Books published by Boydell & Brewer Ltd

The sequel to Richard Maunder's The Scoring of Baroque Concertos

This Companion offers an overview and assessment of Mario Vargas Llosa's large body of work, tracing his development as a writer and intellectual in his essays, critical studies, journalism, and theatrical works, but above all in his novels.

Focusses on the years that Eca de Queiros lived in Paris and shows how the periodicals he conceived and edited were modeled on dozens of Victorian and American publications.Eca de Queiros' work has primarily been studied within the context of French literature and culture. This book presents a different Eca. Focusing on the years that he lived in Paris, it demonstrates how the periodicals he himselfconceived and edited were modeled on dozens of Victorian ones such as the Contemporary Review, the Review of Reviews or the Idler, as well as on some American ones such as the Forum, the Arena, and the North American Review. This book shows us an Eca who is undeniably an Anglophile, an Eca long seduced by the diversity and originality of English thought, an Eca increasingly distant from the French cultural model which had marked his education. Teresa Pinto Coelho is Full Professor and Chair in Anglo-Portuguese Studies at the Universidade Nova de Lisboa.

A reconsideration of Arthurian compilations in the late middle ages, looking at the complex ways in which they reshape their material for new audiences.The late-medieval adaptions and compilations of the Arthurian story are a European phenomenon that has sparked both mystification and controversy. Often dismissed as nostalgic recreations that attempt to halt the literary tide, these ambitious projects saw adaptors from across Western Europe combining a vast array of prose and verse sources from different languages into encyclopedic narrative chronologies of King Arthur and his court. Ranging from ornate verse adaptations to heavily condensed prose works, the resulting texts reflect a process of translating, cutting and arranging Arthurian material into new literary incarnations, which nonetheless retain recognisable versions of the Arthurian story. This study re-evaluates Malory's Morte Darthur and four broadly contemporary European romance collections, including Jean Gonnot's French BN.fr.112 manuscript, Ulrich Fuetrer's German Buch der Abenteuer, the Dutch Lancelot Compilation, and the Italian Tavola Ritonda, in the context of this adaptive process. In doing so, it investigates how the adaptors respond to the shared structural and stylistic challenges of incorporating new material into the well-known story of King Arthur and comes to intriguing conclusions about the ways in which the narrative demands of late Arthurian adaptations invited authors to populate the Arthuriancourt with new and more complex protagonists. Miriam Edlich-Muth currently teaches Old and Middle English language and literature at the University of Cambridge.

An exploration of how music and musicians have moved between North America and Europe and the positive exchanges that have resulted.

An examination of museums in China, surveying their development from the nineteenth century, and looking in particular at their incredible recent proliferation.Museums in China have undergone tremendous transformations since they first appeared in the country in the late nineteenth century. Futuristic, state-of-the-art museums have today become symbols of China's global cultural, economic and technological prominence, and over the last two decades, the number of Chinese museums has increased at an unprecedented rate, with China set to become the country with the highest number of museums in the world. But why have museums become so important? This book, based on extensive research in a number of the museums themselves, examines recent changes in their display methods, narratives, actors and architectural style. It also considers their representations of Chinese national identity, millenarian history and extraordinary cultural diversity. Through an analysis of the changes affecting not only what we observe through museums, but also the very medium of observation (i.e. museums themselves), this book provides a unique, original and timely exploration of the ongoing changes affecting Chinese society, and an evaluation of their consequences. Dr Marzia Varutti is apost-doctoral fellow at the Centre for Museum Studies, Department of Culture Studies and Oriental Languages, University of Oslo.

This edited volume brings together leading scholars to explore the emergence of the stress concept and its ever-changing definitions since the 1940s.

Edition, translation and full critical study of a hitherto marginalised text, bringing it to full attention for the first time.The Old English poem known popularly as the Descent into Hell, found on folios 119v to 121v of the Exeter Book, has to date received little critical attention, perhaps owing to various contextual problems and lacunae on theleaves that contain it. This first full-length study offers a full account of the poem, together with an edition of the text and facing translation. It aims to resolve some of the poem's vexing issues and provides a varietyof possible interpretations of the poem. The in-depth literary analysis seeks to enrich modern scholarly perceptions of the poem, suggest a more appropriate title, and contribute to continued scholarly discussion and analysis of the Exeter Book and its compilation. It provides a guide towards understanding the poem's main theme, presents the text in light of its position in ecclesiastical history, and sheds fresh light into its place and significance within the corpus of Old English poetry. M.R. Rambaran-Olm received her PhD from the University of Glasgow.

