Books published by Damiani

Over the course of a decade, photographer Bonnie Briant collected everything she saw, resulting in an extensive catalogue of photographs. Her first monograph, Lump Sum Lottery is quiet and subtle selection of images produced during those ten years. Self-reflexive and diaristic in nature, Lump Sum Lottery represents the many idiosyncratic, intimate moments that make up a life¿the in-between spaces, the moments you feel but can¿t necessarily put into words; time passing in a wild rush, with everything changing yet, somehow, staying exactly the same. The photographs become personal touchstones, a mode of organising, controlling (to an extent), and collecting the world. Each picture stands alone, infused with its own story, but quietly come together, like a steady stream, as a whole.

7 Deaths of Maria Callas is an opera project created by Marina Abramović premiering at the Bayerische Staatsopera in Munich 2020. In collaboration with an all star creative team and through a mix of narrative opera and film, Abramović re-creates seven iconic deaths from Callas¿ most important roles throughout her career, followed by an interpretive recreation of Callas¿ actual death played by Abramović on stage. This book serves as a companion to the live performance and provides a behind the scenes look into the different elements that make up this conceptual and dynamic homage to the classic and iconic singer.

Tar Beach. On the Rooftops of Little Italy brings together photographs and memories of life in and around the rooftops of Little Italy, New York. These are pictures that were made, kept and gathered by various families who handed them down from 1940 to the early 1970's. Reflections from the community offer perspectives of multiple generations, as Angel Marinaccio says: "If you had an accomplishment- communion, confirmation, wedding, graduation or birthday, you'd dress up in your best outfit and go to the rooftop to take pictures and celebrate with your family." We see the images they shared and saved. The introduction to Tar Beach is written by renown filmmaker Martin Scorsese who grew up on the streets portrayed in this collection. He writes: "The roof was our escape hatch and it was our sanctuary. The endless crowds, the filth and the grime, the constant noise, the chaos, the claustrophobia, the non-stop motion of everything... you would walk up that flight of stairs, open the door, and you were above it all. You could breathe. You could dream. You could be." Photographer Susan Meiselas, along with two of her neighbours, Angel Marinaccio and Virginia Dell'Orio, collected and curated these vernacular photographs to convey the feeling of this special place and time in the daily lives of Italian immigrants as they made their way to becoming part of American culture. The book is designed by Yolanda Cuomo.

Nor Dread Nor Hope Attend. Photographs from the Plains of Africa gathers 65 stunning black and white photographs of the icons of the Kenyan wilderness. This is David Gulden's second monograph and the culmination of seven years work. With his masterful eye, he has perfectly captured the elegance and beauty of lions, elephants, zebras and giraffes in their natural habitat. With a title from a poem by acclaimed Irish poet W.B. Yeats, Nor Dread Nor Hope Attend includes text by Dr. Richard Leakey, journalist Fiammetta Rocco, and American artist Alex Beard.

Inspired by John Szarkowski's 1973 Looking at Photographs, and paying homage to the concept of the one hundred images and a page of text for each, Stephen Frailey now updates this classic with significant works of photography from early 80s to the present. Looking at Photography covers all genres of photography, and through discussing the process of the individual works Frailey - as photographer, editor and educator - articlulates the themes and sensibilities of contemporary photography. The book is illustrated with major works by acclaimed artists such as Tina Barney, Jeff Wall, Steven Meisel, Nan Goldin, Helmut Newton, Martin Parr, Tim Walker, Wolfgang Tillmans, among others.

