Books published by Columbia University Press

This book traces the rise and decline of what Theodore Roosevelt once called the "e;most American thing in America."e; The Chautauqua movement began in 1874 on the shores of Chautauqua Lake in western New York. More than a college or a summer resort or a religious assembly, it was a composite of all of these-completely derivative yet brilliantly innovative. For five decades, Chautauqua dominated adult education and reached millions with its summer assemblies, reading clubs, and traveling circuits.Scholars have long struggled to make sense of Chautauqua's pervasive yet disorganized presence in American life. In this critical study, Andrew Rieser weaves the threads of Chautauqua into a single story and places it at the vital center of fin de siecle cultural and political history. Famous for its commitment to democracy, women's rights, and social justice, Chautauqua was nonetheless blind to issues of class and race. How could something that trumpeted democracy be so undemocratic in practice? The answer, Rieser argues, lies in the historical experience of the white, Protestant middle classes, who struggled to reconcile their parochial interests with radically new ideas about social progress and the state. The Chautauqua Moment brings color to a colorless demographic and spins a fascinating tale of modern liberalism's ambivalent but enduring cultural legacy.

Traditional notions of sacred kingship became both more grandiose and more problematic during England's turbulent sixteenth and seventeenth centuries. The reformation launched by Henry VIII and his claims for royal supremacy and divine right rule led to the suppression of the Mass, as the host and crucifix were overshadowed by royal iconography and pageantry. These changes began a religious controversy in England that would lead to civil war, regicide, restoration, and ultimately revolution. Richard McCoy shows that, amid these sometimes cataclysmic Alterations of State, writers like John Skelton, Shakespeare, John Milton, and Andrew Marvell grappled with the idea of kingship and its symbolic and substantive power. Their artistic representations of the crown reveal the passion and ambivalence with which the English viewed their royal leaders. While these writers differed on the fundamental questions of the day-Skelton was a staunch defender of the English monarchy and traditional religion, Milton was a radical opponent of both, and Shakespeare and Marvell were more equivocal-they shared an abiding fascination with the royal presence or, sometimes more tellingly, the royal absence. Ranging from regicides real and imagined-with the very real specter of the slain King Charles I haunting the country like a revenant of the king's ghost in Shakespeare's Hamlet-from the royal sepulcher at Westminster Abbey to Peter Paul Reubens's Apotheosis of King James at Whitehall, and from the Elizabethan compromise to the Glorious Revolution, McCoy plumbs the depths of English attitudes toward the king, the state, and the very idea of holiness. He reveals how older notions of sacred kingship expanded during the political and religious crises that transformed the English nation, and helps us understand why the conflicting emotions engendered by this expansion have proven so persistent.

This volume collates the prizewinning essays in the 1990 and 1991 ASCAP Nathan Burkan Memorial Competition in copyright law.

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Erik J. Hammerstrom recasts the history of twentieth-century Chinese Buddhism by examining how Huayan Buddhism was imagined, taught, and practiced during a period of profound political and social change. He traces the influence of Huayan University, the first Buddhist monastic school founded after the fall of the imperial system in China.

Top Graduate Zhang Xie is the first extant play in the Chinese southern dramatic tradition and a milestone in the history of Chinese literature. Dating from the early fifteenth century, but possibly composed earlier, it relates the story of a talented scholar who sets off for the capital to take the imperial exams.

William Logan reconciles history and poetry to provide new ways of reading poets ranging from Shakespeare and Shelley to Lowell and Heaney. In these striking essays, Logan presents the poetry of the past through the lens of the past, attempting to bring poems back to the world in which they were made.

When the State Winks traces the performance of state-endorsed Orthodox conversion in Israel. Michal Kravel-Tovi complicates the popular perception that it is a "wink-wink" relationship in which both sides agree to treat pretenses of faith as real, developing new ways to think about the connection between religious conversion and the nation-state.

For seven days in April 1968, students occupied five buildings on the Columbia University campus. A Time to Stir captures the reflections of those who participated in and witnessed the Columbia rebellion with more than sixty essays that shed light on the politics, passions, and ideals of the 1960s and the complicated legacy of the uprising.

Notre-Dame of Amiens is one of the great Gothic cathedrals. In this beautifully illustrated magisterial chronicle, Stephen Murray tells the cathedral's story from the overlapping perspectives of the social groups connected to it.

Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture.

Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century's great artists through a series of interviews with key figures in his life-family, friends, former lovers, professional associates, studio assistants, and collaborators.

City of Workers, City of Struggle brings together essays by leading historians of New York and a wealth of illustrations, offering rich descriptions of work, life, and political struggle. It recounts how workers have built formal and informal groups not only to advance their own interests but also to pursue a vision of what the city should be.

