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An investigation of academic vocabulary in the International Corpus of Learner English.
The If Odyssey draws out the philosophy that lies behind each story in Homer'sepic tale to introduce children not only to the exciting fables of Odysseus,but also to that other great Ancient Greek tradition, philosophy. Explore withOdysseus the value of happiness, non-existent entities, moral dilemmas, thephilosophy of prophecy, and the nature of love among many other philosophicalissues. From the author of The If Machine, this book offers stories andsession plans suitable for use across the curriculum with children aged 8-16.Online you'll find maps of Odysseus' journey, The Words of Tiresias thatprovides clues for the children as to Odysseus' progress and an Ancient Greek languageworkshop with accompanying worksheets. You can use the 'Storykit' section, whichprovides hints and tips on storytelling skills, to bring the tales of TheOdyssey to life and stimulate independent, critical thinking with yourclass.
An overview of Homer and Homeric poetry, discussing his reception and the influence of Homer, especially on contemporary thought.
This book examines the post Cold War security environment and how the U.S. has learned to wage war in this complex assymetrical world of conflict.
Schelling is often thought to be a protean thinker whose work is difficult to approach or interpret. This title shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810.
Critically examines philosophical, ethical and religious arguments for and against vegetarianism. >
Collaborative effort by a number of the world''s leading experts on the Holocaust. Lively, but not sensationalistic, this book is balanced but on the cutting edge of one of the most important debates in this field: how should Vatican policies during World War II be understood? Specifically, could Pope Pius XII have curbed the Holocaust by vigorously condemning the Nazi killing of Jews? Was Pius XII really ''Hitler''s Pope'', as John Cornwell''s provocative book recently suggested? Or has he unfairly become a scapegoat when he is really deserving of canonization as a Roman Catholic saint instead? In Pope Pius XII and the Holocaust, well-informed scholars--including Michael Marrus, Michael Phayer, Richard L. Rubenstein and Susan Zuccotti--wrestle with these questions. The book has four main themes: (1) Pope Pius XII must be understood in his particular historical context. (2) Pope Pius XII put the well-being of the Roman Catholic Church--as he understood that well-being--first and foremost. (3) In retrospect, Pope Pius XII''s priorities--understandable though they are--not only make him a problematic Christian leader but also raise important questions about post-Holocaust Christian identity. (4) Jewish and Christian memories of the Holocaust will remain different, but reconciliation can continue to grow. On all sides, relations between Christians and Jews can be improved by an honest facing of history and by continuing reflection about what post-Holocaust Christian and Jewish identities ought--and ought not--to mean.
Gives fresh insights into Hitler's personality and how Nazi Germany's military and intelligence apparatus operated. This title encompasses the peculiar idiosyncrasies of Hitler's personality and the failures of Germany's military organisation, and charts the rise and fall of the Third Reich.
By connecting Shakespeare''s language to the stunning artwork that depicted the end of the world, this study provides not only provides a new reading of Shakespeare but illustrates how apocalyptic art continues to influence popular culture today. Drawing on extant examples of medieval imagery, Roger Christofides uses poststructuralist and psychoanalytic accounts of how language works to shed new light on our understanding of Hamlet, Othello, Macbeth, and King Lear. He then links Shakespeare''s dependence on his audience to appreciate the allusions made to the religious paintings to the present day. For instance, popular television series like Battlestar Galactica, seminal horror movies such as An American Werewolf in London and Carrie and recent novels like Cormac McCarthy''s The Road. All draw on imagery that can be traced directly back to the depictions of the Doom, an indication of the cultural power these vivid imaginings of the end of the world have in Shakespeare''s day and now.
"This original study offers a timely reconsideration of the work of French hilosopher Jean-Franois Lyotard in relation to art, performance and writing. How can we write about art, whilst acknowledging the transformation that inevitably accompanies translations of both media and temporality?That is the question that persistently dogs Lyotard''s own writings on art, andto which this book responds through reference to artists from therecently-formed canon of performance art history, including the myths ofseminal figures Marina Abramovic and Vito Acconci, and the controlled documentation of Gina Pane''s actions. Through the unstable, untranslatable element that Lyotard calls the figural, his thought is brought to bearon attempts to write a history of performance art and to question the paradoxically prescriptive demand for rules to govern ''re-performance''. Kiff Bamford contextualises Lyotard''s writings andapproach with reference to both his contemporaries, including Deleuze andKristeva, and the contemporary art about which they wrote, whilst arguing forthe pertinence of Lyotard''s provocations today."
We indulge our fascination with detection in many ways, only some of which occur in the detective story. In fact, modern fiction regularly uses elements of a detective narrative to tell another story altogether, to engage characters, narrators, and readers with questions of identity, with examinations of moral and ethical reasoning, with critiques of social and political injustices, and with the metaphysics of meaning itself. Detective plots cross cultural and national boundaries and occur in different ways and different genres. Taken together, they suggest important contemporary understandings of who and what we are, how and what we aspire to become.Detecting Detection gathers writing from the UK, North and South America, Europe, and Asia to draw together instances of the detective plot in contemporary fiction. It is unique not only in addressing the theme-a recurring one in modern literature-but in tracking the interest in detectives and detection across international borders.
The book explains how openly available information is undervalued by the intelligence community and how analysts can use of this huge amount of information.
A virtuoso performance by a writer at the peak of his powers, tackling one of his great obsessions: Talking Heads.
We indulge our fascination with detection in many ways, only some of which occur in the detective story. In fact, modern fiction regularly uses elements of a detective narrative to tell another story altogether, to engage characters, narrators, and readers with questions of identity, with examinations of moral and ethical reasoning, with critiques of social and political injustices, and with the metaphysics of meaning itself. Detective plots cross cultural and national boundaries and occur in different ways and different genres. Taken together, they suggest important contemporary understandings of who and what we are, how and what we aspire to become.Detecting Detection gathers writing from the UK, North and South America, Europe, and Asia to draw together instances of the detective plot in contemporary fiction. It is unique not only in addressing the theme-a recurring one in modern literature-but in tracking the interest in detectives and detection across international borders.
A unique anthology devoted to a single story-"Signs and Symbols" by Vladimir Nabokov-which exposes the way we read and interpret short stories.
Presents in chronological order the themes and ideas of his twenty-three feature films, and the complexity of their cinematic style.
An original philosophical analysis and defense of the concept of honor that considers honor's normative promise for us today.
Looks at how America during World War II gained strengths from early defeats such as Bataan or Corregidor. This title resurrects the legacy of the first half-year of American combat during the war - a legacy of pain, but not of woe. It recounts the story of the war's early defeats: Bataan, Corregidor, Wake Island, and Java Sea.
Groundless existence is a unique examination of the implicit phenomenological and existential foundations of Schmitt's political philosophy.
We live in a textually-mediated world where writing is central to society, its cultural practices and institutions. Writing has been the subject of much research but it is usually highly visible and valued texts that are studied --the work of novelists, poets and scholars.The studies included in this book examine every day acts of writing and their significance. Ordinary quotidian writing may be viewed as mundane and routine, but it is central to how societies operate and the ways individuals relate to each other and to institutions.Examples discussed in the book including writing in areas such as farming, photo-sharing, childcare work and health care. The chapters are united in their approach to examining this writing as cultural practice. The book also brings together two important traditions of this type of study: the Anglophone and Francophone. The work of French scholars in this field is made accessible for the first time to the Anglophone world. The insights and research in this collection will appeal to all linguists, anthropologists, sociolinguistics and cultural theorists.
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