Books published by Cambria Press

Lord Ferdinando Stanley was the fifth earl of Derby, a leading claimant to the throne. Considered a man who had everything, he was also the patron of the company of players which was fortunate enough to include William Shakespeare. One April Fool's Day, 1594, he was reportedly approached by a witch (one of the famous legion of "Lancashire witches") and they engaged in brief conversation while strolling outside his largest palace, Lathom Hall. Four days later, he fell violently ill. For twelve days he lingered, while four of the best doctors in the country, including the famous Dr. John Case of Oxford, labored in vain to save him.Who killed Lord Stanley and why? Historians started debating that question almost as soon as he died, and outraged gossip was to be heard everywhere in England. This second edition studies the death of Lord Derby within the immediate contexts of Elizabethan power politics, succession mania, passionate religious controversy, the records of prominent families in the North, and the cult of personality just then beginning to become a major factor in the nation's social history. The book's scope also includes subcultural contexts such as Elizabethan poetry (Lord Derby was a pastoral love poet, some of whose work survives), witchcraft, medicine, spy networks, and both approved and disapproved methods of political assassination (with poison being the most frowned upon because of its disreputable "Italianate" connotations).

Contemporary American dance scholars agree that the first venue for critically informed, aware, and diverse reflections on dance was Impulse. While Impulse was recognized as the platform for dance scholarship during the years of its publication, following its cessation in 1970, only a handful of libraries and collections retained a full complement of its issues. Over time and out of view Impulse began to fade from memory, and many upcoming dance scholars were unaware of its rich history and seminal contributions to the field. Fortunately, as Impulse collected dust on shelves, technologies evolved that offered hope for the preservation of print and media collections. In 2008 a project was initiated to preserve Impulse as a digital collection and bring together a cohort of dance scholars to analyze each issue from today's point of view. Their collected works are presented in Contemporary Dance History: Revisiting Impulse, 1950-1970. There is no comparable study or project designed to preserve and facilitate access to original source materials in dance at this time. Perspectives on Contemporary Dance History: Revisiting Impulse, 1950-1970 stands alone as a compendium of critical analyses of the full roster of a publication dedicated to dance. As eminent authors of the time were invited to contribute to issues of Impulse, contemporary dance scholars were invited to contribute to this book that examines Impulse from today's point of view. This volume revisits the journal's breadth of commentary, scope of authorship, and provocative yet engaging discourses. In these regards Perspectives on Contemporary Dance History: Revisiting Impulse, 1950-1970 is unlike any other contemporary volume of dance studies. Perspectives on Contemporary Dance History: Revisiting Impulse, 1950-1970 will be of interest to current and emerging dance scholars, dance historians, cultural theorists, education specialist, arts librarians, and those who seek a model for reclaiming the foundational literature of a discipline.

Each year in the United States alone, over 125,000 children suffer serious burn injuries, and only a relative few are treated at specialized centers. Ratios are even more dismal in other regions of the world. These cases require immediate and complex care from a myriad of disciplines if survival and full functional recovery are to be achieved. This unprecedented book is therefore a vital resource as it describes the most advanced practices in use throughout the world in every type of burn wound category, providing clear descriptions of treatment methods from every discipline's perspective and from a variety of countries. It is the first book ever undertaken that is solely dedicated to providing a comprehensive roadmap to caregivers involved in treating and rehabilitating the child with a serious burn injury, from emergency room to resocialization. It is also the first planned approach to the future of pediatric burn care and education. The contributors to the volume were carefully selected for their expertise for this volume and are considered the top surgeons in the field. The editor, renowned surgeon and professor, Dr. Bradley Phillips, has devoted his career to the care of injured children. As an operating surgeon, active clinician, educator, lecturer and prolific author, Dr. Phillips' expertise is widely respected and recognized in the field. In this text, he has leveraged his Burn-Trauma-ICU background with selected colleagues from around the world in order to produce a work that encompasses the unique and cultural-specific aspects of caring for burned children. Pediatric Burns is an unprecedented edited volume that focuses on the spectrum of childhood burn injury. A collaborative work from authors around the world, this book describes the principles of management from Time Zero through Long-term Rehabilitation. Recognized experts have written individual chapters and the entire work addresses practical issues involved in caring for this unique patient population. This is a limited paperback edition.

