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Through the lives and work, rest and play of Protestant participants in the new Ireland these essays offer refreshing interpretations as to what it meant to be Protestant and Irish in the changed political dispensation after Irish independence in 1922.
John Ford's The Quiet Man (1952) is the most popular cinematic representation of Ireland, and one of Hollywood's classic romantic comedies. For some viewers and critics the film is a powerful evocation of romantic Ireland and the search for home. This book contains new and original information and photographs about the film The Quiet Man.
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