First comprehensive examination of the ways in which printers, publishers and booksellers adapted and rewrote Arthurian romance in early modern France, for new audiences and in new forms.Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions for readers. This book is the first full-length study of what happens to Arthur at the beginning of the age of print. It explores the fascinations of Arthurian romance in the sixteenth and early seventeenth centuries, from the magnificent presentation volumes offered by Antoine Verard or Galliot du Pre in the early years of the century to the perfunctory abbreviated Lancelot published by Benoit Rigaud in Lyon in 1591; from PierreSala's dutiful "e;translation"e; of Yvain to Jean Maugin's exuberant rewriting of the prose Tristan; from attempts at "e;new"e; romance like the little-known Giglan to the runaway best-seller Amadis de Gaule.The book's primary focus is the techniques and stratagems employed by publishers and their workshops to renew Arthurian romance for a new readership: the ways in which the publishers, the translators and the adapters of the Renaissance tailor romance to fit new cultural contexts. Their story - which is the story of the rise and fall of one of the great genres of the Middle Ages - allows privileged insights into socio-cultural and ideological attitudes in the France of the Renaissance, and into issues of literary taste, particular patterns of choice and preference. Jane H.M. Taylor is Emeritus Professor of French at Durham University.

Text with facing translation of two important Old English texts.

The relationship between Anglo-Saxon kingship, law, and the functioning of power is explored via a number of different angles.The essays collected here focus on how Anglo-Saxon royal authority was expressed and disseminated, through laws, delegation, relationships between monarch and Church, and between monarchs at times of multiple kingships and changing power ratios. Specific topics include the importance of kings in consolidating the English "e;nation"e;; the development of witnesses as agents of the king's authority; the posthumous power of monarchs; how ceremonial occasions wereused for propaganda reinforcing heirarchic, but mutually beneficial, kingships; the implications of Ine's lawcode; and the language of legislation when English kings were ruling previously independent territories, and the delegation of local rule. The volume also includes a groundbreaking article by Simon Keynes on Anglo-Saxon charters, looking at the origins of written records, the issuing of royal diplomas and the process, circumstances, performance and function of production of records. GALE R. OWEN-CROCKER is Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Ann Williams, Alexander R. Rumble, Carole Hough, Andrew Rabin, Barbara Yorke, Ryan Lavelle, Alaric Trousdale

A comprehensive survey and analysis of the Presbyterian community in its important formative period.The Presbyterian community in Ulster was created by waves of immigration, massively reinforced in the 1690s as Scots fled successive poor harvests and famine, and by 1700 Presbyterians formed the largest Protestant community in the north of Ireland. This book is a comprehensive survey and analysis of the Presbyterian community in this important formative period. It shows how the Presbyterians formed a highly organised, self-confident community which exercised a rigorous discipline over its members and had a well-developed intellectual life. It considers the various social groups within the community, demonstrating how the always small aristocratic and gentry component dwindled andwas virtually extinct by the 1730s, the Presbyterians deriving their strength from the middling sorts - clergy, doctors, lawyers, merchants, traders and, in particular, successful farmers and those active in the rapidly growing linen trades - and among the laborious poor. It discusses how Presbyterians were part of the economically dynamic element of Irish society; how they took the lead in the emigration movement to the American colonies; and how they maintained links with Scotland and related to other communities, in Ireland and elsewhere. Later in the eighteenth century, the Presbyterian community went on to form the backbone of the Republican, separatist movement. ROBERT WHAN obtained his Ph.D. in History from Queen's University, Belfast.

The first genuinely interdisciplinary study of creativity in early modern England

This book describes the "glory years" of Ira Aldridge's first Continental tour, during which he won more awards and honors, often conferred by royalty, than any other actor of his day.

Drawing on oral-history interviews and other sources, this work provides fascinating accounts of how Soviets, Jews, and Roma fared in the Russian city of Smolensk under the 26-month Nazi occupation.