Gergana Ivanova explores how The Pillow Book and its author have been read from the seventeenth century to the present. She shows how various ideologies have influenced the text and shaped interactions among its different versions, in the first book-length study in English of the reception history of Sei Shonagon.

David K. Johnson tells the story of the physique magazine produced by and for gay men to show how gay commerce was not a byproduct of the gay-rights movement but an important catalyst for it. He offers a vivid look into the lives of physique entrepreneurs and their customers, presenting a wealth of illustrations.

Jeff Love reinterprets Alexandre Kojeve's works, showing him to be a provocative thinker who challenged modernity's valuation of self-interest. Joining intellectual history, close textual analysis, and philosophy, The Black Circle reveals Kojeve's thought as a profound critique of capitalist individualism and a timely meditation on human freedom.

Sunny Xiang offers a new way of understanding the American cold war in Asia by tracing aesthetic manifestations of "Oriental inscrutability" across a wide range of texts. She puts interrogation reports, policy memos, and field notes into conversation with novels, poems, documentaries, and mixed media work.

Nicknamed the International Express, the New York City Transit Authority 7 subway line runs through a highly diverse series of ethnic and immigrant neighborhoods in Queens. People from Andean South America, Central America, China, India, Italy, Korea, Mexico, Pakistan, Poland, Romania, and Vietnam, as well as residents of a number of gentrifying blue-collar and industrial neighborhoods, fill the busy streets around the stations. The 7 train is a microcosm of a specifically urban, New York experience, in which individuals from a variety of cultures and social classes are forced to interact and get along with one another. For newcomers to the city, mastery of life in the subway space is a step toward assimilation into their new home.In International Express, the French ethnographer Stephane Tonnelat and his collaborator William Kornblum, a native New Yorker, ride the 7 subway line to better understand the intricacies of this phenomenon. They also ask a group of students with immigrant backgrounds to keep diaries of their daily rides on the 7 train. What develops over time, they find, is a set of shared subway competences leading to a practical cosmopolitanism among riders, including immigrants and their children, that changes their personal values and attitudes toward others in small, subtle ways. This growing civility helps newcomers feel at home in an alien city and builds what the authors call a "e;situational community in transit."e; Yet riding the subway can be problematic, especially for women and teenagers. Tonnelat and Kornblum pay particular attention to gender and age relations on the 7 train. Their portrait of integrated mass transit, including a discussion of the relationship between urban density and diversity, is invaluable for social scientists and urban planners eager to enhance the cooperative experience of city living for immigrants and ease the process of cultural transition.

Leading scholars consider crucial aspects of Harlem's social, political, and intellectual history, its artistic, cultural, and economic life, and its representation across an array of media and genres. Race Capital? models new Harlem scholarship that interrogates exceptionalism while taking seriously the importance of place and locality.

William Greaves is one of the most significant and compelling American filmmakers of the past century. This volume provides the first comprehensive overview of Greaves's remarkable career.

At Home and Abroad bridges the divide in the study of American religion, law, and politics between domestic and international, bringing together diverse authors to explore ties across conceptual and political boundaries. They examine the ideas, people, and institutions that provide links between domestic and foreign religious politics and policies.

Bringing together essays by prominent critics, Information: Keywords highlights the humanistic nature of information practices and concepts by thinking through key terms. It describes and anticipates directions for how the humanities can contribute to our understanding of information from a range of theoretical, historical, and global perspectives.

N. Katherine Hayles traces the emergence of what she identifies as the postprint condition, exploring how the interweaving of print and digital technologies has changed not only books but also language, authorship, and what it means to be human.

Eric Hayot argues that it is time to make a positive case for what the humanities are and what they can become. Humanist Reason lays out a new vision that moves beyond traditional disciplines to demonstrate what the humanities can tell us about our world.

Margarita M. Balmaceda follows Russia's three largest fossil-fuel exports-natural gas, oil, and coal-from production in Siberia through transportation via Ukraine to final use in Germany in order to understand the tension between energy as threat and as opportunity.

For over five hundred years, Muslim dynasties ruled parts of northern and central India. Scholars have long drawn upon works written in Persian and Arabic about this epoch, yet they have neglected the many histories that India's learned elite wrote about Indo-Muslim rule in Sanskrit. Audrey Truschke offers a groundbreaking analysis of these texts.

This volume brings together leading experts from a variety of fields to critically evaluate the extent to which global norms on freedom of expression and information have been established and which actors and institutions have contributed to their diffusion.

Suncranes and Other Stories showcases a range of powerful voices from Mongolia's modern literary traditions. Spanning the years following the socialist revolution of 1921 through the early twenty-first century, these stories offer vivid portraits of nomads, revolution, and the endless steppe.