Books published by Anthem Press

A collection of essays from a wide range of disciplines, "The Social Ecology of Border Landscapes" addresses social ecologies in the marginal spaces, liminal landscapes and territorial interfaces of border zones.

Death of a Prototype is the first work by Victor Beilis to make it into English since the single-volume publication in 2002 of a duo of novellasThe Rehabilitation of Freud & Bakhtin and Others( translated by Richard Grose). Much like the novellas that preceded it, Death of a Prototype is a hyper-allusive and self-consciously difficult work: Beilis delights in intertextual play, inviting the reader to unravel a complex web of quotations, references and paraphrases. The author engages closely with an entire spectrum of Russian and European cultural traditions, from classical antiquity to twentieth-century postmodernism. The visual arts unsurprisingly play a particularly important role in the novel. So, too, is visuality in general: seeing and being seen, acts of perception and observation, gazing, glancing and glimpsing. The reader is confronted with an intimidating array of literary styles, all jostling against one another. Alongside several dialogue-heavy chaptersnot all that different stylistically from much contemporary fictionreaders encounter poetic, archaicized prose, self-referential literary analysis, Joycean stream of consciousness, among others.

'Post-Multicultural Writers as Neo-Cosmopolitan Mediators' argues the need to move beyond the monolingual paradigm within Anglophone literary studies. Using Lyotard's concept of post as the future anterior (back to the future), this book sets up a concept of post-multiculturalism salvaging the elements within multiculturalism that have been forgotten in its contemporary denigration. Gunew attaches this discussion to debates in neo-cosmopolitanism over the last decade, creating a framework for re-evaluating post-multicultural and Indigenous writers in settler colonies such as Canada and Australia. She links these writers with transnational writers across diasporas from Eastern Europe, South-East Asia, China and India to construct a new framework for literary and cultural studies.This book provides an overview of concepts in the field of literary and cultural neo-cosmopolitanism, demonstrating their usefulness in re-interpreting notions of the spatial and the temporal to create a new cultural politics and ethics that speak to our challenging times. The neo-cosmopolitan debates have shown how we are more connected than ever and how groups and geo-political areas that were overlooked in the past need to be brought to the center of our cultural criticism so that we can engage more ethically and sustainably with global cultures and languages at risk. In her wide-ranging study of world writers, Gunew juxtaposes Christos Tsiolkas, Brian Castro and Kim Scott from Australia with Canadian writers such as Shani Mootoo, Anita Rau Badami and Tomson Highway, connecting them to other Europeans such as Dubravka Ugresic and Herta Mller. [NP] This book analyses diaspora texts within neo-imperial globalization where global English often functions as metonym for Western values. By introducing the acoustic 'noise' of multilingualism (accents within writing) in relation to the constitutive instability within monolingual English studies, Gunew shows that within global English diverse forms of 'englishes' provide routes to more robust recognition of the significance of other languages that create pluralized perspectives on our social relations in the world.

There are many factors that contributed to the proliferation of visual codes, metaphors and references to the gaze in women's fiction of the late-eighteenth and early-nineteenth centuries. 'Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney' argues that the visual details in women's novels published between 1778 and 1815 are more significant than scholars have previously acknowledged. Its innovative study of the oeuvres of Jane Austen, Ann Radcliffe, Maria Edgeworth and Frances Burney shows that visuality - the continuum linking visual and verbal communication - provided women writers with a methodology capable of circumventing the cultural strictures on female expression in a way that allowed for concealed resistance. Visuality empowered them to convey the actual ways in which women 'should' see and appear in a society in which the reputation was image-based.The discussion moves from self-referential coordinates exterior to the self in the novels of Austen and Radcliffe to the drama of reflections, fashion and the minutiae of coded self-display in the novels of Edgeworth and Burney. The analysis engages with scholarly critiques drawn from literature, art history, optics, psychology, philosophy and anthropology to assert visuality's multidisciplinary influences and diplomatic potential. The non-chronological structure embraces overlapping themes rather than the illusion of a conclusive departure from the reciprocity between the appearance and the essence.'Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney' explores how in fiction and in actuality, women negotiated four scopic forces that determined their 'looks' and manners of looking: the impartial spectator, the male gaze, the public eye and the disenfranchised female gaze. In a society dominated by 'frustrated utterance', penetrating gazes and the perpetual threat of misinterpretation, women novelists used references to the visible and the invisible to comment on emotions, socioeconomic conditions and patriarchal abuses. Austen, Radcliffe, Edgeworth and Burney provide ideal case studies in this regard because they were culturally representative figures who also experimented with and contributed to different approaches to the novel. This book thus offers new insights into verbal economy and the gender politics of the era spanning the Anglo-French War and the Battle of Waterloo by reassessing expression and perception from a uniquely telling yet largely overlooked point of view.

