Books published by Cambria Press

This work reveals the fraught nature of the relationship between the academy and the state in order to provide a more coherent framework for thinking about the way in which universities, and academic activities in general, are best organized and regulated. It uses extensive historical case analysis based on the emergence of the nation state and the academy in Europe, along with very focused case material examining events in Australia within the context of developments in international education, particularly in the Asia Pacific region. The study of higher education and the role of universities in society invariably falls among the disciplines of public policy, higher education, and philosophy, but these very different perspectives offer conflicting narratives and inadequate solutions to current problems. This work redefines the parameters of these historic debates and brings together, for the first time, trends in thinking about the changing role of the nation state with major developments within higher education around the globe. More importantly, it develops a very robust theoretical approach to the way in which higher learning is understood, offering important new insights into the legitimizing role of the academy. Drawing on a wealth of historical and current empirical evidence, this book presents a powerful argument that universities are foremost civil institutions, not unlike parliament or the judiciary. Their broad purpose, as the crucibles and legislatures of advancing human technology, cannot be understated. They make up a large part of the ballast that allows the democratic state to function properly. Unlike many other critiques of academic capitalism, this work does not wholly reject the use of the market to help organize universities; however, it does provide an overarching framework through which the role of the market and its influence on the state might be properly considered. As national governments and policy makers all around the world struggle to finance the massive demand in higher education, this work provides a timely and penetrating analysis.

"This book covers Egyptian history from the Predynastic to the late Roman Period. It also introduces early contemporary literary references to ancient Egypt and uses a number of theoretical approaches to interrogate the archaeological and textual data. The book engages with wider trends from the humanities, which have found currency in archaeological studies, such as materiality, performativity, corporeality, embodiment, identity, and popular culture studies. Egyptian material is explored via these themes, to create nuanced and contextual interpretations of particular sites, events, artefacts and practices. It makes an important contribution to furthering the fields of Egyptology and Egyptian archaeology, as well as in the wider context of archaeological theory."--Provided by publisher.

Reassessing key intellectual and cultural traditions using an interdisciplinary approach, this book examines the legacy of the Baroque, the dynastic past in visual culture and the concurrence of different artistic styles in Germany during the eighteenth century, such as the Italianate, Francophile and Anglophile within the courtly sphere. The following arenas of enquiry represent organizing strands; courtly society and employment practices; court and artist, and print culture. The study addresses how elite patronage and Princely taste impacted the social formation of artistic culture at courts in northern and central Germany, Austria, and England. Contributions drawn from a variety of disciplinary perspectives in the arts and fine arts including visual culture, philosophy and comparative literature discuss the volume's theme in a series of focused case studies by experts in these distinctive fields. As such, the volume fills an important gap in English language scholarship on courtly Germany and Austria. Although previous publications have addressed patronage in the eighteenth-century Austro-German context, major questions relating to artistic influence, changing contexts of viewing and the employment of itinerant musicians and artists in eighteenth-century German courts still remain unaddressed. To address this, the book offers an interdisciplinary perspective, and gathers its conclusions from the interrelated fields of philosophy, visual culture, literature and print culture. Through its specific case-focused approach, the volume makes a departure from prior scholarship by identifying these as mutually exclusive fields. Topics discussed include discourses of luxury and sumptuary excess, changing contexts of viewing, the advent of universal collections, and the lure of the classical past. In literature, patron-author relationships were informed by contemporary ideas of 'genius' together with the reality of changing readerships. Connecting artistic forms to social formation in particular, case studies address the transmission of taste through aristocratic family networks, the creation of new audiences for art through print culture, and the permeation of courtly values into bourgeois cultural forms during the late eighteenth century. The book is aimed at a wide interdisciplinary audience, (history, philosophy, European studies, art history and comparative literature) and will also be of interest to specialist scholars, graduate students, and academic libraries.

This book presents thirteen essays that address the numerous ways in which Australian literature is postcolonial and can be read using postcolonial reading strategies. The collection addresses a wide variety of Australian texts produced from the colonial period to the present, including works by Henry Lawson, Miles Franklin, Patrick White, Xavier Herbert, David Malouf, Peter Carey, Rodney Hall, Andrew McGahan, Elizabeth Jolley, Judith Wright, Kate Grenville, Janette Turner Hospital, Melissa Lucashenko, Kim Scott, and Alexis Wright. The chapters focus on works by Indigenous authors and writers of European descent, and examine specifically postcolonial issues, including hybridity, first contact, resistance, appropriation, race relations, language usage, indigeneity, immigration/invasion, land rights and ownership, national identity, marginalization, mapping, naming, mimicry, the role of historical narratives, settler guilt and denial, and anxieties regarding belonging. The essays emphasize the postcolonial nature of Australian literature and utilize postcolonial theory to analyze Australian texts. This is an important book for all literature and Australasian collections. The collection is primarily aimed at students, teachers and scholars of Australian and postcolonial literature, including undergraduate and postgraduate students, faculty who teach courses in Australian and postcolonial literature, and scholars who conduct research on Australian and postcolonial literature. The book will be useful for courses on both Australian literature and postcolonial literature, especially postcolonial courses that include Australian texts. The collection includes contributions addressing the work of many internationally recognized leading contemporary Australian novelists, providing the collection with broad appeal to students and scholars around the world with an interest in prominent, award-wining authors and works.