In Oscar Wilde‿s Italian Dream 1875-1900, leading Wilde author Renato Miracco has combined written research with visual iconographic material - from Wilde‿s earliest heady trips to Italy as an Oxford student to his final days in France and Italy in 1900 after his incarceration in Reading Gaol, and his voluntary exile from Great Britain. Italy, and the larger world outside of London, was essential to the sensitivity and awareness of Wilde‿s identity, to his contributions to the prison reform, to his challenges to the social norms and sexual stereotypes in his last years. Latin formed the basis of a proper English gentleman‿s education-and Italy presented a landscape which animated and exacerbated social and personal conflict for young men such as Wilde. It also offered a great deal of sexual liberty compared to the oppressive moral atmosphere of England at that time. The images Miracco has incorporated in this volume (including photos that Wilde received from the gay German photographer, Von Gloeden) are mainly unknown from private collections, and together with letters, reminiscences, magazine and newspaper articles (along with derogatory articles about Wilde written by the Italian press) play a key role in placing Wilde‿s character, and an entire generation, in a complex context - not only literary, but also visual. Reading about Naples, Rome, Palermo, Sicily, and Capri of that time, you see it as it must have appeared in the eyes of the writer. Oscar Wilde‿s Italian Dream 1875-1900 is a major addition to the canon of one of the world‿s greatest literary figures. The introduction to the book is by Philip Kennicott the Pulitzer Prize-winning art and architecture critic of The Washington Post.

The artist's studio occupies a unique place in the popular imagination. Its environment is both the site of the artist's creative production, and a deeply private, personal space that nourishes and bears witness to the artist's working process, in a continuous interplay with its location, layout, interior and ambience. This rare access to the studio by a trusted visitor provides a unique opportunity to experience the lives of artists working in New York, through their methods, materials and influences, contained within the intimate space of the studio, and observed with an acutely sensitive eye. Artist Studios in New York - which Marco Anelli has been exploring since 2011 - leads the viewer into the creative process of internationally famous artists such as Alex Katz, Alfredo Jaar, Cecily Brown, Dan Colen, Elisabeth Peyton, Francesco Clemente, Jack Pierson, Joan Jonas, Joyce Pensato, Jonas Mekas, Jordan Wolfson, Julian Schnabel, Julie Mehretu, Kiki Smith, Lawrence Weiner, Mariko Mori, Marina Abramovic, Matthew Barney, Mickalene Thomas, Nate Lowman, Pat Steir, Rob Wynne, Robert Longo, Stanley Whitney, Tony Oursler, Ugo Rondinone, Urs Fisher, Vik Muniz.

In his latest book, the great American fashion photographer presents photographs of women that he has taken throughout his career, in homage to their power, their beauty, their joy, and their strength.

Joan Myers was born in Des Moines, Iowa, in 1944. Her photographs have appeared in more than fifty solo and eighty group exhibitions throughout the United States, and they are included in the permanent collections of the Amon Carter Museum, Biblioth¿e Nationale de France, Center for Creative Photography, Denver Art Museum, George Eastman House International Museum of Photography, High Museum of Art, Minneapolis Museum of Art, Museum of Fine Arts, Houston, Museum of Modern Art, Nevada Museum of Art, and San Francisco Museum of Modern Art, among others. In 2002, the National Science Foundation awarded Myers a prestigious Antarctic Artists and Writer¿s Grant to photograph at McMurdo Station, surrounding field stations, historic huts, and the South Pole. That resulted in a major traveling exhibition and accompanying book, Wondrous Cold: An Antarctic Journey (Smithsonian Books, 2006), which won an Honorable Mention from the American Association of Museum¿s 2006 Publications Competition.

In 2018, New York-based photographer Marcus completed a series of 20 large-scale photographs, each depicting a shifting beam of light. This monograph traces his exploration of color, shape, and spatiality in these red monochrome prints mixing digital and analog.

Moore photographs places in transition: Cuba, Detroit, and the High Plains. In his latest project, he focuses on Alabama--a region with a complex relationship to the past. Spending four years in lower Alabama, Moore searched for what he called "that deep history which resides in the humblest of settings."ngs."

Paintings, drawing, s and poetry by Vermont- and Barcelona-based American artist Bull are collected in this volume designed by award-winning American designer Yolanda Cuomo. Each page features Bull's vibrantly colored and abstract figural works punctuated by lines from her poems.