"Rethinking Chineseness: Translational Sinophone Identities in the Nanyang Literary World is the first book devoted to Sinophone Southeast Asian literature in the English-speaking world. Conceptually innovative and flawlessly written, this book makes an important contribution not only to the emergent and growing field of Sinophone studies, but also to Southeast Asian studies, Chinese studies, comparative literary studies, diaspora studies, and minority and multicultural studies. Anyone interested in questions of identity calibrated through such vectors as language, culture, history, geography, and nationality will find this book to be extremely valuable. This is an impressive accomplishment." - Professor Shu-mei Shih, University of California at Los Angeles "E. K. Tan has done magnificent work in rethinking literary and cultural politics in the context of Sinophone articulations. In Rethinking Chineseness he looks into sources drawn from the Sinophone communities in Southeast Asia, identifies indigenous and diasporic contestations, and teases out the radical elements in the contemporary debate about Chinese identities. Both historically engaged and theoretically provocative, Tan's book is a most important source for anyone interested in Chinese and Sinophone literary and cultural studies." - Professor David Der-wei Wang, Harvard University "With his illuminating historical and theoretical mapping of the concepts, from Overseas Chinese to Chinese Diaspora, Chineseness to Sinophone, E.K. Tan has done a brilliant job in this highly challenging, interdisciplinary project by weaving together discourses in various academic fields and providing an integrated cross-referential discussion. His selection of works by Singaporean and Malaysian writers fills in glaring gaps and further contributes to the richness and complexities of the notion of Sinophone literature and culture. It is a definitive basic reference in this field." - Professor Quah Sy Ren, Nanyang Technological University, Singapore

It took two hundred years to implement democracy within the nation-state, from the emergence of democratic theories during the Enlightenment to the introduction of popular government after World War I. If the same process were to follow at the international level, and the treaty of Versailles was taken as the baseline for the calculation, a democratic world order could be expected to emerge by 2119 - hence the title of this book. The point is the long perspective. Most scholars in mainstream political science and international relations are skeptical of the prospect of global democracy and believe that in the short run the fight against corruption and abuse of power is a more pressing task. This is true and very much an important mission; as such, corruption is treated in a special chapter of the book. But in fulfilling this mission, the finite goal should not be forgotten. The present good must not be the enemy of the ultimate best. To promote short-time accountability in world politics, leading scholars suggest new, so called pragmatic methods instead of old-fashioned values such as political equality and electoral accountability. Critical analyses of how this pragmatism has already functioned in various international organizations are presented as well as a discussion of four models of global democracy: "federalism", "cosmopolitanism", "global corporatism" and "stakeholder democracy". The book is a bold, unique and provocative defense of classical democracy transferred to the global level. Today, students of international politics are learning that global democracy is not feasible. The future is said to belong to the nation-state. Still, in an era of globalization more and more decisions are made on the supranational level. Small social changes in one place have great consequences elsewhere. Rivers, winds, migration, financial operations, trade and travel do not stop at national borders. The question is not whether there exists a decision-making process above the nation-states but rather if these decisions should be made in a democratic fashion or in some other way. The reason for studying the book, then, is to obtain a critical view of the conventional wisdom today so that the goal of global democracy is not abandoned. 2119 - The Year Global Democracy Will Be Realized applies a comprehensive approach to globalization and democracy and presents new insights in the intriguing dialectics between these two phenomena. After the end of the Cold War, democratic theory has changed from "input-legitimization" in terms of voting, participation, and procedure to "output-legitimization" with an emphasis on welfare, consensus, and results. Again, Platös guardians are hailed as the people¿s true friend, whereas the possibilities to hold the collaborating governors to account by the voters are rendered more difficult. Anyone interested in this philosophical change should read the book. 2119 - The Year Global Democracy Will Be Realized is written in a clear and accessible manner, deliberately avoiding jargon, and will be especially useful for students and scholars in political science, international relations, and related fields as well as for journalists, moulders of public opinion, political decision-makers, and involved citizens.

