Books published by Boydell & Brewer Ltd

The aims and personality of the second duke are illuminated, and the development of the Burgundian state during his ducal reign (1404-1419) charted. His supposed 'infernal pact' with the English and his assassination are examined;his activities in France are studied, as he exploited French resources for the benefit of Burgundy.

One of the classic "Companion Guides", this is devoted to the English counties of Kent and Sussex. Each volume in the series aims to provide a comprehensive travel companion in the person of the author, who knows intimately the places and people of which he or she writes.

A detailed and passionate argument suggesting that Beowulf originated in the pre-Viking kingdom of 8th-century East Anglia.

The role and characteristics of armed force at sea in western Europe and the Mediterranean prior to 1650.

The cataclysmic conquests of the eleventh century are here set together for the first time.Eleventh-century England suffered two devastating conquests, each bringing the rule of a foreign king and the imposition of a new regime. Yet only the second event, the Norman Conquest of 1066, has been credited with the impact and influence of a permanent transformation. Half a century earlier, the Danish conquest of 1016 had nonetheless marked the painful culmination of decades of raiding and invasion - and more importantly, of centuries of England's conflict and cooperation with the Scandinavian world - and the Normans themselves were a part of that world. Without 1016, the conquest of 1066 could never have happened as it did: and yet disciplinary fragmentation in the study of eleventh-century England has ensured that a gulf separates the conquests in modern scholarship. The essays in this volume offer multidisciplinary perspectives on a century of conquest: in politics, law, governance, and religion; in art, literature, economics, and culture; and in the lives and experiences of peoples in a changing, febrile, and hybrid society. Crucially, it moves beyond an insular perspective, placing England within its British, Scandinavian, and European contexts; and in reaching across conquests connects the tenth century and earlier with the twelfth century and beyond, seeing the continuities in England's Anglo-Saxon, Danish, Norman, and Angevin elite cultureand rulership. The chapters break new ground in the documentary evidence and give fresh insights into the whole historical landscape, whilst fully engaging with the importance, influence, and effects of England's eleventh-centuryconquests, both separately and together. LAURA ASHE is Professor of English Literature and Fellow and Tutor in English, Worcester College, Oxford; EMILY JOAN WARD is Moses and Mary Finley Research Fellow, Darwin College, Cambridge. Contributors: Timothy Bolton, Stephanie Mooers Christelow, Julia Crick, Sarah Foot, John Gillingham, Charles Insley, Catherine Karkov, Lois Lane, Benjamin Savill, Peter Sigurdson Lunga, Niels Lund, Rory Naismith, Bruce O'Brien, Rebecca Thomas, Elizabeth M. Tyler, Elisabeth van Houts, Emily Joan Ward.

Weighs the value of Germanophone culture, and its study, in an age of globalization, transnationalism, and academic change.The study of German-language culture has been rapidly diversifying to express the vibrant multiplicity of what it is now possible to research, and teach, under the rubric of "e;German Studies."e; Responding to these developments, German in the World explores what happens when the geographic, linguistic, and temporal boundaries that have traditionally been used to define German-language culture are questioned, and are placed alongside more global perspectives. Chapters consider the transformation of the German-language cultural canon through its engagement with the world, trace the value of German Studies as an interdisciplinary subject practiced across different global locations, and investigate the impact of both on the work of organizations and practitioners entirely beyond the academy. In questioning where German-language culture can be found across these different "e;worlds,"e; German in the Worldthus uncovers the continued value of German Studies as a field of critical cultural discourse within a globalized public sphere, placing that culture at the heart of debates on Transnational and World Literature. Ultimately, thecontributions to this innovative volume demonstrate how attempts to locate German Studies in its wider geographic and social contexts result not in a discipline undone, but in a discipline reinvigorated and transformed.Contributors: Sai Bhatawadekar, Tobias Boes, Dirk Gottsche, James Hodkinson, Carlotta von Maltzan, Frauke Matthes, Ben Morgan, John K. Noyes, Emily Oliver, Kate Rigby, Benedict Schofield, Uwe Schutte, Carol Tully. James Hodkinson is Reader in German at Warwick University. Benedict Schofield is Reader in German at King's College London.

A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.

A comparative and trans-national study of urban culture in Britain and the United States from the late nineteenth to the twentieth centuryUsing the industrial cities of Manchester and Chicago as case studies, this book traces the idea of "e;citizenship"e; across different areas of local life in the first half of the twentieth century - from philosophy and festivals to historical re-enactment and public housing. Coalitions of voluntary associations, municipal government and local elites lambasted modern urban culture as the cause of social disintegration. But rather than simply decanting the population to new and smaller settlements they tried to re-imagine a reformed city as a place that could foster loyal and healthy communities. Celebrating civic progress in the period since the "e;shock city"e; of the nineteenth century,they sought to create a sense of local pride that could bracket growing class and racial tensions. The diverse individuals, groups and communities of the city reacted in different ways to this message. Some were happy to gather under the identity of one civic banner. Others, held back by discriminatory structures of society, chose to shape their own idea of citizenship - one that looked far beyond the city for a sense of belonging and rights. Historians have tended to emphasise the rise of national identity, state centralisation and popular patriotism at the expense of distinctive local identities, municipal autonomy and expressions of civic pride. This book aims to redress the imbalance, demonstrating how local ideas of belonging could still exert a powerful hold on the making of modern citizenship. TOM HULME is a lecturer in the School of History, Anthropology, Philosophy and Politics, Queen's University Belfast.