Brexit traces the implications of the UK's projected withdrawal from the EU, placing short-term political fluctuations in a broader historical and social context of the transformation of European and global society.

Western industrialism has achieved miracles, promoting unprecedented levels of prosperity and raising millions around the world out of poverty. Industrial capitalism is now diffusing throughout the East. Japan, the four Tigers (Korea, Taiwan, Singapore and Hong Kong) and China are all incorporating themselves into the global industrial world. India, Brazil and many others are expected to follow the same course. But as China, India and other industrializing giants grow, they confront an inconvenient truth: they cannot rely on the Western industrial development model of fossil-fueled energy systems (resource throughput rather than circularity and generic finance) because these methods cause extreme spoliation of the environment and raise energy security, resource security and global warming concerns.By necessity, a new approach to environmentally conscious development is already emerging in the East, with China leading the way in building a green industry at scale. As opposed to Western zero-growth advocates and free-market environmentalists, it can be argued that a more sustainable capitalism is being developed in China - to counter black developmental model based on coal. This new 'green growth' model of development, being perfected in China and now being emulated in India, Brazil, South Africa (and eventually by industrializing countries elsewhere), as well as by advanced industrial countries such as Germany, looks to become the new norm in the twenty-first century. Its core advantages are the energy security and resource security that are generated.The British scientist James Lovelock has done the world an enormous service by formulating the theory of a 'living earth' named Gaia, where life self-regulates itself and the planet by keeping the atmospheric environment more or less constant, and likewise the environment of the oceans. In China's Green Shift, Global Green Shift, Mathews proposes a way in which Gaia (a product of the processes of the earth) can be complemented by Ceres (our own creation of a renewable energy and circular economy system). Can these two concepts of how the earth works, represented by two powerful deities, be reconciled? While Lovelock is pessimistic, asserting that Gaia will look after herself and that if we survive at all it is likely to be as a greatly diminished industrial civilization, numbering no more than one billion people, Mathews argues in this book why he believes this prognosis to be mistaken. Mathews maintains that the changes that 'we' are driving, as a species, represent a viable way forward. They give us a chance of reconciling economy with ecology - or Ceres with Gaia.

The book is a collection of nine quantitative studies - each probing one aspect of Renaissance Florentine economy and society. These are organized into three parts by topic, source material and analysis methods. Part one, on risk and return, contains two chapters. Chapter 1 studies Florentine plague outbreaks. Recent work has highlighted the incompatibility of evidence from written records with medical evidence. The chapter reconciles these approaches by using financial market evidence to interpret the written records. The next chapter examines a commonly used interest rate time series for Renaissance Florence. Significant literature has evolved during the past quarter century that measures interest rates to assess state formation trends in late medieval and early modern Europe. This chapter links financial theory and medieval law to better measure the Florentine interest rate, showing that the interest rate evidence used to date must be reconsidered.The second part examines Florentine society. This part shows how Florentine occupations can be separated into two categories by comparing wealth levels and distributions; demonstrates that the architectural and artistic explosion during the mid-fifteenth century was the result of a subsidy - a tax loophole that exempted the home and its furnishings from an significant new tax, leading to a transfer of assets into art and architecture; finds that Florentine neighbourhoods remained integrated between the mid-fourteenth and late fifteenth centuries; and provides evidence that the modern life-cycle curve of wealth accumulation might not have held true in Renaissance Florence.The final part looks at work - focusing specifically on the wool industry. It examines the historical structure of Florentine firms and offers a wide range of evidence to demonstrate that the industry's firms were small and perfectly competitive with little monopoly power. It also demonstrates the value of dynamic data in understanding women's work during the late medieval and early modern periods. Finally, it shows that the foundation of the Florentine cloth industry reduced the risk facing the individual company by relying on a combination of a guild organization and the putting-out production system - both systems that are rejected by economic theory as hopelessly inefficient.