Ousmane Sembène was a Senegalese film director, producer, and writer whom the Los Angeles Times considered one of the greatest authors of Africa. Often called the "father of African film," Sembène strongly believed that African films should be geared primarily toward educating the masses and making the philosophical quandaries and political issues contested by elites accessible to the poor and those with little to no formal education.Although Sembène's central aim was to reach African audiences and encourage a dialogue within Senegalese society, his films are also extraordinarily effective in introducing non-African audiences to many of the most intriguing cultural issues and social changes facing African people today. The films are not fast paced in the manner of many Hollywood films. Rather, they are deliberately unhurried and driven by the narrative. They show actual ways of life, social relations, and patterns of communication and consumption, and the joys and tribulations of West African people. For people who have never been to Africa, the films offer an accessible first gaze. For those who have visited or lived in an African culture, the films provide a way to explore African society and culture more profoundly. Sembène was an independent filmmaker, solely and totally responsible for the content of his films, which were inspired by the realities of daily life. This focus on microcosmic social relations and day-to-day politics is so central to Sembène art, his films breed provocative commentary on social, historical, political, economic, linguistic, religious, and gender issues relevant to Senegalese society. Because of his concern with daily Senegalese life, Sembène targeted the common people whose voices are seldom or never heard. In fact, depicting the struggles and concerns of average Senegalese people was a central preoccupation of his films, as he himself has articulated. This study examines the artistry of Sembène's films as well as the multitude of signifying elements Sembène uses in them to communicate in less direct ways with his audience. The book interprets the meaning conveyed by images through their placement and function within the films, and it contributes new insights into Sembène's interpretations of cultural practices and the meanings he ascribes to social behaviors. It examines how Sembène uses language, mise-en-scène, cinematography, and creative editing to evoke the emotions of his targeted audience. Several chapters in the volume also demonstrate how the many ironies and political economic tensions that are so characteristic of Sembène's work are best understood within the sociocultural context of each film's production. Hence, to make sense of Sembène's cinema, one must be willing to read beyond the denoted meaning of the storyline and to dig into the cultural significance of the carefully selected and manipulated codes and images.

Nobel Laureate Gao Xingjian is amongst the most challenging writers of the present era. He has probed the dynamics of Chinese and European literature and developed unique strategies for the writing of seventeen plays, two novels, a collection of short stories and a collection of poems. He has also written two collections of criticism. The present collection takes the title Aesthetics and Creation from the name of the Chinese collection from which most of these essays are drawn, but it also includes some of Gao's most recent unpublished essays. University of Sydney academic Mabel Lee is the translator, and the book also includes her authoritative introductory essay that contextualizes Gao's significant position as an independent and uncompromising voice in the noisy hype of the globalized world of the present in which creative writers and artists are forced to conform with the demands of political and other group agendas, or with market forces, in order to survive. In incisive and cogently argued essays, he exposes the political dynamics of so-called "modernity" in Western literature and art, and how this has been enthusiastically embraced in China since the 1980s. In other essays he analyses traditional and modern European and Chinese notions of fiction, theatre and art, and elaborates on what aspects of writers and artists from both cultures have informed him in developing his own aesthetics in narration, performance and the visual arts. These essays testify to the extent of the cosmopolitanism of his aesthetics that both informs and are manifested in his literary and art creations. This book has importance and relevance to the general reader with an interest in literature and art as a creative human pursuit that is not demarcated by national or cultural boundaries. This book is both indispensable and inspiring reading for intellectuals and informed readers who regard themselves as citizen of the world. For academics, researchers and students engaged in the disciplines of literature and visual art studies, world literature studies, comparative literature studies, performance studies, theatre studies, cultural studies, narrative fiction studies, and studies in the history of literature and the visual arts in modern times, this book is essential and thought-provoking reading that will have many positive outcomes.This book is in the Cambria Sinophone World Series (General Editor: Victor H. Mair).