ord Ferdinando Stanley was the fifth earl of Derby, a leading claimant to the throne. Considered a man who had everything, he was also the patron of the company of players which was fortunate enough to include William Shakespeare. At the time, Shakespeare was an up-and-coming junior member who had just begun to write plays for them--plays which were already the talk of London. Lord Stanley was incalculably rich, having married one of the wealthiest heiresses in England. His home in Lancashire was called the "Northern Court" because of its grandness, surpassing any in England but (perhaps) the Queen's own. Then one day, April Fool's Day, 1594, he was reportedly approached by a witch (one of the famous legion of "Lancashire witches") and they engaged in brief conversation while strolling outside his largest palace, Lathom Hall. Four days later, he fell violently ill. For twelve days he lingered, while four of the best doctors in the country, including the famous Dr. John Case of Oxford, labored in vain to save him. Two of his retainers wrote gruesomely detailed accounts of the progress of his "diseases"--accounts that survive in manuscript today. When he died, Dr. Case was heard to murmur (as reported by Sir George Carey, the earl's brother-in-law): "Flat poisoning. And none other but." For months after his passing and interment, no one could get close enough to the family crypt to pay his or her respects because of an overwhelming stench that continued to emanate from his body. Who killed him and why? Historians started debating that question almost as soon as he died, and outraged gossip was to be heard everywhere in England. This book studies the death of Lord Derby within the immediate contexts of Elizabethan power politics, succession mania, passionate religious controversy, the records of prominent families in the North, and the cult of personality just then beginning to become a major factor in the nation's social history. The book's scope also includes subcultural contexts such as Elizabethan poetry (Lord Derby was a pastoral love poet, some of whose work survives), witchcraft, medicine, spy networks, and both approved and disapproved methods of political assassination (with poison being the most frowned upon because of its disreputable "Italianate" connotations). This book is the first to survey and analyze the nearly 420-year-old documentary record relating to the death of Lord Derby, including all relevant original manuscripts, some of which have remained unprinted until now. This is the first study to piece together all these fragmentary, disparate scraps of information to form a coherent narrative--a story not just of the assassination of one of the most prominent persons of the fascinating "Age of Elizabeth" but also of European power politics as a whole during the last decade of the sixteenth century. It is also the first to offer a solution to the "murder mystery" that is based on original documents (most of them being heated back-and-forth letters written on the spot to and from the principals, both immediately before and immediately after the assassination). This book will be of interest to all readers interested in Elizabethan history, literature, and politics, perhaps especially those who are interested in the dazzling major players of the age: Elizabeth, Essex, Lord Burghley, his son and successor Sir Robert Cecil, and the Stanleys of Lancashire--the latter so prominent in the early history plays of the young Shakespeare, who spun those plays in order to flatter his Stanley patrons.

In this book, Ana Lucia Araujo argues that despite the rupture provoked by the Atlantic slave trade, the Atlantic Ocean was never a physical barrier that prevented the exchanges between the two sides; it was instead a corridor that allowed the production of continuous relations. Araujo shows that the memorialization of slavery in Brazil and Benin was not only the result of survivals from the period of the Atlantic slave trade but also the outcome of a transnational movement that was accompanied by the continuous intervention of institutions and individuals who promoted the relations between Brazil and Benin. Araujo insists that the circulation of images was, and still is, crucial to the development of reciprocal cultural, religious, and economic exchanges and to defining what is African in Brazil and what is Brazilian in Africa. In this context, the South Atlantic is conceived as a large zone in which the populations of African descent undertake exchanges and modulate identities, a zone where the European and the Amerindian identities were also appropriated in order to build its own nature. This book shows that the public memory of slavery and the Atlantic slave trade in the South Atlantic is plural; it is conveyed not only by the descendants of the victims but also by the descendants of perpetrators. Although the slave past is a critical issue in societies that largely relied on slave labor and where the heritage of slavery is still present, the memories of this past remain very often restricted to the private space. This book shows how in Brazil and Benin social actors appropriated the slave past to build new identities, fight against social injustice, and in some cases obtain political prestige. The book illuminates how the public memory of slavery in Brazil and Benin contributes to the rise of the South Atlantic as an autonomous zone of claim for recognition for those peoples and cultures that were cruelly broken, dispersed, and depreciated by the Atlantic slave trade. Public Memory of Slavery is an important book for collections in slavery studies, memory studies, Brazilian and Latin American studies, ethnic studies, cultural anthropology, African studies and African Diaspora. Araujo sheds light on the paradoxical understandings of the slave trade in southern Benin and the unintended results of some international efforts to recognise the history of slavery and the slave trade. [...] makes a useful addition to the literature because the reader is only reminded how much Africans and descen- dants of Africans have shaped this vast Atlantic world territory through divergent processes of exchange and recreation, occurring both within and beyond the gaze of Western dis- course. (Itinerario, November 2011) The book is broad ranging and provides an introduction to numerous subjects (...) Recommended. (Choice, June 2011)

