience of childhood in ancient Egypt and represents a major contribution to the growing field of ancient-world childhood studies.""--

"The Fayoum, a broad, fertile depression in Egypt's Western Desert, known for its great salt lake, its rich green fields, and its unique pharaonic and Greco-Roman remains, is also home to three very different centers of pottery production. The potters of Kom Oshim specialize in decorated garden pots and other utilitarian ware, and guard the special secret of how to make the largest clay vessels in Egypt, up to an extraordinary two and a half meters tall. At al-Nazla, ancient traditions are kept alive, as members of a single extended family continue to use millennia-old techniques passed down from generation to generation, hand-forming among other things their distinctive spherical water jars with amazing dexterity and speed. In the small village of Tunis, the establishment of a pottery school by a Swiss couple in 1990 led to a complete transformation, and the village now hosts more than twenty-five pottery workshops and showrooms, whose products are sold in Cairo, London, and New York. In this lively insight into a varied and vital craft, the author reveals the stories of the three villages and the skilled potters who make their living there, looking at how they learned their trade and how they work, from the preparation of the clay to the formation of the pots on the wheel or by hand, to the decoration, the glazing, and the firing, and finally to the display or distribution and sale of the finished product. For past and future travelers to Egypt, lovers of the craft of pottery, practitioners, and collectors, this beautifully illustrated exploration of the ceramics of the Fayoum will inspire and enchant."--

Debut in English from an novelist who is both a bestselling author in his home country and has been shortlisted for the "Arabic Booker," the International Prize for Arabic Fiction. Deftly combines historical events and figures with fiction. Hinges on the real-life, infamous heist in which a prominent businessman was murdered in his Cairo villa in the 1920s. The book is in development for a Netflix series

A magical story of a Crusade-era bookseller who embarks on a journey through the Islamic world's great medieval cities, winner of the Naguib Mahfouz Medal for Literature In the epic fashion of the great Arab explorers and travel writers of the Middle Ages, scribe and bookworm Mazid al-Hanafi narrates this journey from his remote village in the Arabian Desert. Dreaming of grand libraries, his passion for the written word draws him into a secret society of book smugglers and into the famed cultural capitals of the period-Baghdad, Jerusalem, Cairo, Granada, and Cordoba. He discovers a dangerous new world of ideas and experiences the cultural diversity of the Islamic Golden Age, its sects, philosophical schools, wars, and ways of life. Omaima Al-Khamis's magical storytelling and her vivid descriptions of time and place trace a route through ancient cities and cultures and immerse us in a distant era, uncovering the intellectual debates and struggles which continue to rage today.

"The Gaza Strip is one of the most beleaguered envrionments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza's inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. Open Gaza engages the Gaza Strip within and beyond the logics of siege and warfare, it considers how life can be improved inside the limitations imposed by the Israeli blockade, and outside the idiocy of violence and warfare"--

In this important and timely publication, top international scholars present current research and developments about the art, archaeology, and history of the ancient city of Palmyra, a UNESCO World Heritage site located in Syria. Palmyra became tragic headline news in 2015, when it was overtaken by the Islamic State of Iraq and the Levant (ISIS), which destroyed many of its monuments and artifacts. The essays in this book include new scholarship on Palmyra's origins and evolution as well as developments from both before and after its damage by ISIL, providing new information that will be relevant to current and future generations of art historians and archaeologists.