Ever since they were written in the fourteenth century, The Romance of the Three Kingdoms and The Water Margin have been considered masterpieces of traditional Chinese fiction. People from different social strata have read them and remembered their stories and characters. Since the early twentieth century, Chinese critics have regarded them as part and parcel of their country's literary heritage, offering largely positive artistic assessments even as they criticize their feudal elements. In contemporary China the popularity of the two novels has made them logical choices for adaptation, resulting, for example, in a large number of films and TV dramas based on episodes in the two novels. Given their importance in traditional Chinese literature, these two classics have garnered a tremendous amount of critical attention from scholars. However, nearly all critics have treated them as literary works, failing to explore, in a concentrated manner, their cultural values even as they acknowledge their widespread social influence. This book is not a work of literary criticism in the conventional sense. Rather, it is a cultural/ideological critique. Liu Zaifu's interest lies not in the artistry of the two novels but in the cultural values they reflect and spread. In summing up the worship of violence as the ideal in The Water Margin and the worship of trickery as the ideal in The Romance of the Three Kingdoms, Liu Zaifu uses the two novels as windows to look into certain unhealthy aspects of Chinese culture, linking the novels' enduring popularity and social impact to the Chinese national character. Liu also contrasts the two novels with other classics, such as The Classic of Mountains and Seas and The Dream of the Red Chamber, to demonstrate the multiplicity of Chinese culture. As he calls the two classics into question, he continues to carry the May Fourth critical spirit in contemporary China and expands the scope of cultural criticism. A Study of Two Classics is the first book that focuses exclusively on the cultural values of the two classics. In addition, Liu Zaifu examines how traditional commentators like Jin Shengtan and Li Zhi promoted the cultural values embedded in the two classics and how these harmful values are received and reinforced in contemporary China. He draws inspiration from May Fourth intellectuals, particularly Lu Xun, and from a wide range of works by Western scholars. For instance, he uses Oswald Spengler's notion of "pseudomorphosis" to explain the degeneration and falsification of certain values in Chinese culture. As he engages in cultural comparison either implicitly or explicitly he also asks questions about modernity and modernization. Liu's style is essayistic, which allows him to bring both erudition and personal observation into play. Originally written for a Chinese audience, this highly anticipated translated work will help English-speaking readers understand the issues a leading contemporary Chinese critic tries to address. This is a critical book for scholars and students in Asian studies and literature. This book is part of the Cambria Sinophone World Series (series editor: Victor H. Mair).

The Classic of Changes (Yi jing) is one of the most ancient texts known to human civilization, always given pride of place in the Chinese classical tradition. And yet the powerful fascination exerted by the Classic of Changes has preserved the archaic text, widely attracting readers with a continuing interest in trying to understand it as a source of reflection and guide to ordinary circumstances of human life. Its monumental influence over Chinese thought makes the text an indispensable element in any informed approach to Chinese culture.Accordingly, the book focuses on the archaic core of the Classic of Changes and proposes a structural anthropological analysis for two main reasons. First, unlike many treatments of the Yi jing, there is a concern to place the text carefully in the context of the ancient culture which created it, allowing a fuller appreciation of its divinatory mission, a unique orientation towards writing and literature. Second, the approach differs from traditional exegesis which did not and ultimately could not address problems of textual understanding in a holistic sense. This book is not a translation of the Classic of Changes; it is a careful interpretation, or rather method of exploration, of the connectivities and topography of the text as a whole. By isolating the social forms of an individual life, against the background of the archaic cosmology, as the structural preconditions for each randomized divination, this analysis succeeds in illuminating dimensions of early Chinese life that would not otherwise be accessed through other historical or archaeological materials. This provides a penetrating anthropological view into the conditions of thought in an archaic society to a degree previously unavailable. This book is thus a bold and powerful attempt at modeling an ancient culture in a way never before conceived sociologically, a profound auto-ethnography teaching us about the philosophical anthropology of its makers and preparing the way for further understanding of later classical texts. It will be of interest to all those engaged in seeking philosophical anthropological understanding of culture and writing, and especially contributes to the study of cultures of antiquity and their modes of thought. Anyone interested in complex, formalized classification systems would want to consider this analysis.