"Many citizens, politicians, and pundits routinely complain about the health of the political system, but few attempt a systematic diagnosis and even fewer recommend treatments. In this highly readable book, Anthony Gierzynski identifies many of the shortcomings in U.S. politics and offers some provocative prescriptions to address them." - Paul S. Herrnson, University of Maryland "For those anxious about the health of American democracy, they can do no better than read Gierzynski's book, which offers a sane and informed approach to making our political institutions work better. And like a good doctor, Gierzynski wisely avoids recommending many of the conventional remedies that might do more harm than good." - Ray La Raja, University of Massachusetts "Unlike myopic specialists who are prone to treat only a specific part of the body, Dr. Gierzynski offers scholars, students, and laymen a holistic and rich understanding of what ails us and what we can do to make things better. This is a readable and important book for anyone who cares about the health of our democracy." - David T. Z. Mindich, Saint Michael's College

The Business Research Consortium (BRC) of Western New York was founded in 2006. The BRC hosts an annual conference and publishes the proceedings from this conference. The BRC also publishes five journals (including The BRC Journal of Advances in Education) to support pioneering research in business and education. In addition, the BRC hosts a working papers series to encourage collaboration in research across member colleges and schools of business. The BRC Board of Directors consists of one representative from each college or school that hosts the annual conference. For more information on the BRC, please visit its Web site at http://www.businessresearchconsortium.org (Online) ISSN 2152-8667 (Print) ISSN 2152-8616

The Business Research Consortium (BRC) of Western New York was founded in 2006. The BRC hosts an annual conference and publishes the proceedings from this conference. The BRC also publishes five journals (including The BRC Journal of Advances in Education) to support pioneering research in business and education. In addition, the BRC hosts a working papers series to encourage collaboration in research across member colleges and schools of business. The BRC Board of Directors consists of one representative from each college or school that hosts the annual conference. For more information on the BRC, please visit its Web site at http://www.businessresearchconsortium.org(Online) ISSN 2152-8829(Print) ISSN 2152-8810

The Business Research Consortium (BRC) of Western New York was founded in 2006. The BRC hosts an annual conference and publishes the proceedings from this conference. The BRC also publishes five journals (including The BRC Journal of Advances in Education) to support pioneering research in business and education. In addition, the BRC hosts a working papers series to encourage collaboration in research across member colleges and schools of business. The BRC Board of Directors consists of one representative from each college or school that hosts the annual conference. For more information on the BRC, please visit its Web site at http://www.businessresearchconsortium.org (Online) ISSN 2152-8780 (Print) ISSN 2152-8756

The Business Research Consortium (BRC) of Western New York was founded in 2006. The BRC hosts an annual conference and publishes the proceedings from this conference. The BRC also publishes five journals to support pioneering research in business and education. In addition, the BRC hosts a working papers series to encourage collaboration in research across member colleges and schools of business. The BRC Board of Directors consists of one representative from each college or school that hosts the annual conference. For more information on the BRC, please visit its Web site at http://www.businessresearchconsortium.org

Emerging African Voices is an excellent compendium of literary scholarship offering an assessment of the literary endeavors of the latest generation of select African writers. There exists an abundance of deft scholarship and critical analyses, even in the most recent publications by African and Western theorists, of the works of recognized African authors. However, it is sometimes difficult to access a variety of criticism for some more recent writers, those born just before, at, or just after the independence of many African nations. It seems that either almost all of the recent monographs continue to focus almost entirely on the well-established writers or they focus on one newer writer exclusively. This volume offers insightful general analysis and critical evaluation of new writers' works in order to showcase their contributions to the body of African literature. It examines nine contemporary writers whose works (written almost entirely in the colonial languages of English and French) in some way update and refocus African literature for the new century. The writers whose works are under discussion tackle some of the long-standing difficulties of the colonial project-assimilation, Manicheanism, and othering-in new ways while exposing the challenges and dysfunctions of a locale affected by globalization. During the last 60 years, African literature has been dynamically shaped by African history, especially the colonial exploits of Western nations. A clear and irrefutable raison d'être for this volume is to probe the aims and intentions of these new voices. Seven chapters are devoted to writers of Nigerian descent with the balance dedicated to writers from Senegal and South Africa. Because of the multiplicity of experiences in their geographic locations in Africa and across the Diaspora as well as their encounters and capabilities related to their place in the contemporary world, these writers continue to break new ground in African literature. Their work reflects the times and places where they live and interact, and it is for this reason that their work will permanently occupy at key place in the evolution of African literature here at the beginning of a new century almost fifty years after independence.

