Books published by Cornell University Press

Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the 20th century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power.

During the first generations of European settlement in North America, a number of interconnected Northeastern families carved out private empires. In Bound by Bondage, Nicole Saffold Maskiell argues that slavery was a crucial component to the rise and enduring influence of this emergent aristocracy. Dynastic families built prestige based on shared notions of mastery, establishing sprawling manorial estates and securing cross-colonial landholdings and trading networks that stretched from the Northeast to the South, the Caribbean, and beyond. The members of this elite class were mayors, governors, senators, judges, and presidents, and they were also some of the largest slaveholders in the North. Aspirations to power and status, grounded in the political economy of human servitude, ameliorated ethnic and religious rivalries, and united once antagonistic Anglo and Dutch families, ensuring that Dutch networks endured throughout the English and then Revolutionary periods. Using original research drawn from archives across several continents in multiple languages, Maskiell expertly traces the origin of these private familial empires back to the founding generations of the Northeastern colonies and follows their growth to the eve of the American Revolutionary War. Maskiell reveals a multiracial Early America, where enslaved traders, woodsmen, millers, maids, bakers, and groomsmen developed expansive networks of their own that challenged the power of the elites, helping in escapes, in trade, and in simple camaraderie. In Bound by Bondage, Maskiell writes a new chapter in the history of early North America and connects developing Northern networks of merit to the invidious institution of slavery.

Lovers, companions, and husband and wife, Catherine and Prince Grigory Potemkin were also close political partners. This work reveals the complexity of Catherine and Potemkin's personal relationship in light of changes in matters of state, foreign relations, and military engagements. It gives insights into Catherine's passions, and her world.