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This book examines the diverse achievements of the Fatimid dynasty across religion, statecraft and art.
A remarkable memoir from one of football's most versatile players and the Ukraine's most invaluable advocate
Explores the chemical arts in the long period from 3000 BCE to 600 CE, when chemical artisans, recipes and ideas were exchanged between Mesopotamia, Egypt, Phoenicia, Greece, Rome and Byzantium. Also available open access.
Examines how our relationship with plants has evolved since 1920, through advances in agriculture, industry, science, and technology,, the impact of urbanization, and our increased understanding of the significance of ecology and conservation.
Looks at the revolution of botanical study and the evolution of the new science of biology in the period from 1800 to 1920, a time of astonishing growth in industrialization, urbanization, migration, population growth, colonial possessions, and developments in scientific knowledge.
Looks at the history and meanings of plants in the period from 1650-1800, a time of global exploration and the discovery of new species of plants and their potential uses.
Covering the period from 1400 to 1650, this volume looks at how Renaissance learning and exploration irrevocably changed both our botanical knowledge and human impact on plants.
Unravels the cultural history of plants from 500-1400, when ancient uses and meanings of plants were preserved but overlaid with new developments in agriculture, landscapes, medicines, eating habits and art.
Examines the uses and meanings of plants from 10,000 BCE to 500 CE, from the transition from hunter-gatherer subsistence to the practice of agriculture in Mesopotamia and elsewhere.
Between 2020 and 2022, theatre had to adapt and, in doing so, challenged ideas of what was possible, and what was even 'theatre'. Due to the global pandemic, an exceptional and wide range of works made for, or adapted to, brand new conditions and limitations. While these works are defined by interpandemic conditions in the Anthropocene, they serve as portals to thinking about theatre-making in the future. Gathered in this collection are pieces adapted or made for podcast theatre, livestream illusionist interactive performance, audience-uploaded hybrid performance, one-on-one online interaction, lip-synch opera-theatre, climate crisis activist manifesto film/theatre, spoken word and gaming installation art, multi-location broadcast plays, providing an accessible introduction to 'Transmedia' theatre. Transmedia theatre has been a boundary-breaking and rich area of performance since the 1990s, but the (by necessity) explosion of works that were created during the early years of the pandemic signalled a new, exciting, and accessible method by which theatre-makers could share their work and also challenge their own practices. While these specific works are markers of a specific time in performance history, they also point ways forward, not only in terms of form and function, but in how educators, students and fellow practitioners could conceive of re-staging these works in person and/or on digital platforms. For a generation that has grown up online, whose vocabularies of expression are as much digitally native as they are IRL, transmedia theatre, and the realm too of VR and AR story and audience design which it borders, holds a firm place in busting open the realm of the possible.
Looks at the impact of chemistry and the chemical industry on science, war, society, and the economy in the "chemical age" from 1914 to the present.
Explores the birth of modern chemistry in the period from 1815-1914, looking at the elaboration of atomic theory, the growth of the chemical industry, new instruments and practices, the chemical laboratory, and the discovery of radioactivity.
Sets the progress of science and technology in its cultural context during the period often described as a "chemical revolution" from 1700-1815.
Traces chemical debates and practices within their cultural, social and political contexts during the period from 1500-1700.
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