Given the dearth of training in archival research, the editors envisioned a book that addresses the "how to" of archival research by involving the perspective of archivists. The editors identified chapter authors who demonstrate in their research-oriented essays how archival research influences and improves empirical political science research. They weave their scholarly contributions together with their practical experiences and "boots on the ground" advice to ease readers toward their first foray into the archives. Because archives were largely abandoned by political scientists in the 1950s, archivists' understanding of their collections and their archival practices is heavily influenced by the habits and methodological concerns of historians. The essays in this volume help archivists better understand the somewhat unique perspectives and habits political scientists bring to archival collections. This volume challenges archivists to think "outside the box" of the conventions of history and reconsider their collections from the perspective of the political scientist. This first-of-its-kind book-traversing political science and library and information science-challenges political scientists' reliance on "easy data" promising in return "better data." The editors propose that the archival record is replete with data that are often superior to current, available public data, both quantitative and qualitative. Substantive chapters in Doing Archival Research in Political Science illustrate how archival data improve understanding across the array of subfields in American politics. It also challenges archivists to rethink their collections through the prism of political science. Doing Archival Research in Political Science holds tremendous cross-disciplinary appeal. Students and faculty in political science are exposed to a fertile but underutilized source of empirical data. Political scientists will benefit from the methodological perspectives, the practical advice about doing archival work, and the concrete examples of archives-based research across the subfields in American politics (e.g., congressional studies, presidential studies, public opinion, national security, interest groups, and public policy). Students and faculty in library and archival studies will benefit greatly from the candid discussion of the unique theoretical and methodological concerns inherent in political science, improving their ability to reach out and promote their collections to political scientists. Examples of archives-based political science research will help library faculty better understand how their collections are being utilized by users.

"While there is much discussion on Africa-China relations, the focus tends to lean more on the Chinese presence in Africa than on the African presence in China. This book focuses on analyzing this new Diaspora and is the first book-length study of the process of Africans travelling to China and forming communities there. Based on innovative intermingling of qualitative and quantitative research methods involving prolonged interaction with approximately 800 Africans across six main Chinese cities--Guangzhou, Yiwu, Shanghai, Beijing, Hong Kong and Macau--sociolinguistic and sociocultural profiles are constructed to depict the everyday life of Africans in China. The study provides insights into understanding issues such as why Africans go to China, what they do there, how they communicate with their Chinese hosts, what opportunities and problems they encounter in their China sojourn, and how they are received by the Chinese state. Beyond these methodological and empirical contributions, the book also makes a theoretical contribution by proposing a crosscultural bridge theory of migrant-indigene relations, arguing that Africans in China act as sociopolitical, socioeconomic, and sociocultural bridges linking Africa to China. This approach to the analysis of Diaspora communities has consequences for crosscultural and crosslinguistic studies in an era of globalization."--Publisher's description.

In the United States alone, burns are the third leading cause of death among children 0 to 14 years of age. In addition, each year greater than 125,000 children suffer serious burn injuries, with a disturbing percentage of those through abuse. Yet the number of specialized burn centers in the U.S. is not near enough to be in proximity or even accessible to the majority of these patients. The situation is even worse in most other regions of the world. Therefore, it is critical that the information in this book reaches as many caregivers as possible because treatment of burn injuries has undergone dramatic changes over time in every area, from surgical procedures to respiratory and fluid resuscitation and even nourishment and metabolic support. The ability to recognize and react appropriately to pediatric injury can greatly affect the outcome and prognosis, up to and including the patient's future quality of life. It is in this context that this comprehensive guide for the diagnosis, treatment and follow up of the burned child from Time Zero through Long-term Rehabilitation was put together. This book is essential for the medical professional involved in attaining the most positive outcome possible for their patients and their families.