China and Sustainable Development in Latin America documents the social and environmental impacts of the China-led commodity boom in Latin America. It also highlights important areas of innovation where governments, communities and investors have worked together to harness the commodity boom for the benefit of the people and the planet.

Bangladesh is one of the countries most vulnerable to climate change - but it is also a country that is capable of coping. Far from being a victim, Bangladesh has lessons for activists, scientists, government and donor officials and concerned citizens who want to know what climate change looks like and how to respond to it.This densely populated country feeds itself because it is in a rich delta. But that comes at the price of a volatile environment - three huge rivers bring floodwaters from the Himalayas and massive cyclones sweep up the Bay of Bengal. Once accurately described as a 'basket case' of hunger and disaster, its scientists and engineers, working with local communities, have transformed the country. Strong cyclone shelters and early warning systems now protect at-risk coastal people. Improved rice varieties and irrigation feed the nation and rapidly cut child malnutrition. Women's education has curbed population growth. Along with these changes have come measures to cope with the volatile environment.Climate change makes the problems worse, with higher temperatures and rising sea levels, heavier rain and bigger floods and stronger cyclones. Bangladeshis know what the damaged climate change will bring. The government, researchers and communities are already adapting, raising land levels to match the rise in sea level, strengthening dykes to protect against floods, producing more adaptable rice varieties and improving disaster preparation. Bangladesh is a model of climate change adaptation and a lesson for those who continue to ignore global warming.Bangladeshis have taken a leading role in international campaigning and negotiating, helping to convince industrialized countries to curb greenhouse gas emissions. Because it cannot wait for help from rich countries, Bangladesh has shouldered most of its adaptation costs. Will industrialized countries make the task harder - or will they help Bangladesh by reducing emissions and paying for the damage already done?

China and Sustainable Development in Latin America documents the social and environmental impacts of the China-led commodity boom in Latin America. It also highlights important areas of innovation where governments, communities and investors have worked together to harness the commodity boom for the benefit of the people and the planet.

Bestsellers in Nineteenth Century America seeks to produce for students novels, poems and other printed material that sold extremely well when they first appeared in the United States.

Water Security in the Middle East explores the extent and nature of water security problems in transboundary water systems in the Middle East. This collection of essays discusses the political and scientific contexts and the limitations of cooperation in water security.

What would a Jacobean audience have made of this grim exposure of human greed? This guide to the various contexts that situate 'Volpone' in its time, explains the Christian ethics, the contemporary socio-political scene, the literary atmosphere and requirements of comedy that inform the background of this dark play.

In Kolkata's traditional potter quarter of Kumartuli, a modern and a competitive market oriented approach to life is concealed behind tradition. Among the potters inhabiting the dirt-floored workshops of this caste-based neighbourhood, the history of a modern and economicly neoliberal-minded India unfolds. To these contemporary potters, caste is in their blood, caste is about being a creative and independent artist, and caste is about business as they engage in a competitive market to sell their artworks. This ethnographic study presents an analysis of these potters' lives and the related commodification and instrumentalization of caste. An important insight is that Kumartuli consists of a group of artisans turned artists who do not display passive responses to colonial and capitalist encounters. On the contrary, this monograph unearths an ingenious and business-minded group that engages actively with the modern and economic developments of society at large, and, in the process, redefines the concept of caste identity. This study suggests a new academic direction for the study of modern India, and of caste in particular, through an empirically grounded portrayal of the synthesis of traditional categories and contemporary realities.

The essays in 'Migrant Nation: Australian Culture, Society and Identity' work within the gap between Australian image and experience, focusing on particular historical blind spots by telling stories of individuals and groups that did not fit the favoured identity mould and can therefore offer fresh insights into the other side of identity construction. In this way this collection casts light onto the hidden face Australian identity and pays respect to the experiences of a wide variety of people who have generally been excluded, neglected or simply forgotten in the long-running quest to tell a unified story of Australian culture and identity, a story that is rapidly unravelling.Whether in terms of language, history, culture or personal circumstances, many of the subjects of these essays were foreign to the settler dream. The stories reveal their efforts to establish a sense of legitimacy and belonging outside of the dominant Australian story. Drawing upon memories, letters, interviews, documentary fragments and archives, the authors have in common a commitment to give life to neglected histories and thus to include, in an expanding and open-ended national narrative, people who were cast as strangers in the place that was their home.