Charles Dupin was a multifaceted figure in the history of France, where his life spanned several regimes. He produced an enormous number of publications in mathematics, engineering, economics, and education. Long neglected by historians, he is at last beginning to receive attention. In his youth, he championed many causes, including the education of women, perhaps because of the influence of his dynamic and learned mother. He was already very ambitious as a youth and left behind the usual youthful desires in pursuit of his goals.Dupin began as a brilliant mathematician as a student at the Ecole polytechnique in Paris and proceeded to become a fine naval engineer, that is until visits to Britain inspired him to change his course of direction. As the French industry was undergoing expansion, Dupin saw in Britain that workers were more efficient and healthier if they were educated. He greatly admired the freedom he witnessed in Britain, and this did not endear him to the French government of the Restoration. Indeed, the high honours to which he so much aspired eluded him for a considerable time. He saw the British savings banks and regular saving by workers within industry as a system to be introduced in France and one that should be propagated.As an economist, he considered the welfare of French workers as vital to an efficient industry. He was particularly concerned with the protection of children in work and the education of workers. In fact, he might be considered the father of workers'' education in France. This was a subject very close to his heart and, from his early years, he devoted himself to making public lectures available to all, including women.However, Dupin''s popularity declined as the importance of a thriving economy began to take precedence over the workers'' needs, with the workers focusing mainly on having a living wage.This is the first published study of Charles Dupin and his entire life''s work. It illuminates his work and contribution in so many spheres, as well as his contacts with other scientists and educators. His mathematics have long interested scholars in the field, and he would have been an outstanding naval engineer. He was a linguist and highly cultured; with his aesthetic sense he might well have rivaled Sané, but because of his driving ambition he was a great man manqué. Against a background of tremendous changes in France, he made important contributions in many areas, as evidenced by the bibliography in this book.This work will be of interest to mathematicians, historians of science, sociologists, economists, engineers, and educators.

"The papers in this book originated from a conference that examined the Nigeria-Biafra War (1967-70) focusing primarily on the Biafran side of that war organized at Marquette University in 2009"--Acknowledgements.

Until the mid 1950s, the Jews of Egypt lived in a multicultural and diverse society, which constituted a model of conviviality and tolerance, using French as its lingua franca. The Jews constituted a respected and well-integrated urban community of about 80 to 100,000, and made an impressive contribution to the socioeconomic modernization of the country. Together with the rise of Arab nationalism and the growth of Islamic fundamentalism, the escalating Arab-Israeli conflict brought about the rapid demise of Egyptian Jewry. Like the other Jewish communities of Arab lands, these people were either expelled or forced into exile in the aftermath of the 1948, 1956, and 1967 Arab-Israeli wars. As a consequence, close to half of the Jewish population of Egypt found refuge in Israel while the rest dispersed throughout the Western world, mainly in France, Brazil, and the United States. This book focuses on a group of about two thousand who settled in Australia, the "Edge of the Diaspora." It also examines the migration experience of Egyptian Jews who settled in France, in order to compare and contrast their integration in a non Anglo-Celtic environment. Although the Jews of Egypt, like most refugees, suffered the trauma of dispossession, expulsion, and dislocation, their particular experience did not attract the attention of Australian sociologists or historians. Even within the context of Australian Jewry, their story was largely unknown even though there has been much discussion about the postwar migration of European Jews. The author Racheline Barda believes that it is important to give them a voice, to tell their stories, and delve into their past history, thereby discovering the richness of their cultural heritage which ultimately gave them the tools for a successful integration in Australian society. One of the crucial concerns of this work was the preservation and transmission of the rich and dynamic history of this unique group to successive generations, through the oral testimonies of first-hand witnesses of a vanished world. This book makes an important contribution to the study of contemporary Australian society as well as diaspora studies. It deals with a topic that has rarely been reported on or studied in Australia--the migration experience of a small and unique ethnoreligious population such as the Jews of Egypt. It is the first comprehensive research on their immigration and integration into Australian society. Traditionally, sociohistorians have mostly concentrated on the Ashkenazi Jews of Europe or on the long established local Jewish community, which was historically of British and German origin. The Jews of Egypt constitute one of the largest Jewish communities to settle in Australia from outside European societies, in response to the rise of Arab nationalism and hostility to Israel. Based on a series of comprehensive interviews conducted mainly in Australia and France, this study reconstructs the history of a Jewish community and the circumstances of its demise. It takes the innovative approach of systematically analyzing the ethnic, religious, and cultural characteristics of both sample groups, highlighting the diversity that is inherent to the group as a whole. By specifically targeting the issue of identity, it provides an insight into the dynamics of a multilayered identity, which performs as a vehicle of integration and acculturation for a migrant group in any host society. Apart from individuals studying the particular history of Egyptian Jews wherever they settled after their forced emigration from Egypt, the book would be of interest to scholars specializing in diaspora studies, ethnic and immigrant studies, and social history.

