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"Science is interesting precisely because it relates to me. It is a human function just as much as breathing is: it is an existential interest. And an entirely objective science would be uninteresting, inhuman. The search for scientific objectivity is revealing itself in its continual advancement not as a search for "purity", but as pernicious madness. The present essay demands that we give up the ideal of objectivity in favour of other intersubjective scientific methods." ---- "De te fabula narratur". Thus starts this paranaturalist treatise by Vilém Flusser. Author of the seminal Towards a Philosophy of Photography (1984) and "Ins Universum der Technischen Bilder" (1985), Flusser introduces us here to an infernal creature from the oceanic abysses, our long lost relative, who slowly emerges, not from the oceans, but from our own depths to gaze spitefully into our eyes and reflect back at us our own existence. ---- Originally published only in German in 1987, this version has been edited and translated by Rodrigo Maltez Novaes, Ph.D. candidate at the European Graduate School, Saas-Fee, under the supervision of Prof. Dr. Siegfried Zielinski, from the original, unpublished and extended Brazilian-Portuguese version of the manuscript recently found at the Vilém Flusser Archive at the Universität der Kunst, Berlin. This edition is also accompanied by a selection of previously unpublished excerpts from Flusser's correspondence with Milton Vargas and Dora Ferreira da Silva, with whom he discussed the development of the present text.
"What a rewarding read! This unique blending of philosophy, poetry and personal experience, combined with an impressive scholarship, has enlightened me beyond my expectations. I especially liked the constructive attitude which turns the ugly past into something which contains future - a dialectics of hope. Like many educated people I had a certain knowledge of the issues at hand but this work has convinced me that we need to know so much more about it. We must finally recognize how strongly this past still influences the present worldview and our actions. "'Talking Cheddo' established forcefully the key role of language and the power of (forgotten) words ..." Prof.Dr.W.Schirmacher Program Director, Media & Communications Division European Graduate School EGS Manga Clem Marshall conducts ongoing research into the intersection of language, culture and race. From inside the circle of his ancestral Cheddo (Freethinking) tradition in the Senegambian region of West Africa, he lectures on Afrikan art, language, culture and race. He was named 'Teacher of the Year' for his work in Sociology at York University, Toronto; taught Community Arts at Ryerson University; pioneered the series Learning to Love Africa Through her Art for the Art Gallery of Ontario and was a lecturer in the prize-winning Ontario Science Centre program, 'A Question of Truth'.
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