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Gather round me, all ye ladies fair,And ye gentlemen of renown;Listen, listen, and to me repair,Whilst I sing of beauteous Dublin town.The Irish have long been associated with great writing generally and with poetry specifically. The love of language pervades this strong culture, and the Irish people have long shared poetry with each other, whether in the street, in the home, or in the pub. These poems may be bawdy or tragic, but there is always something quintessentially Irish about them.In Gather Round Me, Christopher Cahill has put together a collection of the best of these popular poems, found in newspapers, heard in pubs, or put down in diaries. With explanatory notes that make the verse more accessible, these poems give voice to the Irish character, full of humor, mischief, and wit.
In her haunting fourth collection, National Poetry Series winner Joan Murray takes the challenge of performing poetry's original and still necessary tasks in the uncertain landscape of a new millennium.Widely praised for the exceptional humanity and technical virtuosity of her earlier collections, Murray now explores the daily struggles of life and death in the natural world, the hidden pleasures and ironies of life in small-town America, the vulnerable underside of artistic communities, and the myriad complexities that pervade our dreams and relationships in this new century. With wit, generosity, and unflinching honesty, Murray gives us poems that mourn and praise, illuminate and challenge.
From the American Poetry Society's 2018 Wallace Stevens Awardwinner, this is an epic poem on kin estranged, the death of a brother from AIDS, and the possibility of reconciliation and love in the face of loss.
Originally published in 1976, with more than 75,000 copies in print, this collection of poems by fifteenth-century ecstatic poet Kabir is full of fun and full of thought. Columbia University professor of religion John Stratton Hawley has contributed an introduction that makes clear Kabir's immense importance to the contemporary reader and praises Bly's intuitive translations.By making every reader consider anew their religious thinking, the poems of Kabir seem as relevant today as when they were first written.
In Closing the Food Gap, food activist and journalist Mark Winne poses questions too often overlooked in our current conversations around food: What about those people who are not financially able to make conscientious choices about where and how to get food? And in a time of rising rates of both diabetes and obesity, what can we do to make healthier foods available for everyone?To address these questions, Winne tells the story of how America's food gap has widened since the 1960s, when domestic poverty was "e;rediscovered,"e; and how communities have responded with a slew of strategies and methods to narrow the gap, including community gardens, food banks, and farmers' markets. The story, however, is not only about hunger in the land of plenty and the organized efforts to reduce it; it is also about doing that work against a backdrop of ever-growing American food affluence and gastronomical expectations. With the popularity of Whole Foods and increasingly common community-supported agriculture (CSA), wherein subscribers pay a farm so they can have fresh produce regularly, the demand for fresh food is rising in one population as fast as rates of obesity and diabetes are rising in another. Over the last three decades, Winne has found a way to connect impoverished communities experiencing these health problems with the benefits of CSAs and farmers' markets; in Closing the Food Gap, he explains how he came to his conclusions. With tragically comic stories from his many years running a model food organization, the Hartford Food System in Connecticut, alongside fascinating profiles of activists and organizations in communities across the country, Winne addresses head-on the struggles to improve food access for all of us, regardless of income level. Using anecdotal evidence and a smart look at both local and national policies, Winne offers a realistic vision for getting locally produced, healthy food onto everyone's table.
Jumped In tells the story of the gangs of Los Angeles in the words of the gang members themselves as well as the people who interact with them on a daily basis--trying to arrest them, control them, and help them. There are priests and police officers, murderers and drug dealers, victims and grieving mothers, and other assorted characters, often partnering in unlikely ways. Jorja Leap's work draws upon intimate material, from interviews to eyewitness accounts, telling the deeply personal stories of current and former gang members who span three generations, as well as the dilemmas Leap herself faces as she struggles to adjust to marriage and motherhood--with a husband in the LAPD and a daughter in adolescence. Jumped In is a chronicle of the unexpected lessons gang members taught her when she was busily studying them. Ultimately, it is a book about attachments and commitments, loyalties and betrayals, drugs and guns, sex and devotion.When Leap began studying Los Angeles gang violence in 2002, she set out not so much to provide a solution but to find out what was being done and who was doing it. The stakes couldn't have been higher: a child or teenager is killed by gunfire almost every three hours--nearly eight times a day--and homicide is the primary cause of death of African American males between the ages of fifteen and thirty-four. During her years of research, this petite white woman from UCLA gained the trust of gang interventionists and access to their inner world. She sat in the living rooms, stood at the crime scenes, and drove through the housing projects. Through the oral histories, personal interviews, and eyewitness accounts of current and former gang members, readers come to understand gangs and the forces that pull people into them. First we get the lay of the land: the genealogy and geography of gangs and sub-gangs, territories within territories. But the centerpiece of the book is really the stories of those people who live "e;la vida loca,"e; as well as the experiences of those trying to make things better. These stories are told in Leap's candid first-person voice, as she introduces us to gangland residents such as Tray, a young father trying to go straight who is nonetheless felled by a bullet, and Joanna, a third-generation gang member, who speaks of forbidding her mother to sell drugs around her baby granddaughter. We also ride along with Leap and Big Mike, a former "e;original gangster"e; who now does street peace ministry. We see the successful "e;Jobs not Jails"e; program at Homeboy Industries and learn that former gangsters make good paramedics and firefighters, accustomed to dangerous situations as they are. With an anthropologist's eye and a compassionate heart, Leap offers not a prescription for solving the gang problem, but a gritty yet hopeful portrait of violence and redemption.
As floodwaters drained in the weeks following Hurricane Katrina, New Orleans residents came to a difficult realization. Their city was about to undertake the largest disaster recovery in American history, yet they faced a profound leadership vacuum: members of every tier of government, from the municipal to the federal level, had fallen down on the job. We Shall Not Be Moved tells the absorbing story of the community leaders who stepped into this void to rebuild the city they loved. From a Vietnamese Catholic priest who immediately knows when two of his six thousand parishioners go missing to a single mother from the Lower Ninth Ward who instructs the likes of Jimmy Carter and Brad Pitt, these intrepid local organizers show that a city's fate rests on the backs of its citizens. On their watch, New Orleans neighborhoods become small governments. These leaders organize their neighbors to ward off demolition threats, write comprehensive recovery plans, found community schools, open volunteer centers, raise funds to rebuild fire stations and libraries, and convince tens of thousands of skeptical residents to return home. Focusing on recovery efforts in five New Orleans neighborhoodsBroadmoor, Hollygrove, Lakeview, the Lower Ninth Ward, and Village de l'EstTom Wooten presents vivid narratives through the eyes and voices of residents rebuilding their homes, telling a story of resilience as entertaining as it is instructive. The unprecedented community mobilization underway in New Orleans is a silver lining of Hurricane Katrina's legacy. By shedding light on this rebirth, We Shall Not Be Moved shows how residents, remarkably, turned a profound national failure into a story of hope.
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