The life and work of Albert Camus provides insight into how to navigate through an absurd historical moment. Camus's role as a journalist, playwright, actor, essayist, philosopher, and novelist allowed him to engage a complex world in a variety of capacities and offer an array of interpretations of his time. Albert Camus provides insight into how one can benefit from listening to relevant voices from previous generations. It is important to allow the time to become familiar with those who sought answers to similar questions that are being asked. For Camus, this meant discovering how others engaged an absurd historical moment. For those seeking anwers, this means listening to the voice of Albert Camus, as he represents the closest historical perspective on how to make sense of a world that has radically changed since both World Wars of the twentieth century. This is an intentional choice and only comes through an investment of time and energy in the ideas of others. Similar to Albert Camus's time, this is an age of absurdity; an age defined by contradiction and loss of faith in the social practices of the past. When living in such a time, one can be greatly informed by seeking out those passionate voices who have found a way despite similar circumstances. Many voices from such moments in human history provide first-hand insights into how to navigate such a time. Camus provides an example of a person working from a constructive perspective, as he was willing to draw upon the thought of many contemporaries and great thinkers from the past while engaging his own time in history. As the first book-length study of Camus to situate his work within the study of communication ethics and philosophy of communication, Brent C. Sleasman helps readers reinterpret Camus' work for the twenty-first century. Within the introduction, Camus' exploration of absurdity is situated as a metaphor for the postmodern age. The first chapter then explores the communicative problem that Camus announced with the publication of The Fall--a problem that still resonates over 50 years after its initial publication. In the chapters that follow other metaphors that emerge from Camus' work are reframed in an effort to assist the reader in responding to the problems that emerge while living in their own age of absurdity. Each metaphor is rooted in the contemporary scholarship of the communication discipline. Through this study it becomes clear that Camus was an implicit philosopher of communication with deep ethical commitments. Albert Camus's Philosophy of Communication: Making Sense in an Age of Absurdity is an important book for anyone interested in understanding the communicative implications of Camus' work, specifically upper-level undergraduates, graduate students, and faculty.

In the 1880s and 1890s, the Victorian poet Robert Browning was the "lion" of the day in the United States, particularly in Rochester. Browning's work was widely read and discussed. Even today, there are still many in America who consider themselves Browningites, and many of them belong to Browning clubs and societies. This book, the fruit of thorough and patient archival digging, brings together various fragmentary local sources and quaint memorabilia, hitherto unknown to scholars. It vividly recovers the spirit of the fascination with Browningmania, and more broadly Victoriana, that Rochesterians and Americans in general evinced in the last two decades of the nineteenth century and early part of the twentieth century.Browning's popularity, undeserved many thought, remains nonetheless a unique phenomenon in literary and cultural history, well worthy of study and comprehension. Although several books and articles were devoted to this subject, none offers a sustained explanation of how and why Browning became such an iconic figure. This book fills a gap in the scholarship and critical reception of Browning. This study offers Browning scholars and Victorianists in general a new perspective on some long-neglected but crucial material. It will be of particular interest to students and scholars in Reception and American studies as well as cultural and literary historians. Because it brings together many local anecdotes and memorabilia, this book will also find appreciative readers among the general public, especially in upstate New York region, particularly Rochester.