Books published by Cambridge University Press

The Apocrypha (or Deuterocanonical Books) are ancient texts written during the 400 years between the Old Testament and the New Testament of the Bible, accepted as biblical canon by some, but not all Christian denominations. This slim, hardback features books from the traditional Greek and Slavonic Bibles, as well as books used by Roman Catholics, such and Judith and Tobit. The Apocryphal texts are central background reading for anyone wishing to carry out a scholarly reading of the Bible and its context. The New Revised Standard Version Updated Edition includes a considerable number of changes to the Apocrypha for which a number of texts were consulted to reconstruct these books using the latest goals and methodology. 30 years on from the publication of the NRSV, the NRSV Updated Edition makes extensive use of recent scholarship to produce a meticulously researched, rigorously reviewed, and faithfully accurate translation. With substantial edits, revisions, and grammatical changes, its central value is in its adherence to tradition and accuracy, while also reflecting cultural differences and the sensibilities of modern audiences.

This book analyzes how developmental states contributed to economic prosperity, sometimes with spectacular success, and sometimes with less brilliant results.

"Collective memory can make and break political culture around the world. Representations and reinterpretations of the past intersect with actions that shape the future. A nation's political culture emerges from complex layers of institutional and individual responses to historical events. Society changes and is changed by these layers of memory over time. Understanding them gives us insight into where we are today. Encompassing examples from colonization and decolonization, revolving around the critical junctures of the world wars, this book illustrates how collective memory is produced and organized through commemoration, through monuments, and through individuals sharing stories. Using concrete examples from around the world, James H. Liu shows how different disciplines can come together through shared concepts like narratives and generational memories to provide mutually enriching perspectives on how political culture is made, and how it changes"--

This practical guide provides 99 case examples of typical and atypical cases of Alzheimer's disease and other dementias, along with useful tools for early identification and post-diagnostic support. Emphasising a collaborative approach between medical and social care, this is a vital resource for those on the frontline in primary care.

This Element looks at the art of the actress in the eighteenth century. It shows how visual materials across genres contribute to our understanding of the nuances of female celebrity, fame, notoriety, and scandal.

The female voice was deployed by male and female authors alike to signal emerging discourses of religious and political liberty in early Stuart England. Christina Luckyj's important new study focuses critical attention on writing in multiple genres to show how, in the coded rhetoric of seventeenth-century religious politics, the wife's conscience in resisting tyranny represents the rights of the subject, and the bride's militant voice in the Song of Songs champions Christ's independent jurisdiction. Revealing this gendered system of representation through close analysis of writings by Elizabeth Cary, Aemilia Lanyer, Rachel Speght, Mary Wroth and Anne Southwell, Luckyj illuminates the dangers of essentializing female voices and restricting them to domestic space. Through their connections with parliament, with factional courtiers, or with dissident religious figures, major women writers occupied a powerful oppositional stance in relation to early Stuart monarchs and crafted a radical new politics of the female voice.

"During the dark days of World War Two, British actors, politicians, writers and cultural commentators turned to Shakespeare in order to articulate both their national identity and the values for which their country was fighting. According to the literary critic G. Wilson Knight, Shakespeare is "the authentic voice of England"; to the actor Donald Wolfit, "[he] represents more than everything else the fighting spirit of our country"; and for the statesman and future prime minister Anthony Eden "our history is enacted, our philosophy as a people is given expression, in plays which are the greatest gift of English genius to mankind." In these formulations, Shakespeare and his works capture essential qualities of the nation; they serve as a principle of unity, a marker of what binds its people together. It is against this cultural backdrop that we can place Laurence Olivier's Henry V (1944). As Jennifer Barnes has noted, Shakespeare "could be made to function as a trope for the imagined community of the nation in wartime Britain," and Olivier's film, with its depiction of English, Irish, Scottish and Welsh soldiers coming together to form a "band of brothers," represents an important cinematic articulation of that trope, which I term the wartime Shakespeare topos (WST)"--

Provides strong theological arguments for replacing the binary understanding of gender, and for the embracing of sexual minorities.

Kant did not initially intend to write the Critique of Practical Reason, let alone three Critiques. It was primarily the reactions to the Critique of Pure Reason and the Groundwork of the Metaphysics of Morals that encouraged Kant to develop his moral philosophy in the second Critique. This volume presents both new and first-time English translations of texts written by Kant's predecessors and contemporaries that he read and responded to in the Critique of Practical Reason. It also includes several subsequent reactions to the second Critique. Together, the translations in this volume present the Critique of Practical Reason in its full historical context, offering scholars and students new insight into Kant's moral philosophy. The detailed editorial material appended to each of the eleven chapters helps introduce readers to the life and works of the authors, outlines the texts translated, and points to relevant passages across Kant's works.

