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Drawing on avant-garde cinema and found photographs, Saunders' multimedia works explore the mobility and affective power of imagesThis publication encompasses eight years of work by Cambridge, MA- and Berlin-based artist Matt Saunders (born 1975), who engages painting as a time-based medium through cameraless photography, animation, and innovative painting and printmaking processes. Best known for his haunting portraits and landscapes (using imagery culled from avant-garde cinema and found photographs) and moving-image works, Saunders uses analog materials to explore the affective power of images.Focusing on his experimentation with color processes, the stunning reproductions in this volume range from his first color film, Century Rolls (2012), to his more recent large-scale video installations. Moving image folds together with painting, photography and print, enlivening our relationship to images and their capacity for uncanny returns, echoes and ghosts.
Brooklyn-based interdisciplinary artist Jeanine Oleson (born 1974) created a 2017 exhibition at the Hammer Museum in Los Angeles, presenting her ongoing sharply absurdist response to research on the ways copper is produced and used in 21st-century capitalism. Through a video installation, objects and a performance--including a copper-based instrument that reacted to human touch and a handwoven rug based on perspectives visible in three-dimensional modeling--the exhibition focused on the confused entwinement of the human into contemporary material, as well as the relation with representation and art when these activities are now, more often than not, mediated through the digital--for which copper is an essential material component. With humor, pathos and intellectual rigor, Oleson explores issues of labor, the environment, craft and performance. Conduct Matters features an introduction by Connie Butler, chief curator at the Hammer Museum, and texts by cultural historian Jaleh Mansoor and legal scholar K-Sue Park, along with the full script of Oleson's video.
Published on the occasion of the exhibition held June 23-December 14, 2018, at CCS Bard, Annandale-on-Hudson, NY.
The most substantive monograph yet published on the work of German-born, New York-based multimedia artist Geyer, Dance in a Future with All Present focuses on her recent explorations of the marginalized yet pivotal role that women have played in the formulation of American modernism, tracing and honoring the ephemeral acts, initiatives, and stories that shaped it.
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