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Illuminates the poetic interactions between Octavio Paz (1914-1998) and Haroldo de Campos (1929-2003) from three perspectives - comparative, theoretical, and performative. The book offers a discussion of the role of poetry and translation from a global perspective.
Traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel, offering a dramatic new approach to the history of the English novel that examines how the collaboration of genres contributed to the novel's narrative form and to the modern organization of literature.
These essays reflect on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities.
Emmanuel Levinas's voice is crucial to the resurging global attention to ethics because he grapples with the quintessential problem of alterity or "otherness", which he conceptualizes as the articulation of, and prior responsibility to, difference in relation to the competing movement toward sameness.
Anchoring her work in archival sources in film technology, economy, and education, Naida Garcia-Crespo argues that Puerto Rico's position as a stateless nation allows for a fresh understanding of national cinema based on perceptions of productive cultural contributions rather than on citizenship or state structures.
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