Books published by Cambridge University Press

Cognitive scientists aim to understand the ways in which psychological functions relate to brain structures. This book examines taxonomic practices in cognitive science and proposes a new understanding of the nature of cognitive categories, and a novel account of the ways in which cognitive constructs relate to neural constructs.

Organized around eight core themes in aesthetics today, this book uncovers the complex development of Kant's aesthetic theory. It will be useful to advanced students and scholars in fields across the humanities and studies of the arts.

Eight centuries have passed since the Dominicans first arrived in England. This book tells their fascinating story. It discusses their role in the medieval British Church; their fate after the Reformation; their eventual re-establishment in Britain; their expansion into the Caribbean and South Africa; and their adaptation after Vatican II.

Most people believe that we should help others in need. This book argues that we should also help starving, wounded and sick wild animals. It will be of interest to scholars of philosophy, as well as to a non-specialist audience, including policy-makers and members of environmental and animal charities.

In this ground-breaking study, Robin Baker investigates the contribution ancient Mesopotamian theology made to the origins of Christianity. Drawing on a formidable range of primary sources, Baker's conclusions challenge the widely held opinion that the theological imprint of Babylonia and Assyria on the New Testament is minimal, and what Mesopotamian legacy it contains was mediated by the Hebrew Bible and ancient Jewish sources. After evaluating and substantially supplementing previous research on this mediation, Baker demonstrates significant direct Mesopotamian influence on the New Testament presentation of Jesus and particularly the character of his kingship. He also identifies likely channels of transmission. Baker documents substantial differences among New Testament authors in borrowing Mesopotamian conceptions to formulate their Christology. This monograph is an essential resource for specialists and students of the New Testament as well as for scholars interested in religious transmission in the ancient Near East and the afterlife of Mesopotamian culture.

Hegel's Phenomenology is famed for its account of the problem of recognition; this book presents a novel interpretation of Hegel's work focusing on the themes of recognition and the self. It will be important for scholars and students of Hegel, German idealism, and philosophical questions around recognition.

This volume of the Cambridge Edition of Early Christian Writings focuses on early Christian reflection on Christ as God incarnate from ca. 450 CE to the eighth century. It will be an invaluable resource for students and researchers in early Christian studies, theology, religious studies and late antique Roman history.

The Australian Army served in numerous theatres and campaigns throughout World War II, earning distinction and at times facing significant challenges. During the Pacific War, the infantry brigade, as an intermediate formation commanding multiple infantry battalions and numerous attached units, was key in Australian efforts to secure victory.

This comprehensive book is aimed at undergraduate and graduate students pursuing courses in computer science and artificial intelligence. It comprises detailed descriptions of a variety of search methods with examples and illustrations. It begins with simple approaches and progresses to more complex algorithms applied to problems.

Highlighting the diversity of musical practice that flows though Australia, this book places the music of Aboriginal and Torres Strait Islander people at its heart. It presents the latest research alongside perspectives of current creative artists, whilst acknowledging the fluid nature of music, and the complexity inherent in the term 'Australia'.

Highlighting the diversity of musical practice that flows though Australia, this book places the music of Aboriginal and Torres Strait Islander people at its heart. It presents the latest research alongside perspectives of current creative artists, whilst acknowledging the fluid nature of music, and the complexity inherent in the term 'Australia'.

Presenting the outcome of a major research initiative involving two dozen scholars around the world, this book offers rigorous evidence of the efficacy of community policing in reducing crime and increasing trust in a diversity of political contexts.

Presenting the outcome of a major research initiative involving two dozen scholars around the world, this book offers rigorous evidence of the efficacy of community policing in reducing crime and increasing trust in a diversity of political contexts.

Benjamin Britten, pianist, conductor, educator, composer of  a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.

"In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"--