Books published by Autonomedia

In The Empire of Disorder, Alain Joxe offers the first truly comprehensive analysis of the new world disorder of the twenty-first century.

Letters by writer, filmmaker, and cultural revolutionary Guy Debord conjure a vivid picture of the dynamic first years of the Situationist International movement.

The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.

Video Green examines the explosion of late 1990s Los Angeles art driven by high-profile graduate programs.Video Green examines the explosion of late 1990s Los Angeles art driven by high-profile graduate programs. Probing the surface of art-critical buzzwords, Chris Kraus brilliantly chronicles how the City of Angels has suddenly become the epicenter of the international art world and a microcosm of the larger culture. Why is Los Angeles so completely divorced from other realities of the city? Shrewd, analytic and witty, Video Green is to the Los Angeles art world what Roland Barthes' Mythologies were to the society of the spectacle: the live autopsy of a ghost city.

Today''s capitalist systems appear to be coming apart. But as financial instutions stagger and crumble, leaving chaos in their wake, their seems to be no obvious alternative. Yet there may be good reason to believe that, in generation or so, capitalism will no longer exist for the simple reason that it''s impossible to maintain an engine of perpetual growth forever on a finite planet. In this collection of essays, anthropolgist David Graeber explores political strategy, global trade, debt,imagination, violence, alienation and creativity looking for a new common sense.

The third novel in von Schlegell's System Series, set among the water-rich moons of planet Uranus, during Earth's full collapse.Was there some sort of accident? The Doll was now certain that the Japanese didn't consider him a human. He was concerned with Deary alone. Her flukes lifted to maintain her treading water, left her pale bottom and sex exposed. Was he watching simultaneously from below? The Doll let his tendrils obscure. 5 hours till orbital synch, he remembered. The Doll called up the red-screen into his mindspace and traced the instantly visible tags: Mab's Buoy relay SFS Good Fortune, Wawagawanet 2145270401:33—from SundogzBeginning with Venusia (2005) and continuing with Mercury Station (2009), Mark von Schlegell's System Series has moved backward in time, investigating the contours of time, memory, perception, and control in the inter-planetary system that emerge off-world in the twenty-second and twenty-third centuries during Earth's full collapse. In the latest installment, Sundogz, set among the water-rich moons of planet Uranus, extremist astro-marine "spacers” have constructed an aquatic world of extraordinary scope and ambition, entirely invisible to the System at large. The Good Fortune, a spaceship en route to Moon Miranda, the most beautiful and troublesome of Uranus's satellites, sends out a party to explore rumors of a secret fish farm in the λ ring. Now the "Oan Bubble" must attempt to survive its discovery.The characters in Sundogz traverse a cybernetic world containing traces of nineteenth-century realism, Shakespearean-style wit and violence, and classic fantasy, while exploring possible modes of the imagination's survival in centuries to come.As Jeff Vandermeer noted in Bookforum, von Schlegell's work "addresses the realities of a grim future with grace, humor and intellectual honesty—[his novels] hark back to the heyday of such giants as J. G. Ballard, Ursula Le Guin, John Calvin Batchelor, and Philip K. Dick.”

Key writings and projects from the group of architects, sociologists, and urbanists known as Utopie."When the imagination reaches and oversteps the boundaries authorized by the institution of culture, we speak of poetry, of utopia.... When the event reaches and oversteps the boundaries authorized by judicial law and by the anomic rules, we speak of revolution.”—René LourauThe short-lived grouping of architects, sociologists, and urbanists known as Utopie, active in Paris from 1967 to 1978, was the product of several factors: the student protests for the reform of architectural education, the unprecedented expansion and replanning of the Parisian urban fabric carried out by the government of Charles de Gaulle, and the domestication of military and industrial technologies by an emerging consumer society. The group's collaborative publications included the work of Jean Aubert, Isabelle Auricoste, Jean Baudrillard, Catherine Cot, Charles Goldblum, Jean-Paul Jungmann, Henri Lefebvre, René Lourau, Antoine Stinco, and Hubert Tonka. Offering a militant alternative to professional urban planning journals, these writers not only formulated a critique of the technocratic and administrative rule over a disabled and alienated urban society but also projected an ephemeral urban poetics. With ties to the Ecole Nationale Supérieure des Beaux-Arts (ENSBA) in central Paris and to the sociology department established by Henri Lefebvre at the suburban campus of Nanterre, the group challenged postwar modernization and urban planning and questioned the roles into which architects, sociologists, and urban planners had been cast. Utopie makes the group's diverse body of theoretical work accessible in English for the first time, offering translations of more than twenty key texts. Designed in a facsimile format that follows the innovative graphic layouts of the journals, pamphlets, posters, and articles produced by Utopie, the volume not only provides the first thorough overview of the group's activities but also seeks to capture Utopie's linkage of architectural and urban theory to radical publication strategies.

An infinite series of bifurcations - this is how we can tell the story of our life, of our loves, but also the history of revolts, defeats and restorations of order. At any given moment, different paths open up in front of us, and we are continually presented with the alternative of going here or going there.

Exit strategies from the current financial crisis that may lead us toward a new horizon of constructing the common.

A poet and post-punk heroine writes on subjects ranging from Björk to Robert Smithson, from traveling in Iceland to walking in Thoreau's footsteps on Cape CodPoet and post-punk heroine Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city—wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit—seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her—and our—lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.

Foucault's previously unpublished doctoral dissertation on Kant offers the definitive statement of his relationship to Kant and to the critical tradition of philosophy.This introduction and commentary to Kant's least discussed work, Anthropology from a Pragmatic Point of View, is the dissertation that Michel Foucault presented in 1961 as his doctoral thesis. It has remained unpublished, in any language, until now. In his exegesis and critical interpretation of Kant's Anthropology, Foucault raises the question of the relation between psychology and anthropology, and how they are affected by time. Though a Kantian "critique of the anthropological slumber,” Foucault warns against the dangers of treating psychology as a new metaphysics, explores the possibilities of studying man empirically, and reflects on the nature of time, art and technique, self-perception, and language. Extending Kant's suggestion that any empirical knowledge of man is inextricably tied up with language, Foucault asserts that man is a world citizen insofar as he speaks. For both Kant and Foucault, anthropology concerns not the human animal or self-consciousness but, rather, involves the questioning of the limits of human knowledge and concrete existence. This long-unknown text is a valuable contribution not only to a scholarly appreciation of Kant's work but as the first outline of what would later become Foucault's own frame of reference within the history of philosophy. It is thus a definitive statement of Foucault's relation to Kant as well as Foucault's relation to the critical tradition of philosophy. By going to the heart of the debate on structuralist anthropology and the status of the human sciences in relation to finitude, Foucault also creates something of a prologue to his foundational The Order of Things. Michel Foucault (1926-84) is widely considered to be one of the most important academic voices of the twentieth century and has proven influential across disciplines.

Seminal essays written by Baudrillard for a journal devoted to a radical leftist critique of architecture, urbanism, and everyday life.The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group articulated a radical ultra-leftist critique of architecture, urbanism, and everyday life. Utopia Deferred collects all of the essays Jean Baudrillard published in Utopie as well as recent interviews with Jean Baudrillard and Hubert Tonka.Utopie served as a workshop for Baudrillard's thought. Many of the essays he first published in Utopie were seminal for some of his most shockingly original books: For a Critique of the Political Economy of the Sign, The Mirror of Production, Simulations, Symbolic Exchange and Death, and In the Shadow of the Silent Majorities. But Utopie was also a topical journal and a political one; the topics of these essays are often torn from the headlines of the tumultuous decade following the uprisings of May 1968.