Karl Mannheim is a classic of sociology. "The Anthem Companion to Karl Mannheim" helps us to accompany him in his open, experimental thinking, the generation of new questions, the recognition of thought experiments as well as the care for controlling evidence, and his negotiations with colleagues he encounters in his own searches. This is not simply to dismiss the elements brought together by earlier scholars into a challenging composite design, but there cannot be many authors recognized as classical who have characterized the work for which he/she is justly honored as a collection of experimental essays. Sociology of knowledge is a project, not a creed; and "Ideology and Utopia" is a documentation, not a scripture.After a brief introductory overview of Karl Mannheim's intellectual career, "The Anthem Companion to Karl Mannheim" offers fresh commentaries and explorations by an international and presently active group of scholars. As the institutionalized understanding of Mannheim's sociology of knowledge project was so long shaped by the synthetic reading by the American sociologist Robert K. Merton--a classic in his own right--the companion opens with a careful exposition and critique of that authoritative interpretation. It is followed by a close reading of the considerations that led Mannheim to move beyond the neo-Kantian epistemology of his earlier training to the project of a sociological understanding of critical knowledge. Next to come is a series of studies that marked by perspectives derived from intellectual strategies developed since the breakdown of consensus on the approaches examined in the previous section. In their variety, the studies capture a number of perspectives opened up or expanded by an understanding of Mannheim's undertaking. The key terms are familiar: self-reflexivity, praxeological sociology, neo-realism, and dramatistic readings of world-views. The angles of vision differ, but they agree in projecting new and important light on Mannheim's efforts. At the end, attention is focused on some unfamiliar links between Mannheim's work and current interests: a study of Mannheim's influence on Hannah Arendt, who knew him as teacher in Heidelberg and Frankfurt; an inquiry into Mannheim's political thought from the standpoint of contemporary democratic political theory; and an examination of Mannheim's attention to the status of women and of the work done on these matters under his tutelage by a group of talented women students.The idea of "The Anthem Companion to Karl Mannheim" is by no means to dismiss the work for which Mannheim has been best known, but it is to put that work in its particular context, as a multisided agenda rather than as a finished doctrine, to be accepted or rejected. The aim is to learn from Karl Mannheim.

"e;Staging Memory and Materiality in Eighteenth-Century Theatrical Biography"e; examines theatrical biography as a nascent genre in eighteenth-century England. This study suggests a visible-but not impermeable-teleology from Thomas Davies to James Boaden in the development of theatrical biography as a professional enterprise. Chapter One explores Davies, the first significant biographer to throw off the shadows of anonymity and weld his own image to his subject, David Garrick. The second chapter traces three biographies of Charles Macklin written by biographers dueling amongst themselves for the right to tell Macklin's story in the post-Davies competitive market. Finally, the third chapter tells the story of the serial biographer James Boaden's attempts to build a professional reputation for himself as a biographer and prominent participatory character in the multiple "e;Lives"e; he tells, including those of John Philip Kemble, Sarah Siddons, Dorothy Jordan, and Elizabeth Inchbald. In each instance of producing a theatrical biography, the author is confronted not only with his duty to represent the actor, but the need to do so in an original, compelling manner that sets his account apart from other contenders and guarantees the permanency of his account as a treasured artifact of the stage rather than a disposable commodity.The willful encouragement of viewing literary materiality as an antidote to ephemeral stage-business leads in turn to the absorption of prior biographical works and letters by authors, and reverberates in their readers' quests to augment their copies of theatrical biographies through adding playbills, marginal notes, etchings, paintings, newspaper clippings, and even funerary souvenirs that not only testified to their interest in the stage, but secured their existence as well by evidence of participation. Thus, the author at once guaranteed the thespian's legacy would live on while hitching his own likelihood of being remembered to the actor. The audience followed suit by adding their own personal touches, forming a palimpsest of participants. Drawing heavily on primary sources, then-contemporary reviews, and archival material in the form of extra-illustrated or "e;scrapbooked"e; editions of the biographies, this book is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer's authority.The book provides an introduction to theatrical biography as an immensely popular genre in the eighteenth century that deserves more scholarly attention. Currently, theatrical biography is usually overlooked or encountered solely in excerpts offered to advance individual research goals; the texts are perceived as repositories of facts or the odd opinion, more akin to a reference work than anything innately artistic. This study's contribution is to read these biographies in context, exploring their participation in a developing poetics of a new artistic subgenre, from the content of the works and the concerns of its authors to the responses that these biographies elicited from their readers.