Focuses on the cultural, philosophical, political, and scholarly uses of "e;orientalism"e; in the German-speaking and Central and Eastern European worlds from the late eighteenth century to the present day.The concept and study of orientalism in Western culture gained a changed understanding from Edward Said's now iconic 1978 book Orientalism. However, recent debate has moved beyond Said's definition of the phenomenon, highlighting the multiple forms of orientalism within the "e;West,"e; the manifold presence of the "e;East"e; in the Western world, indeed the epistemological fragility of the ideas of "e;Occident"e; and "e;Orient"e; as such. This volume focuses on the deployment -- here the cultural, philosophical, political, and scholarly uses -- of "e;orientalism"e; in the German-speaking and Central and Eastern European worlds from the late eighteenth century to the present day. Its interdisciplinary approach combines distinguished contributions by Indian scholars, who approach the topic of orientalism through the prism of German studies as practiced in Asia, with representative chapters by senior German, Austrian,and English-speaking scholars working at the intersection of German and oriental studies. Contributors: Anil Bhatti, Michael Dusche, Johannes Feichtinger, Johann Heiss, James Hodkinson, Kerstin Jobst, Jon Keune, Todd Kontje, Margit Koves, Sarah Lemmen, Shaswati Mazumdar, Jyoti Sabarwal, Ulrike Stamm, John Walker. James Hodkinson is Associate Professor in German Studies at Warwick University. John Walker is Senior Lecturer in EuropeanCultures and Languages at Birkbeck College, University of London. Shaswati Mazumdar is Professor in German at the University of Delhi. Johannes Feichtinger is a Researcher at the Osterreichische Akademie der Wissenschaften.

The Differentiation of Modernism analyzes the phenomenon of intermediality in German radio plays, film music, and electronic music of the late modernist period (1945-1980).

New essays from leading Goethe scholars providing testimony to the continuing, even renewed, relevance of Goethe for literary studies today.Invoking Goethe's name has become fashionable again. With new methods and technologies of reading threatening to render literature virtual and insubstantial, we have the sense that "e;Goethe's ghosts"e; - the otherwise neglected voices and traditions that, finding their most trenchant expression in Goethe, inform the Western storehouse of literature - can show us long-forgotten dimensions of literature. Inspired by the distinguished Goethe scholar Jane Brown,whose life's work has called attention to the allegorical modes haunting the mimetic forms that dominate modern literature, the contributors to this volume take a rich variety of approaches to Goethe: cultural studies, history ofthe book, semiotics, deconstruction, colonial studies, feminism, childhood studies, and eco-criticism. The persistence, omnipresence, and modalities of the "e;ghosts"e; they find suggest that more than influence or standards is at issue here. The stubborn reappearance of these revenants testifies to more fundamental issues concerning the status of literature and the task of the reader. As the contributors demonstrate, these questions acquire renewed urgency inwriters as diverse as Hegel, Adorno, Benn, Droste-Hulshoff, and Nietzsche. Each of the essays testifies to the enduring salience and presence of Goethe. Contributors: Helmut Ammerlahn, Benjamin Bennett, Dieter Borchmeyer, Franz-Josef Deiters, Richard T. Gray, Martha B. Helfer, Meredith Lee, Clark Muenzer, Andrew Piper, Jurgen Schroder, Peter J. Schwartz, Patricia Anne Simpson, Robert Deam Tobin, David E. Wellbery, Sabine Wilke. SimonRichter is Professor of German Literature at the University of Pennsylvania. Richard Block is Associate Professor of German at the University of Washington.

Second volume of the biennial publication of the Duke German Jewish Studies Workshop, making available important new research and considering the definition and development of the field of German Jewish Studies.Nexus is the official publication of the biennial German Jewish Studies Workshop at Duke University, the first ongoing forum in North America for German Jewish studies. It publishes innovative research in German Jewish Studies and serves as a venue for introducing new directions in the field, analyzing the development and definition of the field itself, and considering the place of German Jewish Studies within the disciplines of both German Studiesand Jewish Studies. Additionally, it examines issues of pedagogy and programming at the undergraduate, graduate, and community levels. The second volume of Nexus presents a special forum section on the controversial German Jewish religious historian Hans-Joachim Schoeps (1909-80), including contributions by Julius H. Schoeps, Hans J. Hillerbrand, Eric M. Meyers, Laura Lieber, Noah B. Strote, and Paul Reitter, as well as cutting-edge essays thathighlight important new developments in the field of German Jewish Studies. Contributors: Nick Block, Abigail Gillman, Anton Hieke, Hans J. Hillerbrand, Martin Kagel, Richard S. Levy, Laura Lieber, Eric M. Meyers, Andrea Reiter, Paul Reitter, Julius H. Schoeps, Noah B. Strote, Karina von Tippelskirch. William C. Donahue is Bishop-MacDermott Family Professor of Germanic Languages & Literature, and Professor, Program in Literature andJewish Studies, Duke University. Martha B. Helfer is Professor of German and an affiliate member of the Department of Jewish Studies at Rutgers, The State University of New Jersey.

