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Sales PointsThe first comprehensive book dedicated to a visionary black-and-white photographerAn exquisite publication that brings new attention to a key figure in Norwegian art A must-have for lovers of Hiroshi Sugimoto, Edward Weston, and Minor WhiteAdditional Comp TitlesAmerican Winter, by Gerry Johansson. 978912339020, £180.00 GBP (MACK, 2018)
Over 250 inspiring and fun photography assignments from leading photographers and educators, including John Baldessari, Elinor Carucci, Sandra Phillips, Stephen Shore, and Alec Soth
Sales PointsTen years of work by a luminary in contemporary art, gathered for the first time in a single volumeRevelatory contributions by Joyce Carol Oates and Cate Blanchett Includes never-before-published, behind-the-scenes images and commentary from the artistAdditional Comp TitlesGregory Crewdson: An Eclipse of Moths. 9781683952213, $250.00 USD (Aperture, 2020)Beneath the Roses. 9780810993808, $70.00 USD (Abrams, 2008)Todd Hido: House Hunting. 9781590055052, $75.00 USD (Nazraeli Press, 2019)Gregory Crewdson. 9780847840915, $150.00 USD (Rizzoli, 2013)Sanctuary. 9780810991996, $60.00 USD (Abrams, 2010)Twilight. 9780810910034, $50.00 USD (Abrams, 2002)
Kwame Brathwaite (born in Brooklyn, New York, 1938) is represented by Philip Martin in Los Angeles. Beginning in the early 1960s, Brathwaite photographed stories for black publications such as the New York Amsterdam News , City Sun , and Daily Challenge , helping set the stage for the Black Arts and Black Power movements. By the 1970s, Brathwaite was one of the era¿s top concert photographers, shaping the images of such public figures as Stevie Wonder, Bob Marley, James Brown, and Muhammad Ali. Recent acquirers of Brathwaite¿s work include the Museum of Modern Art, Whitney Museum of American Art, Massachusetts Institute of Technology, and Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. Tanisha C. Ford (essay) is associate professor of Africana studies and history at the University of Delaware. She is the author of Liberated Threads: Black Women, Style, and the Global Politics of Soul (2015), which won the 2016 Organization of American Historians¿ Liberty Legacy Foundation Award for best book on civil rights history. She was featured in Aperture ¿s Fall 2017 issue, ¿Elements of Style,¿ among many other publications. Ford is a cofounder of TEXTURES, a pop-up material culture lab, creating and curating content on fashion and the built environment. Deborah Willis (essay) is an artist, writer, and curator, as well as professor and chair of the Department of Photography and Imaging at Tisch School of the Arts, New York University. She has been a Richard D. Cohen Fellow of African and African American Art History at the Hutchins Center, Harvard University (2014), a Guggenheim Fellow (2005), a Fletcher Fellow (2005), and a MacArthur Fellow (2000). Willis received the NAACP Image Award in 2014 for her coauthored book Envisioning Emancipation: Black Americans and the End of Slavery (2013).
Sales PointsKurland¿s photographs of rebel girls in the American landscape are stirring and iconicThis radical vision of community and feminism is highly relevant todayA book for anyone captivated by the American road and 1990s youth cultureAdditional Comp TitlesSam Contis: Deep Springs. 9781910164860, $45.00 USD (MACK, 2017)Mike Brodie: A Period of Juvenile. 9781936611027, $75.00 USD (Twin Palms, 2013)Lise Sarfati: She. 9781936611003, $95.00 USD (Twin Palms, 2012) Girl Pictures also featured in: The Financial Times, Forthcoming May 2020 Vogue Italia, Forthcoming May 2020
Sasha Wolf represents emerging and midcareer fine-art photographers as a private practice, following a decade of running Sasha Wolf Gallery. Prior to her work in the fine-art photography world, Wolf was a writer, director, and producer in the film and television industries and an award-winning short filmmaker. Her short film Joe(1997) was nominated for the Palme d¿Or du court m¿age at Cannes.
"First published in 1967, Ernest Cole's House of Bondage has been lauded as one of the most significant photobooks of the twentieth century, revealing the horrors of apartheid to the world for the first time and influencing generations of photographers around the globe. Reissued for contemporary audiences, this edition adds a chapter of unpublished work found in a recently resurfaced cache of negatives and recontextualizes this pivotal book for our time"--
¿Montgomery¿s photographs capture the reality of Americans in crisis, in all our flawed, tragic, ridiculous glory.¿ ¿Patrick Radden Keefe, author of Empire of Pain: The Secret History of the Sackler DynastyAmerican Mirror is award-winning photographer Philip Montgomery¿s dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the faultlines in American society, from police violence and the opioid addiction crisis to the COVID-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads.
