Books published by Columbia University Press

Daniel Talbot changed the way the Upper West Side-and art-house audiences around the world-went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor.

Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world.

Takes a look at the continuum of intercultural exchange that reinvents, recreates, and restores history. Complemented with fifty-five illustrations, including photos of Mardi Gras Indians, this work employs a study of the culture. It explores cultural connections over place and time, showing through examples how performance revises the past.

This now-classic text by an insider, a former writer-producer at CBS News, chronicles the history of broadcast journalism in the U.S. from its beginning in radio through its rise as the most pervasive and powerful news medium.

Stephen Owen contends that in the new money economy of the Song Dynasty, writers became preoccupied with the question of whether material things can bring happiness. In a series of essays, All Mine! offers strikingly original readings of major eleventh-century figures.

Elena Fratto examines the relationship between literature and medicine at the turn of the twentieth century. She traces how writers including Dostoevsky, Tolstoy, and Bulgakov responded to medical and public health prescriptions, arguing that they provide alternative ways of thinking about the limits and possibilities of human agency and free will.

Horacio Ortiz provides a critical analysis of the social institutions and practices that produce and regulate stock pricing and valuation. Drawing on ethnographic fieldwork conducted among financial professionals in New York and Paris, this book shows how the political imaginaries that underpin financial markets legitimize global inequalities.

Sebastian Veg explores the rise of minjian-unofficial, unaffiliated, and among the people-intellectuals and how they have profoundly transformed China's public culture. Minjian documents how, amid deep structural shifts, grassroots thinker-activists began to work outside academia or policy institutions in an embryonic public sphere.

Inventing Tomorrow provides a definitive account of H. G. Wells's work and ideas. Sarah Cole illuminates his distinctive style as well as his interventions into social and political thought, arguing that he embodies twentieth-century literature at its most expansive and engaged.

Bernard E. Harcourt calls for moving beyond the complacency of decades of philosophical detours and to harness critical thought to the need for action. Critique and Praxis advocates for a new path forward that constantly challenges each one of us to ask what more we can do to realize a society based on equality and justice.

My Brilliant Friends is an innovative group biography of three friendships forged in second-wave feminism. Poignant and politically charged, the book is a captivating personal account of the complexities of women's bonds.

Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature centered on the idea of emotion as space. Tracing how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China, this book is a major rethinking of key terms in Chinese culture.

Minou Arjomand draws on a rich archive of postwar German and American performances to reveal theater as a place for forms of judgment that are inadmissible in a courtroom but indispensable for public life. Staged weaves together theater history and political philosophy into a powerful case for the importance of theaters as democratic institutions.

Philip Thai chronicles the vicissitudes of smuggling in modern China to demonstrate how defiance helped the state redefine its power. China's War on Smuggling traces how different regimes sought to police maritime trade and the unintended consequences their campaigns unleashed, offering new insights into Chinese social, legal, and economic history.

Zara Dinnen analyzes a range of contemporary novels, films, and artworks to contend that we live in the condition of the "digital banal," not noticing the affective and political novelty of our relationship to digital media. The Digital Banal recovers the shrouded disturbances that can help us recognize and antagonize our media environment.

In much of modern fiction, it is the clothes that make the character. Garments embody personal and national histories. They convey wealth, status, aspiration, and morality (or a lack thereof). They suggest where characters have been and where they might be headed, as well as whether or not they are aware of their fate. At the Mercy of Their Clothes explores the agency of fashion in modern literature, its reflection of new relations between people and things, and its embodiment of a rapidly changing society confronted by war and cultural and economic upheaval. In some cases, people need garments to realize themselves. In other cases, the clothes control the person who wears them. Celia Marshik's study combines close readings of modernist and middlebrow works, a history of Britain in the early twentieth century, and the insights of thing theory. She focuses on four distinct categories of modern clothing: the evening gown, the mackintosh, the fancy dress costume, and secondhand attire. In their use of these clothes, we see authors negotiate shifting gender roles, weigh the value of individuality during national conflict, work through mortality, and depict changing class structures. Marshik's dynamic comparisons put Ulysses in conversation with Rebecca, Punch cartoons, articles in Vogue, and letters from consumers, illuminating opinions about specific garments and a widespread anxiety that people were no more than what they wore. Throughout her readings, Marshik emphasizes the persistent animation of clothing-and objectification of individuals-in early-twentieth-century literature and society. She argues that while artists and intellectuals celebrated the ability of modern individuals to remake themselves, a range of literary works and popular publications points to a lingering anxiety about how political, social, and economic conditions continued to constrain the individual.

Heroes and Toilers offers an unprecedented account of life and labor in postwar North Korea that looks at both governance and popular resistance. Cheehyung Harrison Kim traces the state's pursuit of progress through industrialism and examines how ordinary people challenged the state every step of the way.