Outlines the East India's Company's infiltration of India from its inception to the late eighteenth century.Empires have usually been founded by charismatic, egoistic warriors or power-hungry states and peoples, sometimes spurred on by a sense of religious mission. So how was it that the nineteenth-century British Indian Raj was so different? Arising, initially, from the militant policies and actions of a bunch of London merchants chartered as the English East India Company by Queen Elizabeth in 1600, for one hundred and fifty years they had generally pursued apeaceful and thereby profitable trade in the India, recognized by local Indian princes as mutually beneficial. Yet from the 1740s, Company men began to leave the counting house for the parade ground, fighting against the French and the Indian princes over the next forty years until they stood upon the threshold of succeeding the declining Mughul Empire as the next hegamon of India. This book roots its explanation of this phenomenon in the evidence ofthe words and thoughts of the major, and not-so major, players, as revealed in the rich archives of the early Raj. Public dispatches from the Company's servants in India to their masters in London contain elaborate justificationsand records of debates in its councils for the policies (grand strategies) adopted to deal with the challenges created by the unstable political developments of the time. Thousands of surviving private letters between Britons in India and the homeland reveal powerful underlying currents of ambition, cupidity and jealousy and how they impacted on political manoeuvring and the development of policy at both ends. This book shows why the Company became involved in the military and political penetration of India and provides a political and military narrative of the Company's involvement in the wars with France and with several Indian powers. G. J. Bryant, who has a Ph.D. fromKing's College London, has written extensively on the British military experience in eighteenth-century India.

Examination of romance texts from late medieval England, linking them firmly to their political and social context.Although the anonymous pious Middle English romances and Sir Thomas Malory's Morte Darthur have rarely been studied in relation to each other, they in fact share at least two thematic concerns, vocabularies of suffering andgenealogical concerns, as this book demonstrates. By examining a broad cultural and political framework stretching from Richard II's deposition to the end of the Wars of the Roses through the prism of piety, politics and penitence, the author draws attention to the specific circumstances in which Sir Isumbras, Sir Gowther, Roberd of Cisely, Henry Lovelich's History of the Holy Grail and Malory's Morte were read in fifteenth-century England. In the case of the pious romances this implies a study of their reception long after their original composition or translation centuries earlier; in Lovelich's case, an examination of metropolitan culture leads to an opening of the discussion to French romance models as well as English chronicle writing. Overall romance reception is investigated through analysis of the manuscript transmission and circulation of these texts alongside contemporary devotional and political texts and chronicles. Dr Raluca Radulescu is Reader in Medieval Literature and Co-Director, Institute for Medieval & Early Modern Studies, Bangor and Aberystwyth Universities.

The first extended study of seven beloved French symphonic masterpieces, from Saint-Saens and Franck to d'Indy and Dukas.

Argues for a new reading of Beowulf in its contemporary context, where honour and violence are intimately linked.

A detailed examination of the patronage rights exerted over the church by the nobility, illuminating the complex network of relationships between them, the Church, and the clergy.While there has been work on the nobility as patrons of monasteries, this is the first real study of them as patrons of parish churches, and is thus the first study to tackle the subject as a whole. Illustrated with a wealth of detail, it will become an indispensable work of reference for those interested in lay patronage and the Church more generally in the middle ages. Professor David Carpenter, Department of History, King's College London This book provides the first full-length, integrated study of the ecclesiastical patronage rights of the nobility in medieval England. It examines the nature and extent of these rights, how they were used, why and for whom they were valuable, what challenges lay patrons faced, and how they looked to the future in making gifts to the Church. It takes as its focus the thirteenth century, a critical period for the survival and development of these rights, being a time of ambitious Church reform, of great change in patterns of land ownership in the ranks of the higher nobility, and of bold assertion by the English Crown of its claims to control Church property. The thirteenth century also saw a proliferation of record keeping on the part of kings, bishops and nobility, and the author uses new evidence from a range of documentary sources to explore the nature of the relationships between the English nobility, theChurch and its clergy, a relationship in which patronage was the essential feature. Dr Elizabeth Gemmill is University Lecturer in Local History and Fellow of Kellogg College. University of Oxford.

This first scholarly treatment of a fascinating and understudied figure offers a unique and powerful view of nearly one hundred years of the struggle for freedom in North America.

The influence on Enlightenment thought of medievalism has been underestimated; it is here reappraised and its significance brought out.

Groundbreaking essays show the variety and complexity of the roles played by inquisition in medieval England.

An analysis of how Britain developed a superb supply system for the navy, with beneficial consequences both for victory in war and for Britain's economic development.