The Business Research Consortium (BRC) of Western New York was founded in 2006. The BRC hosts an annual conference and publishes the proceedings from this conference. The BRC also publishes five journals to support pioneering research in business and education. In addition, the BRC hosts a working papers series to encourage collaboration in research across member colleges and schools of business. The BRC Board of Directors consists of one representative from each college or school that hosts the annual conference. For more information on the BRC, please visit its Web site at http://www.businessresearchconsortium.org

There exists a plethora of literature on the relationship between early Christianity and Judaism, but these studies focus on one or two issues. In the tradition of James Parkes, whose1930 study of the break between the Church and the Synagogue remains a classic, this book takes on the larger relationship and shows how the separation evolved over time. Rather than pinpointing a specific date for the break, the study broadens the context and looks at the wider issues, showing that separation took several centuries. In the wake of the Holocaust and in seeking to understand how the relationship between Judaism and Christianity deteriorated over the course of two millennia, this book examines the origins of the conflict. In seeking to cast new light on the separation of early Christianity from Judaism, a number of documented areas that are often treated separately by authors have been examined in order to uncover evidence for the separation. The book covers an enormous amount of material on the relationship between early Christianity and Judaism, but presents this in a highly accessible manner, clearly showing how the separation between the two emerged over time. It also reveals the ways they continued to be related. The author pinpoints two pervasive issues that impelled the separation: the relationship of the early church to Jewish law and the increasing divinization of Jesus.

In Shakespeare and the Dawn of Modern Science, renowned astronomy expert Peter Usher expands upon his allegorical interpretation of Hamlet and analyzes four more plays, Love's Labour's Lost, Cymbeline, The Merchant of Venice, and The Winter's Tale. With painstaking thoroughness, he dissects the plays and reveals that, contrary to current belief, Shakespeare was well aware of the scientific revolutions of his time. Moreover, Shakespeare imbeds in the allegorical subtext information on the appearances of the Sun, Moon, planets, and stars that he could not have known without telescopic aid, yet these plays appeared coeval with or prior to the commonly accepted date of 1610 for the invention and first use of the astronomical telescope. Dr. Usher argues that an early telescope, the so-called perspective glass, was the likely means for the acquisition of these data. This device was invented by the mathematician Leonard Digges, whose grandson of the same name contributed poems to the First and Second Folio editions of Shakespeare's plays. Shakespeare and the Dawn of Modern Science is an important addition to literature, history, and science collections as well as to personal libraries.

America's first Green president, Theodore Roosevelt's credentials as both naturalist and writer are as impressive as they are deep, emblematic of the twenty-sixth President's unprecedented breadth and energy. While Roosevelt authored policies that grew the public domain by a remarkable 230 million acres, he likewise penned over thirty-five books and an estimated 150,000 letters, many concerning the natural world. In between drafts both personal and political, scientific and sentimental, he quadrupled existing forest reserves while creating the nation's first fifty wildlife refuges and eighteen national monuments, among them the Grand Canyon, and five national parks, headlined by Yosemite. And Roosevelt was far more than a policy wonk and political do-gooder. John Muir, by his own admission, "fairly fell in love with him." John Burroughs wrote that Roosevelt "probably knew tenfold more natural history than all the presidents who preceded him." And the Smithsonian's Edmund Heller dubbed him the "foremost field naturalist of our time." In addition to creating more than 150,000 new acres of national forest, Roosevelt made a new vogue of sportsmanship, famously refusing to shoot a lame bear in Mississippi and inspiring, thereof, an American icon and ecological fetish all at once: the Teddy Bear. Indeed, Roosevelt's Green undertakings produced a truly living legacy-one whose everlasting qualities he took robust pleasure in. Naturalist William Finley once suggested to TR that the President's environmental prescience would serve as "one of the greatest memorials to [his] farsightedness," to which Roosevelt replied, "Bully. I had rather have it than a hundred stone monuments." In fact, Roosevelt would have both-a lasting reputation for environmental protection and timeless stone monuments at Mount Rushmore and elsewhere built to honor his dramatic public policy initiatives. This book will be a critical resource for all those in American history (particularly presidential history), environmental history, environmental studies, nature studies, place studies, Agrarian studies, conservation studies, fish and wildlife biology/management, and ecology.

The focus of this book is on functional seating, and the key argument presented is that functional seating needs to assist the person using it for the performance of seated tasks, enhance rather than detract from the person's posture and health, and it needs to provide aesthetic features that do not limit task or health. The book spans the period 3000BC to 2000AD and presents largely Western seating. This book is unique in its approach to seating because it draws together evidence that relates to seating that facilitates health and task while also addressing aesthetic factors. This evidence creates an understanding of how seats may be designed to not only promote bodily health but also allow functional optimisation of sitting and seating. This book is important to furniture and industrial designers, interior decorators, architects, those teaching seat design, health professionals attending and educating those who relax or work in the seated position, furniture historians, and members of the general public interested in the history of seating.