Recovers eighteenth-century appreciation of transition as a critical tool for analysing the expression and reception of emotion in theatre.

An innovative study of empathy, sex, and love between prisoners of war and German women during World War II.

Challenging concepts of religion and secularism, this book shows the English novel rising with the English Bible, not after it.

"How did democratic developing countries open their economies during the late twentieth century? Since labor unions opposed free trade, democratic governments often used labor repression to ease the process of trade liberalization. Some democracies brazenly jailed union leaders and used police brutality to break the strikes that unions launched against such reforms. Others weakened labor union opposition through subtler tactics, such as banning strikes and retaliating against striking workers. Either way, this book argues that democratic developing countries were more likely to open their economies if they violated labor rights. Opening Up By Cracking Down draws on fieldwork interviews and archival research on Argentina, Mexico, Bolivia, Turkey, and India, as well as quantitative analysis of data from over one hundred developing countries to places labor unions and labor repression at the heart of the debate over democracy and trade liberalization in developing countries"--

Offers a new, interdisciplinary account of early modern drama through the lens of playing and playgoing.

Ancient philosophers offer intriguing accounts of vice - virtue's bad twin. This Element considers injustice and lawlessness in Plato and Aristotle. Starting with Socrates' paradoxical claim that 'tyrants and orators do just about nothing they want to do' (Gorgias 466d-e), it examines discussions of moral ignorance and corruption of character in Plato's Republic and Aristotle's Nicomachean Ethics. Aristotle's account of vice is indebted to Plato's. But his claims have confounded critics. Why is the vicious agent full of regrets when he acts in accordance with his wish? To what extent is vice a form of moral ignorance? Why will the unjust man never get what he wants? These and other questions yield new insights into ancient Greek ethics and moral psychology, as well as surprising perspectives on contemporary debates.

An investigation into slaveholding and slave experience in late antiquity, focusing on ideological, moral and cultural aspects of slavery.

Kant did not initially intend to write the Critique of Practical Reason, let alone three Critiques. It was primarily the reactions to the Critique of Pure Reason and the Groundwork of the Metaphysics of Morals that encouraged Kant to develop his moral philosophy in the second Critique. This volume presents both new and first-time English translations of texts written by Kant's predecessors and contemporaries that he read and responded to in the Critique of Practical Reason. It also includes several subsequent reactions to the second Critique. Together, the translations in this volume present the Critique of Practical Reason in its full historical context, offering scholars and students new insight into Kant's moral philosophy. The detailed editorial material appended to each of the eleven chapters helps introduce readers to the life and works of the authors, outlines the texts translated, and points to relevant passages across Kant's works.

This book will benefit academics and practitioners working in international dispute settlement, public international law, international economic law, and law of the sea. Focusing on environmental disputes, it develops a comparative analysis of the roles of international courts and tribunals across four key sites of international adjudication.

Demonstrates how contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation.

Geopolitics of Digital Heritage analyzes and discusses the political implications of the largest digital heritage aggregators across different scales of governance, from the city-state governed Singapore Memory Project, to a national aggregator like Australia's Trove, to supranational digital heritage platforms, such as Europeana, to the global heritage aggregator, Google Arts & Culture. These four dedicated case studies provide focused, exploratory sites for critical investigation of digital heritage aggregators from the perspective of their geopolitical motivations and interests, the economic and cultural agendas of involved stakeholders, as well as their foreign policy strategies and objectives. The Element employs an interdisciplinary approach and combines critical heritage studies with the study of digital politics and communications. Drawing from empirical case study analysis, it investigates how political imperatives manifest in the development of digital heritage platforms to serve different actors in a highly saturated global information space, ranging from national governments to transnational corporations.

This Element offers a framework for exploring the methodological challenges of neuroethics. The aim is to provide a roadmap for the methodological assumptions, and related pitfalls, involved in the interdisciplinary investigation of the ethical and legal implications of neuroscientific research and technology. It illustrates these points via the debate about the ethical and legal responsibility of psychopaths. Argument and the conceptual analysis of normative concepts such as 'personhood' or 'human agency' is central to neuroethics. This Element discusses different approaches to establishing norms and principles that regulate the practices addressed by neuroethics and that involve the use of such concepts. How to characterize the psychological features central to neuroethics, such as autonomy, consent, moral understanding, moral motivation, and control is a methodological challenge. In addition, there are epistemic challenges when determining the validity of neuroscientific evidence.