New York based Horacio Salinas is a conceptual still life photographer. He works with with Vogue, The New York Times, GQ amongst other to create fashion editorial or even illustrate articles.

Max Hirshfeld was born in North Carolina in 1951 to parents who survived Auschwitz. He grew up in Decatur, Alabama and moved to Washington, DC to study photography at George Washington University, graduating in 1973. His work has been shown at the Corcoran Gallery of Art, the Kreeger Museum and is represented by leading galleries in Washington, DC and Boston. He has won silver and bronze awards from the Prix de la Photographie Paris and been featured in both Communication Arts and American Photography. Hirshfeld¿s editorial work has been published in The New York Times Magazine, Time, Vanity Fair, and other national publications, and his advertising work has been showcased in campaigns for American Airlines, Amtrak, Canon and IBM, among others. Sweet Noise. Love in Wartime is his first book.

Born 1959, Jinju, South Korea, Lee Gap-Chul lives and works in Seoul, South Korea. Gap-Chul has travelled to various corners of Korea and photographed images that portray the joy and sorrow of his ancestors, their cheerful nature and persistent vitality. A graduate in Fine Art & Photography from the University of Shingu, he has participated in many solo and group exhibitions at prestigious venues in Korea such as the Lux gallery in Seoul, the Daegu photo biennale (2006, 2014), the Kumho Art Museum, The Museum of Photography, Seoul (2002), the GoEun museum of photography (2012) and the Gwacheon contemporary art museum (2008). He was invited to participate in international fairs and festivals such as FOTOFEST 2000 in Houston, U.S.A., the Photographie Contemporaine Cor¿ne in 2002, in Montpellier, France, Paris Photo in 2005, France and Jimei x Arles International Photo Festival 2018 in Xiamen, China.

Dennis Hopper (1936¿2010) was born in Dodge City, Kansas. He first appeared on television in 1954 and quickly became a cult actor, known for films such as Rebel Without a Cause (1955), Easy Rider (1969), The American Friend (1977), Apocalypse Now (1979), Blue Velvet (1986) and Hoosiers (1986). In 1988, he directed the critically acclaimed Colors. Hopper was also a prolific photographer and published now-classic portraits of celebrities such as Andy Warhol and Martin Luther King, Jr. His works are housed in the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and the Los Angeles County Museum of Art, among others.

Jacopo Benassi is one of the most prolific and talented Italian photograher. His work has the camera at its centre but he touches on languages such as performance, video, curating, and sound. Benassi has worked with some of the most legendary international musicians of the international punk and post-punk scene. During his career he has worked, among the others, for Rolling Stone, Purple Magazine, GQ, Vice, Wired, ICONPanorama, Riders, just to name a few. In his most recent show, Is It MY Body?, at the Galleria Francesca Minini in Milano, his work was exhibited alongside artworks by Roger Ballen, Vanessa Beecroft and Dan Graham.

Twenty-One Years is published on the occasion of the twenty-one year anniversary of Cheim & Read. The book features a comprehensive record of exhibitions, including installation views and seminal artworks.

Rohina Hoffman was born in India and raised in New Jersey. She received a B.S. in Neural Sciences from Brown University and an M.D. from Brown University School of Medicine. While a student at Brown she studied photography at the Rhode Island School of Design. In 1994, she moved to Los Angeles to begin her residency in neurology at UCLA Medical Center but continued her interest in photography. After a career in neurology, she devoted herself full time as a fine art photographer with the support of mentors Aline Smithson and Ken Merfeld. Her award winning work has been exhibited in museums and galleries both nationally and internationally including the Griffin Museum of Photography, Southeast Center of Photography, dnj Gallery, Tilt Gallery, Stephen F. Austin State University School of Art and the Center for Fine Art Photography. Her photography has appeared in publications such as Shots Magazine, Edge of Humanity, and Lenscratch. She lives in Los Angeles and will be having an opening of Hair Stories at Brown University¿s Warren Alpert Medical School in January 2019.