Fifteen artist portfolios and a series of conversations feature the brightestcontemporary fashion photographers whose images and stories chart the historyof inclusion (and exclusion) in the creation of the Black fashion image.
More than two million people are currently incarcerated in the United States. While the country accounts for 5 percent of the global population, it is home to 25 percent of the world's prison population. How can photography help us understand this vast system, and the lives shaped-and disrupted-by mass incarceration? From a reflection on the origins of the mug shot to stark aerial views of supermax prisons to recent projects focused on everyday life in New York's Riker's Island, Louisiana's Angola Prison, and California's San Quentin Prison, this issue considers the visual record, and human toll, of a national crisis that is often removed from public view. Prison Nation is organized with contributing editor Nicole Fleetwood, author of the forthcoming book, Carceral Aesthetics: Prison Art and Public Culture.
In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. This book focuses on key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers.
Maske is an album of Phyllis Galembo's powerful and thrilling masquerade photographs, from Nigeria, Benin, Ghana, Sierra Leone, Burkina Faso, Zambia, and Haiti. Introduced by art historian Chika Okeke-Agulu, Galembo's pictures describe traditional masqueraders and carnival characters and are themselves works of vivid artistic imagination.
In this book, Todd Hido explores the genres of landscape, interiors, and nude photography, with an emphasis on creating images from a personal perspective. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, including mining one¿s own memory and experience as inspiration; using light, texture, and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty. Gregory Halpern, a student of Todd Hido, provides the introduction.
Presents the tale of contemporary photography, starting with a pivotal moment: Robert Franks seminal work in the 1950s. This book begins with Franks challenge to the notion of photography's objectivity with the grainy, off-handed spontaneity of "The Americans".
"Aperture is proud to bring this best-selling and indispensable title back into print, coinciding with the fiftieth anniversary of Diane Arbus's groundbreaking solo exhibition at the Museum of Modern Art, New York. Diane Arbus: Revelations explores the origins, scope, and aspirations of this wholly original force in photography. The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career"--
Bettina is the first monograph to showcase the work of the previously unsung artist Bettina Grossman, whose wildly interdisciplinary practice spanned photography, sculpture, textile, cinema, drawing, and more.An eccentric personality fully dedicated to her art, Bettina lived in the famous Chelsea Hotel from 1968 until her death in late 2021. In her tiny studio, she produced and accumulated a considerable body of work, much of which has remained unseen and unpublished until now. Her interests ranged from geometric and abstract studies, drawn from observations of people on the street, to pieces that transformed language into graphic, abstract “verbal forms.” Incorporating strategies of chance and the abstraction of everyday form through repetition and seriality, Bettina pushed the photographic medium to and beyond its limits. As Robert Blackburn, artist and founder of the Printmaking Workshop, astutely observed of Bettina’s work: “The photography, film, sculpture are as one, for the photographic medium is employed not only for documentation but as an endless source of inspiration from which other disciplines emerge—and merge.”Bettina was the winner of the Luma Rencontres Dummy Book Award Arles 2020 and is copublished by Aperture and Éditions Xavier Barral.
"'Revolution is love: a year of Black Trans Liberation' is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in activism, advocacy, and community. In June 2020, activists Qween Jean and Joela Rivera founded the Stonewall Protests, weekly actions centering Black trans and queer identities that took place across New York City." "This book gathers twenty-four photographers who share images and words on the demonstrations, preserving this legacy as it unfolded."--Back flap of printed paper wrapper.
"A collection of essays by Sunil Gupta offers an unparalleled firsthand account of the influential photographer and curator's practice since the 1970s"--
Aperture magazine presents “Celebrations,” an issue that considers how photographs envision ceremonies, festivities‚ and allow us to discover euphoria in the everyday.Throughout the issue, photographers portray exuberance against a backdrop of political strife in Beirut, pursue the thrill of wanderlust, excavate family histories, and respond to the powerful, constant urge to gather. Whether in Kinshasa’s vibrant nightlife of the 1950s and ’60s or London’s sweaty dance floors of our era, jubilation carries on, despite an ongoing, and unpredictable, pandemic.In “Celebrations,” Lynne Tillman contributes a survey of landmark images of celebration through the years, by artists from Malick Sidibé and Peter Hujar to LaToya Ruby Frazier. Several profiles and essays—including Alistair O’Neill on Jamie Hawkesworth, Moeko Fuiji on Rinko Kawauchi, Tiana Reid on Shikeith, Mona El Tahawy on Miriam Boulos, and Anakwa Dwamena on Marilyn Nance’s views of Lagos, Nigeria during FESTAC '77—reveal the celebratory gestures embedded in vibrant portraiture, serene slants of light, unbound queer desire, and joyous cross-cultural exchange.
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