Books published by Autumn House Press

The new and selected poetry collection of Andrea Hollander (formerly Andrea Hollander Budy).

The sixth full-length poetry collection of Ruth L. Schwartz

Winner of the 2013 Autumn House Press Poetry Contest, selected by Naomi Shihab Nye.

Spanning 20 years of poetry, this collection of poems focuses on themes of nature, literature, family, and Judaism.

The new and selected poetry collection by noted translator Chana Bloch.

"Poems considering self, masculinity, and culture through the spectacle of professional wrestling. In this stunning debut, John Belk looks at the world of professional wrestling to excavate the real within the artificial and explore the projections we create, run from, and delight in. In The Gardens of Our Childhoods, the distance between spectacle and reality blurs. Belk uses the spectacle of wrestling to stare deeply into American culture and masculinity, parsing the intersecting threads of patriarchy and gender, and unpacking identity formation and performance. As Belk pries into toxic masculinities, he leaves space also for tenderness, queerness, and resistance to normative structures, opening the potential for love and admiration. Populated by classic and contemporary wrestlers like Andrâe the Giant, Hulk Hogan, "Stone Cold" Steve Austin, Ricky Steamboat, Bruno Sammartino, Marcus "Buff" Bagwell, and more, this book is ultimately about the constant deconstruction and reconstruction of our identities that smudge fiction and reality. Like wrestlers in their operatic and winding storylines, we learn how to project and inhabit identities while growing into and fighting against the scripts we write for ourselves and those that are imposed on us. The Gardens of Our Childhoods is the winner of Autumn House Press's Rising Writer Prize in Poetry."--

The story of a failed poet struggling with vision loss, personal crises, and what it means to be an arms dealer in a quasi-dystopian Mexico City.   This debut novel is set in a vaguely dystopian, yet also realistic, Mexico City‿endless traffic jams, relentless clouds of pollution, economic hardships, and the ever-present threat of drug cartels. The unnamed narrator of the novel, at times referred to as Arthur‿in part because of the growing similarity of his life with Arthur Rimbaud‿s‿struggles with the dissonance of leading an artistic life while providing for his family. A failed, penniless poet with a child on the way, he is forced to take a job in his family‿s weapons dealing enterprise, which he soon discovers is connected to the corrupt Mexican armed forces and drug cartels, who are responsible for the increasing death toll in the country. All the while, the narrator struggles with a growing condition in his right eye, a pterygium, that is slowly taking over his vision, blurring the events of his life, including his wife‿s complicated pregnancy, extortions by the drug cartels, and his own relationship to his writing. As the narrator gradually finds his life spiraling out of control, the novel moves quickly to a startling conclusion. Myth of Pterygium is the winner of the 2021 Autumn House Rising Writer Prize in Fiction, selected by Maryse Meijer.   Â

The third edition of the Autumn House poetry anthology.

The newest poetry collection of Pennsylvania poet Robert Gibb.

Winner of the 2009 Autumn House Press Fiction Prize, selected by Sharon Dilworth.

The fifth collection of poetry by George Bilgere.

His first memoir

Winner of the 2014 COAL HILL REVIEW Chapbook Contest.

Winner of the 2014 Autumn House Press Poetry Contest, selected by Alicia Ostriker.

Winner of the 2014 Autumn House Press Fiction Contest, selected by Sharon Dilworth.

Winner of the 2014 Autumn House Nonfiction Prize, selected by Dinty W. Moore

The eight full-length poetry collection of noted poet and editor, Ed Ochester.

The debut literary novel of Andrew Bourelle, winner of the 2016 Autumn House Press Fiction Contest

The second memoir from Katherine McCord, winner of the 2016 Autumn House Nonfiction Contest

The fourth full-length poetry collection of Jane Satterfield, winner of the 2016 Autumn House Poetry Contest

The newest short story collection by Sherrie Flick

Throughout Circle / Square, T. J. McLemore renders the language of physics and theoretical science into poetry to illuminate the mysterious ways we experience reality. Exploring the complex and at-times dense world of scientific language, MeLemore spins into verse the kind of material many poets might shy away from. Throughout the chapbook, the poet begins from theoretical physics and other realms of science to continue poetry's endless search to define, explore, and represent the world truthfully through deep attention to language and form. Neutrinos, string theory, thermodynamics, and quantum entanglement become meditations and tools for self-examination as McLemore finds new ways to revel in and represent physical existence. Drawing from highly technical scientific materials, McLemore has crafted poems that are thoughtful, grounding, and expressively charged, leading readers through divine moments of wonder and contemplation.

M. Randal O'Wain's debut short story collection, Hallelujah Station and Other Stories, introduces readers to a wide and diverse cast of characters struggling with and responding to changes and loss. These gritty and poignant stories follow the tragic parts of life, the pieces that may neither start nor end in comfortable resolution and the pieces that make up complex realities. In the first story, a former drug dealer reflects on a life-changing decision he made years ago that ended up hurting the person he most wanted to protect. Later in the collection, we meet a would-be robber who turns out, in strange ways, to be the hero. O'Wain's characters are often deeply flawed or totally lost, but in each instance, these traits serve to reveal the characters as real, compassionate, and, ultimately, human. Sprinkled with humor and heartache, O'Wain's stories bring us into contact with the curious, the tragic, and the authentic.