The sex goddess's seemingly endless power to influence and fascinate, to achieve in a sense her own self-reproduction through many decades of "re-makeovers" reveals her positioning in American culture as not only a lasting image but also as a potentially powerful and subversive force. The sex goddess is often thought by feminist film theorists to be little more than a projection of the male imaginary. However, this book makes a necessary correction to this trend by demonstrating how the actresses performing the role of sex goddess in fact use the feminine imaginary to create their own agency. Through their performance of "hyper" femininity, and with their seductive power, they exert control not only over their filmic narrative "targets of seduction" but their viewers as well. The ability to hold their objects of seduction in such thrall suggests that the image of the sex goddess possesses a power far more subversive than what has been previously explored; in fact, to date there has not yet been a critical study of the sex goddess in film. Cinema becomes a place where the sex goddess's designation as sex itself can further suggest her bodily signification as a whole discourse on sex outside of her cinematic representation, thus loading her body to be read almost entirely in terms of sex and its corresponding contemporary social thought. During the period of Classical Hollywood Cinema, the construct of the sex goddess warrants especial attention because of what this study can reveal in broad terms about cultural ideas of feminine sexuality, American cinema, and visual culture. In the first critical study of the sex goddess in film, Jessica Hope Jordan illustrates how Jean Harlow uses her sexualized body to "affect" and seduce viewers away from any primary identification with those characters and their plotlines that are supposed to lead the film, to identifying instead with the kind of sexual empowerment and self-possession her characters consistently display. Linking the idea of sexual empowerment to the filmic and public celebration of hyper-feminine sexuality, the book additionally covers previous feminist discussions of Mae West's performances as "feminist camp" to argue that West sought to both celebrate and embody for women viewers what she viewed as cultural ideals of femininity and women's sexuality. With Lana Turner and the "cinematic code," the book considers the many problems inherent in both the filmic and public celebration of hyper-feminine sexuality in relation to censorship and considers the effects of the Hays Code on hyper-feminine sexuality as depicted in film noir. The book also importantly presents the first critical discussion of the actress Jayne Mansfield, suggesting that her 1950s open acceptance, celebration, and public promotion of her feminine sexuality, both onscreen and off, makes her not only a precursor of the more sexually liberated 60s, but also, like the other actresses discussed here, a kind of prescient performance artist, even theorist, of feminine sexuality in particular, and cultural ideas about sexuality more generally. Beyond recouping her image as feminist, the book demonstrates how the kind of desire aroused by the sex goddess, a desire which remains endlessly suspended, works as a supreme example of the aesthetic apparatus of cinema itself. This is an important book for inclusion in all film, film history, film theory, gender and sexuality studies, women's studies, and American studies collections.

When noted rapper Eminem commanded his audience's attention in his 2000 megahit release "The Real Slim Shady" and queried in the lyrics, "Will the real Slim Shady please stand up?", the authors took the question seriously and began to search for the "real slim shady" among the fabric of contemporary capitalism. The result of this research is this book, which explores how a dominant culture incorporates some dimensions of a subculture--in this case hip hop--and uses it to perpetuate dimensions of social stratification within a society. Essentially, this book critically examines how the values of a dominant culture and the controlling images it reproduces, impact issues of racial diversity, class distinctions, and gender stereotypes. Authors Dave Ramsaran and Simona Hill are two sociologists who have sought to understand the contradictory nature of contemporary social phenomenon. Hip hop that is brought into the mainstream by contemporary media serves several purposes. First, it greatly enhances corporate profits. Second, it repackages old dimensions of inequality, including racial stereotyping and the sexist contempt for women. Third, the glorification of violence, the idealization of excessive consumption, and the promotion of hypersexual black masculinity serve to reinforce the privilege of dominant groups. Hip hop that challenges these stereotypes and cultural notions is pushed into the underground. The intent of the book is to uncover this process of moving from cultural questioning to cultural appropriation and reinforcement of structural inequality. Despite the existence of other works on hip hop in fields such as ethnomusicology, anthropology, political science, communications studies and Black Studies, there is a dearth in the contributions from a sociological perspective. Studies have been done which look at the emergence of hip hop from its roots in the African-American community, as well as on the contributions of some of the major artists in the field. However, little work has been done on trying to locate the emergence of hip hop and hip hop culture within the context of capitalist development in the United States. The book shows how racial, gender, and ethnic stereotypes are reformulated through different media. The book critically analyzes two prominent archetypal images of the gangsta male and the wanksta feminist who can be either male or female. The analysis shows that hip hop outside of mainstream media has remained true to its radical traditions. Moreover, as hip hop has gone beyond the confines of the United States, that same radical tradition remains a key component in the hip hop diaspora and in hip hop's cross-cultural expressions. Hip Hop and Inequality: Searching for the "Real" Slim Shady is an important book for understanding how systems of inequality work and how they are perpetuated. It will be of immense value to professors and students in sociology, anthropology, political science, women's studies, popular culture, and media studies. Written in an accessible language, it will also appeal to an audience outside academia and will certainly speak to those who may or may not realize that hip hop has a profound impact on modern society.