Survey of reception of German poet Hoelderlin in French criticism and literature, with particular attention to Heidegger and his followers.

The history of an entrepreneurial family whose work influenced followers of the Arts and Crafts Movement, Gothic Revivalism, Art Needlework and Aestheticism

Shows how the experience of violence in Argentina shed light on a new sense of "being together" that goes beyond bloodline ties.

The first in-depth yet accessible introduction to Galician history and culture for both lay and specialized readers.

Fruits of the most recent research on the worlds of the eleventh and twelfth centuries.

The seventeenth century was one of the most dramatic periods in Scotland's history, with two political revolutions, intense religious strife culminating in the beginnings of toleration, and the modernisation of the state and its infrastructure. This book focuses on the history that the Scots themselves made.

Follows the evolution of the Orient as a positive literary device in German literature and demonstrates how it was used to explore subjectivity and the possibility of wholeness.For centuries, Europe's eastward gaze has been wary if not hostile. Medieval man envisaged grotesque beings at the world's edge and scanned the steppes and straits on the immediate horizon for the Asian or Arab hordes that might swarm across them. Through the Crusades, the early modern era, and the age of imperialism, Europeans regarded the Eastern subject as requiring both "e;discovery"e; and conquest. Conveniently, the "e;Oriental"e; came to represent fanaticism, terrorism, moral laxity, and inscrutability, among other stereotypes. The list of German literary works that reinforced negative cliches about the East is long, but Orienting the Self argues for the presence in the Germanliterary tradition of a powerful perception of the East as the scene of desire, fantasy, and fulfillment. It follows the evolution of the Orient as a literary device and demonstrates how it was used to explore subjectivity and the possibility of wholeness. The five works treated in this study - Parzival, Fortunatus, Effi Briest, Heinrich von Ofterdingen, and The Magic Mountain - are narratives of development in which the encounter with the East is central to the progression toward selfhood and the promise of fulfillment. Debra N. Prager is Associate Professor of German at Washington and Lee University.

The first broad treatment of German genre fiction, containing innovative new essays on a variety of genres and foregrounding concerns of gender, environmentalism, and memory.

Essays on the modern reception of the Middle Ages, built round the central theme of the ethics of medievalism.Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjuncturesfrom medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Mary R. Bowman, Harry Brown, Louise D'Arcens, Alison Gulley, Nickolas Haydock, Lisa Hicks, Lesley E. Jacobs, Michael R. Kightley, Phillip Lindley, Pascal J. Massie, Lauryn S. Mayer, Brent Moberley, Kevin Moberley, Daniel-Raymond Nadon, Jason Pitruzello, Nancy M. Resh, Carol L. Robinson, Christopher Roman, M.J. Toswell.

A comprehensive account of Goethe's relationship to Arabian culture, mediated by his interest in certain poets and texts and by his highly nuanced attitude toward Islam.

Captures the learning process of Nazi-era literary exiles following in the footsteps of legendary literary exemplars of exile.

Reconstructs through testimonial literature the repression of women during the Franco years and recovers the writings of some of the forgotten post-war women novelists.

Essays shedding fresh and significant light on Gower's poetry, major and minor, as it was received, read, and re-produced in England and in Iberia from the fourteenth to the twentieth centuries.

An examination of the links between radicalism in Victorian England, and the Risorgimento movement in Italy.

An examination of the complex interrelationship between charity birth control clinics and the commercial marketplace in the United States through the 1970s.

Cultural and literary historians investigate the unique literary bridge between German-speaking women and the "e;New World,"e; examining novels, films, travel literature, poetry, erotica, and photography.In a 1798 novel by Sophie von La Roche, a European woman swims across a cold North American lake seeking help from the local indigenous tribe to deliver a baby. In a 2008 San Francisco travel guide, Milena Moser, the self-proclaimed "e;Patron Saint of Desperate Swiss Housewives,"e; ponders the guilty pleasures of a media-saturated world. Wildly disparate, these two texts reveal the historical arc of a much larger literary constellation: the literature of German-speaking women who interact with the New World. In this volume, cultural historians from around the world investigate this unique literary bridge between two hemispheres, focusing on New-World texts written by female authors from Germany, Austria, or Switzerland. Encompassing a broad range of genres including novels, films, travel literature, poetry, erotica, and even photography, the essays include women's experiences across both American continents. Many of the primary literary texts discussed in this volume are available in the online collections of Sophie: A Digital Library of Works by German-Speaking Women (http://sophie.byu.edu/). Contributors: Christiane Arndt, Karin Baumgartner, Ute Bettray, Ulrike Brisson, Carola Daffner, Denise M. Della Rossa, Linda Dietrick, Silke R. Falkner, Maureen O. Gallagher, Nicole Grewling, Monika Hohbein-Deegen, Gabi Kathofer, Thomas W. Kniesche,Julie Koser, Judith E. Martin, Sarah C. Reed, Christine Rinne, Tom Spencer, Florentine Strzelczyk, David Tingey, Petra Watzke, Chantal Wright. Rob McFarland and Michelle Stott James are both Associate Professors of German at Brigham Young University.

Documents the profound societal changes that occurred in Accra, the capital city of the Gold Coast colony (modern Ghana), during the peak decades of British colonial rule, 1920-1950.