We often hear that creative and intellectual innovation is the key to western economic renewal, that cognitive capitalism has succeeded in globalizing the mental-manual division of labour, and that old work - blue-collar, repetitive, de-skilled - is now consigned to the factories of the developing world. At the other end of the long production chains, the West relies increasingly on immaterial labour. From this perspective no rustbelt city can hope to regenerate, no developing nation can ascend to first-world status, without the 'new oil' of intellectual property. Workers in general are told to adapt to this transition, to remake themselves for the new economy. Rapid shifts in patterns of consumption, taste and technology can render jobs and skills obsolete in ways that defy the planning and foreclosures of Fordism.Vocational fortunes depend not only on intellect and creativity but also on entrepreneurial acumen and vocational agility. New capitalism seeks to make a virtue of transience. It has taken up the counter-culture's critique of the Fordist job-for-life, in order to persuade young people in particular that working life is (and should be) episodic and project-based. The precariat (Standing 2009) must embrace the idea of the improvised post-modern career - a wild vocational ride that unfolds like the levels of a video game. They must become labile labour: opportunistic, excitable, flexible, mobile and ready to flow without protest or friction into the spaces opened up by Post-Fordism. Those who resist or ignore this turbulence and cling to the goal of security are in effect sleepwalking towards redundancy.'The Creativity Hoax' argues that creativity, the leitmotif of new capitalism, has become a key neo-liberal idiom for reorganizing work and working life in ways that erode communal bonds, loyalties and values and blur the boundaries between work and play, public and private. However, the creative economy remains a largely unrealized project, a fantasy of regeneration. Despite the inflated rhetoric of vocational fulfilment, much work performed in the West remains low-skilled and low-paid. Very few make a living exclusively from creative labour whether as employees, freelancers, or entrepreneurs. For the most part it is transnational cultural corporations that reap the patentable or copyrightable bounty, belying the egalitarian myths of the new economy. [NP] The challenge for capital has been to habituate the precariat to the condition of abeyance. In order to tolerate un/underemployment or jobs where skills and talents are underutilized (retail, hospitality or on the edges of creative industries), young workers need to be persuaded that vocational fulfilment and financial security are attainable. 'The Creativity Hoax' draws on extensive interview and observation research with creative aspirants - from technical, production and performance fields - who wrestle with the prospect and reality of poverty and unfulfilled ambition.

Saladeros were the 17th-19th-century Pampa beef industry businesses where the beef was sun-dried or "e;jerked."e; Alfredo Behrens suggests that in such lifeless routine work there was little glory to be found, at least as capable of enthusing workers to perform to their highest potential. The trouble, Behrens argues in "e;Gaucho Dialogues on Leadership and Management,"e; is that most subsidiaries in developing countries are managed as modern saladeros. Latin Americans are brought up in the medieval Catholic tradition of detachment from worldly material gain. Profit is disdained, largesse and martyrdom are praised.Behrens illustrates the Latin American organizational how-to through a dialogue attributed to two famed nineteenth-century iconic literary characters, Martn Fierro and Don Segundo Sombra. Fierro is construed to espouse the passionate, nonpragmatic, xenophobic attitude popular among many Latin American leaders of the twentieth century. Sombra, on the other hand, espouses a more nuanced affection toward old ways, suggesting that they may be responsible for some of the economic and technological backwardness of Latin Americans. "e;Gaucho Dialogues on Leadership and Management"e; carries the reader through militia-led insurrections from Argentina and Uruguay through Brazil, Venezuela, Central America, and Mexico. Fierro and Sombra comment on the insurrections and draw lessons about leadership, strategy and people management in Latin America. While the book's argument covers the ethos prevailing in the Americas, both North and South, Behrens believes it may be relevant elsewhere among similar societies where people prefer to act as members of clans than as autonomous individuals. If so, the book's argument may be relevant for the vast majority of humankind at work.