Hannah Arendt, Herbert Marcuse, Alexander Solzhenitsyn, and Edward Said each steered major intellectual and political schools of thought in American political discourse after World War II, yet none of them was American, which proved crucial to their ways of arguing and reasoning both in and out of the American context. In an effort to convince their audiences they were American enough, these thinkers deployed deft rhetorical strategies that made their cosmopolitanism feel acceptable, inspiring radical new approaches to longstanding problems in American politics. Speaking like natives, they also exploited their foreignness to entice listeners to embrace alternative modes of thought. Intimate Strangers unpacks this "e;stranger ethos,"e; a blend of detachment and involvement that manifested in the persona of a prophet for Solzhenitsyn, an impartial observer for Arendt, a mentor for Marcuse, and a victim for Said. Yet despite its many successes, the stranger ethos did alienate many audiences, and critics continue to dismiss these thinkers not for their positions but because of their foreign point of view. This book encourages readers to reject this kind of critical xenophobia, throwing support behind a political discourse that accounts for the ideals of citizens and noncitizens alike.

American diners began to flock to Chinese restaurants more than a century ago, making Chinese food the first mass-consumed cuisine in the United States. By 1980, it had become the country's most popular ethnic cuisine. Chop Suey, USA offers the first comprehensive interpretation of the rise of Chinese food, revealing the forces that made it ubiquitous in the American gastronomic landscape and turned the country into an empire of consumption.Engineered by a politically disenfranchised, numerically small, and economically exploited group, Chinese food's tour de America is an epic story of global cultural encounter. It reflects not only changes in taste but also a growing appetite for a more leisurely lifestyle. Americans fell in love with Chinese food not because of its gastronomic excellence but because of its affordability and convenience, which is why they preferred the quick and simple dishes of China while shunning its haute cuisine. Epitomized by chop suey, American Chinese food was a forerunner of McDonald's, democratizing the once-exclusive dining-out experience for such groups as marginalized Anglos, African Americans, and Jews. The rise of Chinese food is also a classic American story of immigrant entrepreneurship and perseverance. Barred from many occupations, Chinese Americans successfully turned Chinese food from a despised cuisine into a dominant force in the restaurant market, creating a critical lifeline for their community. Chinese American restaurant workers developed the concept of the open kitchen and popularized the practice of home delivery. They streamlined certain Chinese dishes, such as chop suey and egg foo young, turning them into nationally recognized brand names.

Park Wan-suh is a best-selling and award-winning writer whose work has been widely translated and published throughout the world. Who Ate Up All the Shinga? is an extraordinary account of her experiences growing up during the Japanese occupation of Korea and the Korean War, a time of great oppression, deprivation, and social and political instability.Park Wan-suh was born in 1931 in a small village near Kaesong, a protected hamlet of no more than twenty families. Park was raised believing that "e;no matter how many hills and brooks you crossed, the whole world was Korea and everyone in it was Korean."e; But then the tendrils of the Japanese occupation, which had already worked their way through much of Korean society before her birth, began to encroach on Park's idyll, complicating her day-to-day life. With acerbic wit and brilliant insight, Park describes the characters and events that came to shape her young life, portraying the pervasive ways in which collaboration, assimilation, and resistance intertwined within the Korean social fabric before the outbreak of war. Most absorbing is Park's portrait of her mother, a sharp and resourceful widow who both resisted and conformed to stricture, becoming an enigmatic role model for her struggling daughter. Balancing period detail with universal themes, Park weaves a captivating tale that charms, moves, and wholly engrosses.

Juxtaposing Muslim scholars' debates over women's attendance in mosques with historical descriptions of women's activities within Middle Eastern and North African mosques, Marion Holmes Katz shows how over the centuries legal scholars' arguments have often reacted to rather than dictated Muslim women's behavior. Tracing Sunni legal positions on women in mosques from the second century of the Islamic calendar to the modern period, Katz connects shifts in scholarly terminology and argumentation to changing constructions of gender. Over time, assumptions about women's changing behavior through the lifecycle gave way to a global preoccupation with sexual temptation, which then became the central rationale for limits on women's mosque access. At the same time, travel narratives, biographical dictionaries, and religious polemics suggest that women's usage of mosque space often diverged in both timing and content from the ritual models constructed by scholars. Katz demonstrates both the concrete social and political implications of Islamic legal discourse and the autonomy of women's mosque-based activities. She also examines women's mosque access as a trope in Western travelers' narratives and the evolving significance of women's mosque attendance among different Islamic currents in the twentieth century.

Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. She analyzes the films of Satyajit Ray, Mrinal Sen, and Ritwik Ghatak as well as a host of film society publications.

This book is the first comprehensive study of how presidential mass pardons have helped put domestic insurrections to rest. Graham G. Dodds examines when and why presidents have issued mass pardons and amnesties to deal with domestic rebellion and attempt to reunite the country.

Achille Mbembe is one of the world's most profound critics of colonialism and its consequences. In Out of the Dark Night, he offers a rich analysis of the paradoxes of the postcolonial moment that points toward new liberatory models of community and humanity.

Michel Foucault's interest in the history of sexuality began as early as the 1960s, when he taught two courses on the subject. These lectures offer crucial insight into the development of Foucault's thought yet have remained unpublished until recently. This book presents Foucault's lectures on sexuality for the first time in English.

Gregory Fairchild introduces readers to the rising set of entrepreneurs whose efforts to reach marginalized groups are reshaping the emerging markets of the United States. He explores how minority-owned and community-development institutions are achieving innovations in financial services to further economic development and reduce inequality.

Selected Nonfiction.

How Movie Theaters Projected American Power Around the World.

Fifty Years of SinoAmerican Relations.