"The poems in under the aegis of a winged mind are inspired by the life and times of the jazz composer and pianist Earl "Bud" Powell. Powell was a leading figure in the development of jazz, but throughout his life, he also faced struggles with police brutality, harassment, drug and alcohol abuse, and mental illness. In this collection, makalani bandele explores Powell's life through a blend of both formal and free verse persona poems. These poems are multivocal, with the speaker often embodying Powell himself and sometimes a close friend or family member, the spectator of a performance, or a fellow musician. While the book follows the narrative of Powell's life, the poems are experimental in form and presentation. As the book recounts Powell's life, it also explores how Black genius has encountered, struggled against, and developed mechanisms to cope with White supremacy in the United States"--

In Skull Cathedral, Melissa Wiley pulls stories from the vestigial remnants of the creatures we were or could have become. The appendix, pinky toes, tonsils, male nipples, wisdom teeth, and coccyx are starting points through which Wiley explores exaltation, eroticism, grief, and desire. Using the slow evolution and odd disintegration of vestigial organs to enter the braided stories of the lives we establish for ourselves, the people we grieve, and the mysteries of youth, memory, and longing, Wiley's lens is deeply feminist and compassionate. Turning to these mysterious anatomical remnants, she finds insight into the lingering questions of loss and the nagging sensations of being incomplete. For instance, in considering the appendix, Wiley finds herself working through her grief after the loss of her father, a sensation that again resurfaces in the face of the moon as she looks to the sky. Testing the boundaries of genre and fighting to expand the limits of perception, the stylized essays of Skull Cathedral embrace the strangeness of life through the lingering peculiarities of the human body. Skull Cathedral, Wiley's second book of nonfiction, won the 2019 Autumn House Nonfiction Prize.

Steeped in a long history of violence and suffering, Michael X. Wang's debut collection of short stories interrogates personal and political events set against the backdrop of China that are both real and perceived, imagined and speculative. Wang plunges us into the fictional Chinese village of Xinchun and beyond to explore themes of tradition, family, modernity, and immigration in a country grappling with its modern identity. Violence enters the pastoral when Chinese villagers are flung down a well by Japanese soldiers and forced to abandon their crops and families to work in the coal mines, a tugboat driver dredges up something more than garbage polluting the Suzhou River, and rural and urban landscapes are pitted against each other when young villagers are promised high-paying work in the city but face violent persecution instead. In this world where China has regressed back to its imperial days, we meet an emperor who demands total servitude and swift punishment for attempts at revolution, and we follow a father who immigrates to the United States for a better life and loses everything in a tragic accident--aside from his estranged son--with whom he stubbornly refuses to make amends. Further News of Defeat is rich with characters who have known struggle and defeat and who find themselves locked in pivotal moments of Chinese history--such as World War II and the Tiananmen Square massacre--as they face losses of the highest order and still find cause for revival. Further News of Defeat is the winner of the 2019 Autumn House Press Fiction Prize.

"Named after a magical textbook, Cherene Sherrard's Grimoire is a poetry collection centered on the recovery and preservation of ancestral knowledge and on the exploration of black motherhood. Incorporating experiences of food preparation, childrearing, and childbearing, the book begins with a section of poems that re-imagine recipes from one of the earliest cookbooks by an African-American woman: Mrs. Malinda Russell's A Domestic Cookbook. Mrs. Russell's voice as a nineteenth-century chef is joined in conversation with a contemporary amateur cook in poetic recipes that take the form of soft and formal sonnets, introspective and historical lyric, and found poems. In the second section, the poet explores black maternal death and the harrowing circumstances surrounding birth for women of color in the United States. Throughout Grimoire, Sherrard explores the precarity of black mothering over the last two centuries and the creative and ingenious modes of human survival."--Publisher's website.

Emerging from deep in America's hinterland, Michael Credico's flash fiction portrays an absurdist, exaggerated, and bizarre vision of the Midwest known as the heartland. The stories are clipped views into a land filled with slippery confusion and chaos, mythical creatures, zombies, comic violence, shapeshifters, and startling quantities of fish. The characters of Heartland Calamitous are trying to sort out where, who, and what they are and how to fit into their communities and families. Environmental destruction, aging, ailing parents, apathy, and depression weigh on the residents of the heartland, and they can't help but fall under the delusion that if they could just be somewhere or someone or something else, everything would be better. This is a leftover land, dazed and dizzy, where bodies melt into Ziplock bags and making do becomes a lifestyle. The stories of Heartland Calamitous, often only two or three pages long, reveal a dismal state in which longing slips into passive acceptance, speaking to the particular Midwestern feeling of being stuck. They slip from humor to grief to the grotesque, forming a picture of an all-to-close dystopian quagmire. With this collection, Credico spins a new American fable, a modern-day mythology of the absurd and deformed born of a non-place between destinations.

"Through the poems of Voice Message, Katherine Barrett Swett reflects on her personal tragedy and the fragility of human lives and bodies with a tender care. Her debut collection explores the powers of art and poetry to participate in the processing of catastrophic grief, speaking through both the consolation and devastation these creative works can offer. Swett's formal verse provides a lens through which sadness, destruction, and loss appear as aberrant and inevitable. In tragic lyric, the poet searches poetry, art, mythology, and her own memory for the fleeting image of her lost daughter "in music, painting, or a carved stone name." Frequently looking to visual arts for inspiration, she finds that Vermeer's paintings of distant rooms guide and contextualize pain, offering motivation, comfort, and release. Through villanelles, sonnets, quatrains, and free verse, Swett invokes the voices, narratives, and images, both personal and cultural, that haunt her speakers. Suspended in the aftermath of the unexpected and unspeakable death of her college-age daughter, the poet's language is held together in a somber and necessary restraint. But this restraint does not signal the peace of closure. Rather, these poems quietly and steadily remind readers it is still "the open wound / not the scar," that "all we have are words and flesh," and that we are forever vulnerable. The rhythm of and echoes of sonnets and songs lead us to the sticky intersections of tragedy, recovery, and strange forms of beauty"--