Sub-Saharan Africa, the poorest region worldwide, has only recently begun to fully address the issues of meeting the water needs of its rapidly growing population, to reduce the deepening poverty besetting the region and to accelerate economic growth. The Nile Basin, characterized by sharp spatial and temporal variations in water resources and including countries with different economies, social and political structures and capacities, illustrates the challenges of developing and managing the waters of the Nile River and its tributaries, lakes and wetlands equitably among its 10 riparian countries. Ethiopia, the major source of the Nile but one of the poorest countries in the Nile Basin, has recently begun to implement plans to harness more Nile water through hydroelectric and irrigation development both for national use and for transboundary development as part of the Nile Basin Initiative. The Ethiopian government and communities, by using different management approaches and resources, are trying to boost water, energy and food production, strengthen conservation efforts and mitigate potential repercussions of water resources development. These initiatives and programs have not been comprehensively examined. In this study, the editors address these and other issues surrounding water resources management in all economic and water sectors in Ethiopia within the setting of the Nile Basin, the first comprehensive treatment of this subject. The wide scope of this book is consistent with the tenets of integrated water resources management, which demand that all water uses be managed in an integrated fashion for optimum and sustainable benefits to all water users, both humans and ecosystems. This book reveals the impacts of various resource management approaches and practices in Ethiopia and the Nile Basin. Specifically, it examines how deforestation and prevailing land use practices have exacerbated soil aridity and flood events, why irrigated agriculture and hydropower development have caused floodplain degradation, livelihood hardships and water-related diseases, where industrial and agricultural development is increasingly polluting water resources, how household water supplies can be obtained through rainwater harvesting and the dependence on hydropower reduced through alternative energy sources and how misguided government policies have impeded efforts to deal with these and other challenges. Results reveal dynamic interrelationships between these processes and identify the human and environmental driving forces, which must be understood in effective integrated water resources management. Another unique contribution of this book is the examination of the role of government and communities in managing water resources in Ethiopia. Results show that the top-down approach used by the socialist Derg government in soil and water conservation and social programs exacerbated water problems and reduced community participation. Moreover, the failure of its economic program reduced agricultural production, increasing dependency on relief food and further impeding community initiatives in soil and water conservation activities. Many elements of central planning persist in spite of the decentralization drive by the current government, but there is evidence that integration of the top-down and bottom-up approaches to water resources management is necessary (and feasible) to strengthen and up-scale programs to the national level. The book identifies a number of customary water and soil management practices and institutions that may strengthen especially community-based rainwater harvesting, small-scale irrigation, reforestation, soil and water conservation and flood control efforts. This is an important book for researchers and students of resources management, rural development, hydrology and African studies.

This book presents folktales in the Herati dialect of the Afghan Persian language, along with useful transcriptions and translations. This dialect is spoken by the sedentary population of Herat city and the adjacent area situated in the northwest of Afghanistan. Historically, the area in question was part of the Persian province of Khorasan that was known for its significant role in the development of Persian culture in general and literature and philosophy in particular. Suffice it to say that the classical Persian language (Farsi) is considered to have originated in that region. For centuries, Herat has been one of the main cultural centers of the Khorasan province, and according to a reliable historic source, it was in Herat that the first poetical piece in Farsi was composed. The area was the birthplace of many most prominent Persian-speaking poets such as Ferdowsi, F. 'Attar, Khayyam, to mention a few. Others such as Jami and Ansari were originally from the Herat area and their shrines are located in the city. Given the fact that many early Persian-speaking poets came from this region (Khorasan) and from Herat in particular, their native Khorasani dialects--including Herati-- considerably influenced the language of Persian classical literature. The Herati dialect linguistic importance from the synchronic perspective is based on the fact that it serves as a bridge between the Persian dialects of western Iran and the Tajiki of Central Asia. In addition, given the geographic position of Herat (situated on the border between modern Afghanistan and Iran), its dialect also shares many common characteristics with the Persian dialects of Iran and those of Afghanistan.Despite its cultural and linguistic importance for studies in Iran, Afghanistan and Central Asia, this region has never been open to field research (especially by westerners) because of its long political instability and constant wars. There is no similar published work in English on this particular Persian dialect and its oral literature. Based on academically informed fieldwork and presented in a scientific fashion, this study provides information previously unavailable and is thus valuable to the academic discourse in Iranian linguistics. The materials were collected by the author during field research in Afghanistan in the 1980s from illiterate dialect speakers (a category which has preserved the dialect the most in terms of purity and entirety). The book helpfully provides a grammatical introduction to the Herati dialect, a glossary of dialectal and common words, as well as approximately 500 explanatory notes.This book will be of interest to linguists and language learners, especially those studying Afghan Persian. It will also be useful as a language learning aid for intermediate and advanced students of spoken Afghan Persian in general and of Persian (in the broader sense) dialectology in particular, foreign NGO workers or interpreters/translators who find themselves in the field in western Afghanistan or far eastern Iran. Though the present book is by no means a study in folklore literature or anthropology, these texts containing ethnographic data will also be of value to folklorists or ethnographers.