A festschrift honoring the work of Edward A. Tiryakian, consisting of a large number of essays.

Australia is the planet's sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how the fluctuating definition of the island continent throws new light on the relationship between islands and continents in the mapping of modernity. The book links the historical and geographical conditions of islands with their potent role in the imaginaries of European colonisation. It prises apart the tangled web of geography, fantasy, desire and writing that has framed the Western understanding of islands, both their real and material conditions and their symbolic power, from antiquity into globalised modernity. The book also traces how this spatial imaginary has shaped the modern 'man' who is imagined as being the island's mirror. The inter-relationship of the island fantasy, colonial expansion, and the literary construction of place and history, created a new 'man': the dislocated and alienated subject of post-colonial modernity.This book looks at the contradictory images of islands, from the allure of the desert island as a paradise where the world can be made anew to their roles as prisons, as these ideas are made concrete at moments of British colonialism. It also considers alternatives to viewing islands as objects of possession in the archipelagic visions of island theorists and writers.It compares the European understandings of the first and last of the new worlds, the Caribbean archipelago and the Australian island continent, to calibrate the different ways these disparate geographies unifed and fractured the concept of the planetary globe. In particular it examines the role of the island in this process, specifically its capacity to figure a 'graspable globe' in the mind.The book draws on the colonial archive and ranges across Australian literature from the first novel written and published in Australia (by a convict on the island of Tasmania) to both the ancient dreaming and the burgeoning literature of Aboriginal and Torres Strait Islanders in the twenty-first century. It discusses Australian literature in an international context, drawing on the long traditions of literary islands across a range of cultures. The book's approach is theoretical and engages with contemporary philosophy, which uses the island and the archipleago as a key metaphor. It is also historicist and includes considerable original historical research.

This book concerns HIV prevention. The authors argue that until the world focuses its attention on the social issues carried and revealed by AIDS, it is unlikely that HIV transmission will be eradicated or even significantly reduced. Currently we are witnessing the remedicalisation or the continuing biomedicalisation of HIV prevention, which began in earnest in 1996/7 after the development of successful HIV treatment. This biomedical trajectory continues with the increasing push to use HIV treatments as prevention, and it appears to have undermined what has been - at least in many countries - a successful prevention response.This book's argument is that at least until such time as biomedicine develops an effective prophylactic vaccine and a cure for HIV, the world must rely on the everyday responses of people and communities to combat the virus. Effective HIV prevention hinges on communities and the social practices forged by these communities that reduce the risk of HIV-transmission (primarily safe sexual and safe drug injection practices); people's willingness to be identified as infected with HIV (HIV testing practices); and, for people living with HIV, people's commitment to keeping AIDS at bay (HIV treatment practices).Combating HIV also relies on governments to ensure access to HIV prevention tools, including condoms and sterile needles and syringes, as well as to biomedical prevention technologies including those derived from successful antiretroviral treatment (ART) - pre-exposure prophylaxis (PrEP), microbicides and post exposure prophylaxis (PEP), and male circumcision. It requires that governments develop robust health infrastructures to support and enable regular HIV testing and provide access to treatments for those living with HIV. Effective HIV prevention needs governments to adopt pragmatic policies that are not deflected by moralistic or conservative ideologies. Effective responses to HIV, on the part of communities, health professionals and governments are all underpinned by public discussion about sex, sexuality and drug use. More broadly, combating HIV depends on civil society resisting HIV stigma and discrimination against those infected and affected by HIV, and enabling people and communities to discuss sex, sexuality and drug use in ways that promote the development and adoption of safe sexual and drug injection practices.

No country has undergone a greater period of sustained and convulsive change than China in the twentieth century. This is its story, tracing the emergence of a modern China.

