Books published by Borgo Press

In his new novel, A Mouthful of Tongues, Paul Di Filippo, cult author of Ciphers, The Steampunk Trilogy, and Ribofunk, makes his boldest fictional statement yet. Writing in the tradition of Kathy Acker and Samuel R. Delany, but with a subversive brio all his own, Di Filippo here imagines a true erotic revolution, a crusade of the libido that will topple a corrupt and jaded future world order, and possibly much besides...Kerry Hackett is just another corporate pawn in the urban cauldron of 2015, besieged on all sides by those who would possess and exploit her. Driven to desperation, she undergoes a mysterious transformation into an alchemical goddess, wanderer of the timelines. In a magnificently evoked parallel Brazil, a place of seedy splendor and charismatic lusts, Kerry, or that which she has become, tests her carnal arsenal on targets deserving and undeserving; but the attention of a more powerful agency has been attracted, and a yet stranger metamorphosis awaits.A tale of heartbreak, revenge, and liberation, written in Paul Di Filippo's most fantastically effervescent prose, A Mouthful of Tongues is a work of science fiction which crosses boundaries and breaks taboos with brilliant savage abandon. It can only add to its author's rapidly growing following, and will shake the world of speculative fiction to its very foundations."Out of a rich impasto of language, a story that is sensual, sexual, and hot takes shape around one of the most engaging heroines since Southern and Hoffenberg's Candy."--Samuel R. Delany"Sacred sin, that's Di Filippo's force here. We have participated in a transpersonal act that lifts our consciousness above the situational polarities of morality and into the psyche's unknown, where objective energetic processes fuse dream and matter--and make us us. A ruthless fantasy of aggressive sexuality and archaic intentions."--A. A. Attanasio

The Boat of Fate is a historical novel set in the late Roman Empire, specifically focusing on the period around the 4th century AD. The story follows the life of a young Roman officer named Marcus who is stationed in Britain. The novel explores themes of loyalty, duty, and the clash between the Roman and Celtic cultures during a time of great upheaval and transition.

Garth of Ordunin had been set a new task by the Forgotten King: Bring back to Skelleth whatever he found upon the altars of the seven temples of Dusarra. As he went about his blasphemous errand he learned more about the Dark Gods -- and more about his own destiny!

The overman named Garth sought immortal fame. The oracle told him to serve the Forgotten King to get that fame. But this King sent Garth after a basilisk whose gaze could turn men to stone. What sane use could anyone have for a monster like that?

Includes the stories:"Dracula's Guest," "The Judge's House," "The Squaw," "The Secret of the Growing Gold", "A Gipsy Prophecy," "The Coming of Abel Behenna," "The Burial of the Rats," "A Dream of Red Hands" and "Crooken Sands" (This jacketless hardcover edition is intended for the library trade.)

Buster Callan?s lips twitched in a stillborn smile. ?Bad news, Jewboy. You?re dead.? ?It was an accident,? Dave told him. ?I?ll get you another dog.? Callan shook his head, and he actually smiled. ?You got it wrong. I don?t want your shekels. I want your blood.?

Space-four travel was supposed to be safe. Accidents were far between and only happened to strangers, people you never heard of. That's what Gerald Knave thought until he found himself lost in an unknown part of the galaxy with no way to get home...

A landmark of classic fantasy from the author of DOMNEI, THE CREAM OF THE JEST, and JURGEN.

There's a pig man at your window, and he's hungry. This is the world of Imago. Something has gone very wrong with this world. Changed freaks, victims of the Human Mutational Virus, roam California's streets. DisLex, the entertainment utility, monitors everyone's lives; yet few know that DisLex not only controls life, it has created it: perfect virtual constructs who can never die -- the Imagos.

Dorian Gray doesn't look a day over twenty-two. Once upon a time, Dorian really was young, handsome, and charming. To preserve Dorian's charm, his friend Basil Hallward the artist painted his portrait. Soon, the picture -- and Dorian's close friendship with Basil -- On the inside, every wicked deed he commits leaves its mark -- or does it? The portrait that Basil painted hangs in a special room in Dorian's house, covered completely. Underneath the cover lies an image that has changed and aged, just as Dorian has not.

Mystic Rhythms is an in-depth exploration of the philosophical and intellectual themes in the music of Rush, particularly the lyrics of Neil Peart. This book examines the band's engagement with ideas from individualism and libertarianism to existentialism and humanism, tracing their evolution over the decades. The authors provide critical analysis of key songs and albums, discussing how Rush's music resonates with deeper questions about life, freedom, and personal identity.A must-read for fans of the band and those interested in the intersection of rock music and philosophy, Mystic Rhythms offers fresh insights into how Rush shaped modern progressive rock with both their sound and their ideas.

One night, soon after we entered the tropics, an awful storm burst upon our ship. The first squall of wind carried away two of our masts, and left only the foremast standing. There was no room for me upon the lifeboat; but being left behind saved my life -- and the lives of Peterkin and Jack Martin, my two companions. "Come, boys," said Jack Martin in a grave tone as we stood on the quarterdeck awaiting our fate -- "You see it is impossible that the little boat can reach the shore, crowded with men." He had us take hold of a loose oar, and guided us to shelter on a deserted coral isle. . . . . . . and that is the beginning of my harrowing tale.

The main characters are the Scottish knight Kenneth, a fictional version of David of Scotland, Earl of Huntingdon, who returned from the third Crusade in 1190; Richard the Lionheart; Saladin; and Edith Plantagenet, a relative of Richard.In Scott's own words: ". . . the warlike character of Richard I, wild and generous, a pattern of chivalry, with all its extravagant virtues and its no less absurd errors, was opposed to that of Saladin, in which the Christian and English monarch showed all the cruelty and violence of an Eastern sultan, and Saladin, on the other hand, displayed the deep policy and prudence of a European sovereign, whilst each contended which should excel the other in the knightly qualities of bravery and generosity. This singular contrast afforded, as the author conceived, materials for a work of fiction possessing peculiar interest."

Marvin Kaye has crafted a wondeful sequel to Charles Dickens' A Christmas Carol, picking up the story of Ebenezer Scrooge and revisiting familiar characters such as Jacob Marley, Bob Cratchit, and many others, following it through to an altogether satisfying conclusion in an intricate tapestry of the real and the supernatural, as the reformed Scrooge tries to satisfy a nagging feeling of something yet undone."...intriguing and unusual. It's a very interesting idea to put a new text into an 'intertextual' relationship with a Dickens original.The treatment of the Jewish angle throws a sidelight on early C19th society and fictional representations of it at the time which is extremely interesting. I'm sure that many readers will find it fascinating...In short, a worthy endeavour with much that is thought-provoking."-Charles Palliser"It's a brave soul who writes a sequel to a universally-loved and -known book like A Christmas Carol; it's a rarer man still who does a job as fine as Marvin Kaye of evoking Charles Dickens without imitating him, of extending a story that had until now seemed resolved and delivering a tale which will delight, terrify and affect all readers."-Kim Newman"I was impressed and moved on many levels--not only by Marvin Kaye's mastery of Dickensian style, but also by a kind of optimism, or idealism, far more consistent with Victorian Dickens/Kaye than with purely contemporary Kaye. I can imagine that Marvin really did write it as Dickens might have wanted it to go." -Paula Volsky"This is a magical, indeed a miraculous, story. Here is the vision of the Afterlife which Dickens did not address, but was the unanswered question at the end of his original tale. It is rare indeed when an author writes a sequel to some other author's work and does not diminish both. It's brilliant." -Morgan Llywelyn