Throughout the mid-1970s until the early 1990s, video art as vehicles for social, cultural, and political analysis were prominent within global museum based contemporary art exhibitions. For many, video art during this period stood for contemporary art. Yet from the outset, video art's incorporation into art museums has brought about specific problems in relation to its acquisition and exhibition. This book analyses, discusses, and evaluates the problematic nature and form of video art within four major contemporary art museums--the Museum of Modern Art (MoMA) in New York, the Georges Pompidou National Centre of Art and Culture in Paris, the Tate Gallery in London, and the Art Gallery of New South Wales (AGNSW) in Sydney. In this book, the author discusses how museum structures were redefined over a twenty-two year period in specific relation to the impetus of video art and contends that analogue video art would be instrumental in the evolution of the contemporary art museum. By addressing some of the problems that analogue video art presented to those museums under discussion, this study penetratingly reveals how video art challenged institutional structures and had demanded more flexible viewing environments from those structures. It first defines the classical museum structure established by the Louvre Museum in Paris during the 19th century and then examines the transformation from this museum structure to the modern model through the initiatives of the New York Metropolitan Museum to MoMA in New York. MoMA was the first major museum to exhibit analogue video art in a concerted fashion, and this would establish a pattern of acquisition and exhibition that became influential for other global institutions to replicate. In this book, MoMA's exhibition and acquisition activities are analysed and contrasted with the Centre Pompidou, the Tate Gallery, and the AGNSW in order to define a lineage of development in relation to video art. Extremely well researched and well written, this book covers an exhaustive, substantive, and relevant range of issues. These issues include video art (its origin, significance, significant movements, institutional challenges, and relationship to television), the establishment of the museum (its patronage and curatorial strategy) from the Louvre to MoMA, the relationship of MoMA to the Metropolitan Museum of Art, a comparative analysis of three museums in three countries on three continents, a close examination of video art exhibition, a closer look at three seminal video artists, and, finally, a critical overview of video art and its future exhibition. This unique book also covers an important period in the genesis of video art and its presentation within significant national and global cultural institutions. Those cultural institutions not only influence a meaningful part of the cultural life of four unique countries but also represent the cultural forces emerging in capital cities on three continents. By itself, this sort of geographic and institutional breadth challenges any previous study on the subject. This book successfully provides a historical explanation for the museum/gallery's relationship to video art from its emergence in the gallery to the beginnings of its acceptance as a global art phenomenon. Several prominent video artists are examined in relation to the challenges they would present to the institutionalised framework of the modern art museum and the discursive field surrounding their practice. In addition, the book contains a theoretical discussion of the problems related to video art imagery with the period of High Modernism; it examines the patterns of acquisition and exhibition, and presents an analysis of global exchange between four distinct major contemporary art institutions. The Problematic of Video Art in the Museum, 1968-1990 is an important book for all art history and museum collections.

other books have focused on environmental injustice in the U.S. South, no single volume has examined such issues and problems in Florida at the metropolitan scale. This book is a compilation of original empirical research on the nexus between the environmental and social inequalities in Tampa Bay, Florida's fastest growing metropolitan area. Systematic research about spatial and environmental justice are largely absent from the rich historiography of Florida, especially the Tampa Bay metropolitan area of southwest Florida. Recent empirical evidence suggests that environmental justice is a real and emergent problem within Tampa Bay afflicting many deprived communities and socially excluded groups. Moreover, certain communities are not only unevenly exposed to environmental risks, but are also disproportionately vulnerable to their many adverse health effects. Our book thus fills a critical need to explore both the causes and consequences of environmental injustice in Tampa Bay. This book combines the latest theoretical insights on spatial and environmental justice with empirical case studies which examine racial/ethnic and socioeconomic inequities associated with various undesirable land uses and pollution sources in Hillsborough County, Tampa Bay's largest population and economic center. The book offers a progressive approach to a more long-term, comprehensive examination of a rapidly emerging field of study that provides academic scholars and decision-makers with new perspectives on a variety of environmental and social challenges confronting metropolitan Florida in the 21st century. It could offer guidance to metropolitan policy makers and planners, especially public health professionals, social welfare providers, infrastructure developers, emergency responders, and community activists. For this reason, this book should also be of interest to business associations, environmental groups, and members of the general public.