'Habermas and Giddens on Modernity: A Constructive Comparison' investigates how two of the most important and influential contemporary social theorists have sought to develop the modernist visions of the constitution of society through the autonomous actions of subjects. It compares Habermas and Giddens' conceptions of the constitution of society, interpretations of the social-structural impediments to subjects' autonomy, and their attempts to delineate potentials for progressive social change within contemporary society. Habermas and Giddens are shown to have initiated new paradigms and perspectives that seek to address the foundational problems of social theory and consolidate the modernist vision of an autonomous society. The book traces the core intuitions of Habermas and Giddens' theories back to their endeavours to incorporate, satisfy and rework the intentions of the Marxian perspective of the philosophy of praxis. It is argued that the philosophy of praxis conceptualizes the social as the outcome of the intersection of the subject and history. For this perspective, the altering of the relationship of the subject and history is the precondition of an autonomous society. Habermas and Giddens accept the theoretical and practical challenges that are contained in this conception of the social, whilst contending that the basic assumptions of the philosophy of praxis need to be reformulated and that its interpretation of the constraints upon autonomy should be rethought in light of the developments associated with contemporary capitalist modernisation and the dilemmas of the institution of the welfare state.This book explores how the two theorists argue that the contemporary period represents a new phase of modernity, rather than a transition to a postmodern social order. Habermas depicts the present period as one conditioned by the fracturing of the class compromise of the welfare state and argues that contemporary postmodernism is more a symptom of an exhausting of the utopian energies previously associated with labour. Whereas Giddens considers that the contemporary period is one of late-modernity or reflexive modernization, that is, it represents a fuller realisation of the tendencies of modernity. Yet, it likewise undermines some the emancipatory aspirations of the modernist vision, owing to the predominance of risk and uncertainty. The book then compares the ensuing critical diagnoses that Habermas and Giddens derive from these positions on contemporary society, such as Habermas' conception of the internal colonisation of the lifeworld and Giddens' vision of the runaway world of intensifying globalization. These arguments are located in relation to the long-term historical perspectives that the two theorists developed and the respective methodological approaches to history that underpin them. In particular, a number of key contrasts in Habermas and Giddens' respective accounts of the historical institutionalization of modernity are highlighted. Habermas' attempt to reconstruct historical materialism, the importance he attributes to cultural rationalisation in explaining change, and his assumption of a logic of evolutionary development are contrasted with Giddens' proposed deconstruction of historical materialism, the centrality of domination to his depiction of different historical forms of society, and how his opposition to evolutionary conceptions leads to his contention that modern capitalist societies are radically discontinuous.Furthermore, the book examines how Habermas and Giddens have sought to relate their theories to political practice and the capacities or competences of subjects. Both have applied their perspectives to the potentials for progressive social change and they have had a major impact on public debates, especially those over the future of the European Union, social democracy, new social movements, human rights, and democracy. Giddens is the most important theorist of the Third Way political program and Habermas is most important Critical Theorist since the Frankfurt School. The significance of these two theorists' practical-political arguments is outlined and the different implications of their respective positions, especially with respect to the future of social democracy, assessed. The constructive approach of the book is continued in its critique of these two theories. The respective strengths of aspects of each theorist's perspective are highlighted in comparison to the other, for instance, Habermas' theories' superior normative grounding is contrasted with Giddens' more developed perspective on power. Similarly, the book overviews those contemporary social theory initiatives that developed from critical dialogues with the work of Habermas' and Giddens' approaches to modernity, such as some of the theories associated with the perspectives of global modernity and multiple modernities. Finally, the book draws on the author's own work, which has extended aspects of Habermas' and Giddens' approach to modernity. Despite the criticisms that are developed over the course of the book, Habermas and Giddens are found to be two of the most important theorists of democratization and social democracy, the dynamics of capitalist modernity and their paradoxes, social practices and reflexivity, and the foundations of social theory in the problem of the relationship of social action and social structure.

Rooted in the ideas of complexity science and mutual gains negotiation, this volume shows why traditional systems engineering approaches will not work for complex water problems and what emerging tools and techniques are needed to resolve them. This collection successfully synthesizes insights from theory and practice to advocate for contingent and adaptive management using a water diplomacy framework.

Rooted in the ideas of complexity science and mutual gains negotiation, this volume shows why traditional systems engineering approaches will not work for complex water problems and what emerging tools and techniques are needed to resolve them. This collection successfully synthesizes insights from theory and practice to advocate for contingent and adaptive management using a water diplomacy framework.

¿The Anthem Companion to Max Weber¿ offers the best contemporary work on Max Weber, written by the best scholars currently working in this field. Original, authoritative and wide-ranging, the critical assessments of this volume will make it ideal for Weber students and scholars alike.