Spoken threats are a common but linguistically complex language crime. Although threatening language has been examined from different linguistic perspectives, there is limited research which critically addresses how people perceive spoken threats and infer traits such as threat and intent from speakers' voices. There is also minimal linguistic research addressing differences between written and spoken threats. By specifically analysing threats delivered in both written and spoken modalities, as well as integrating perceptual phonetic analysis into discussions on spoken threats, this Element offers perspectives on these two under-researched areas. It highlights the dangers of assuming that the way in which someone sounds correlates with, for example, their intention to commit harm, and explores potential problems in assuming that written and spoken threats are equivalent to one another. The goal of the Element is to advance linguistic knowledge and understanding around spoken threats, as well as promote further research in the area.

David Hume (1711-1776) is one of the foremost critics of attempts to provide rational arguments in support of traditional Christian theism in Western philosophy. In this Element, the authors examine Hume's chief objections to the cosmological argument, the design argument, and the argument from miracles, along with some main responses to these objections. The authors also examine Hume's seminal version of the argument from evil, which is deployed in an effort to show that traditional Christian theism is lacking in coherent meaning. Drawing on recent developments in Hume scholarship according to which Hume's ultimate philosophical aim was to further an anti-Christian agenda, an attempt is made to situate Hume's writings on God and religion in an unfolding narrative that is impacted throughout by the trenchant religious criticisms of Hume's chief philosophical predecessor, Thomas Hobbes.

This Element looks at the art of the actress in the eighteenth century. It considers how visual materials across genres, such as prints, portraits, sculpture, costumes, and accessories, contribute to the understanding of the nuances of female celebrity, fame, notoriety, and scandal. The 'art' of the actress refers to the actress represented in visual art, as well as to the actress's labor and skill in making art ephemerally through performance and tangibly through objects. Moving away from the concept of the 'actress as muse,' a relationship that privileges the role of the male artist over the inspirational subject, the author focuses instead on the varied significance of representations, reproductions, and re-animations of actresses, female artists, and theatrical women across media. Via case studies, the Element explores how the archive charts both a familiar and at times unknown narrative about female performers of the past.

This Element Recovering Old English examines the philological activities of scholars involved in the recovery of Old English in the period between c. 1550 and 1830. This Element focuses on four philological pursuits that dominated this recovery: collecting documents, recording the lexicon editing texts and studying the grammar. This Element demonstrates that throughout the vicissitudes of history these four components of humanist philology have formed the backbone of Old English studies and constitute a thread that connects the efforts of early modern philologists with the global interest in Old English that we see today.

Giftedness often is defined in a transactional way: individuals give something in return for getting something from authorities who label them as gifted; the labeling authority then expects those individuals identified as 'gifted' to act in ways that justify the label. The authors place emphasis on transformational giftedness-giftedness that serves to make the world a better place. This Element stresses the importance of intelligence, not of the kind of narrow intelligence measured by IQ tests and their proxies, but rather the kind of broad intelligence used to adapt to a variety of real-world environments. The authors further discuss the nature of dual exceptionality, whereby individuals may be identified as having a disability yet at the same time act in gifted ways and thereby harbor the potential to contribute to the world in some distinguished fashion.

This Element explores the relationship between science and the public with resources from philosophy of science. It covers science's relationship to the public, public trust in science, science denial, expanded participation in science, and science's obligation to the public.

This Element introduces the philosophical literature on models, with an emphasis on normative considerations relevant to models for decision-making. Chapter 1 gives an overview of core questions in the philosophy of modeling. Chapter 2 examines the concept of model adequacy for purpose, using three examples of models from the atmospheric sciences to describe how this sort of adequacy is determined in practice. Chapter 3 explores the significance of using models that are not adequate for purpose, including the purpose of informing public decisions. Chapter 4 provides a basic framework for values in modelling, using a case study to highlight the ethical challenges in building models for decision making. It concludes by establishing the need for strategies to manage value judgments in modelling, including the potential for public participation in the process.

Ancient philosophers offer intriguing accounts of vice - virtue's bad twin. This Element considers injustice and lawlessness in Plato and Aristotle. Starting with Socrates' paradoxical claim that 'tyrants and orators do just about nothing they want to do' (Gorgias 466d-e), it examines discussions of moral ignorance and corruption of character in Plato's Republic and Aristotle's Nicomachean Ethics. Aristotle's account of vice is indebted to Plato's. But his claims have confounded critics. Why is the vicious agent full of regrets when he acts in accordance with his wish? To what extent is vice a form of moral ignorance? Why will the unjust man never get what he wants? These and other questions yield new insights into ancient Greek ethics and moral psychology, as well as surprising perspectives on contemporary debates.

This Element presents emerging concepts and analytical tools in landscape archaeology. It introduces these ideas through new research and multiple case studies from around the world, culminating in how to 'archaeomorphologically' map anthropic constructions in caves and their contemporary environments.