Books published by Dover Publications Inc.

Fifteen delightful fables from the world of the Green Forest will entertain and educate young readers as they find out why Johnny Chuck doesn't like Blacky the Crow and why Ol' Mistah Buzzard has a bald head. They'll learn what is in Mrs. Possum's big pocket and even discover who stole Mrs. Grouse's eggs.

This priceless historical document features firsthand accounts from top levels of leadership in the Russian revolutions of 1905 and 1917, chronicling the struggle to establish a dictatorship of the proletariat.

An expert on Nietzsche presents highlights from "The Birth of Tragedy, Thus Spake Zarathustra, Beyond Good and Evil, "and other works, and explains their significance to modern readers.

Rediscovered collection of authentic Irish crochet design from 19th-century contains 30 motifs, 12 grounds. New introductions by Mary Carolyn Waldrep. Numerous patterns. 100 photographs.

Concise compilation of subsonic aerodynamic characteristics of NACA wing sections, plus description of theory. 350 pages of tables.

Culled from a rare 19th-century source, these 124 black-and-white illustrations capture the lavish devices and grand sweep of European Baroque design. This collection is populated by elaborate architectural ornaments, decorative motifs, and border elements.

An expert on game history selects 38 of his favorite amusements, all of which can be played by children or adults with common items such as cards, dice, checkerboards, and pencil and paper.

Baroque art and architecture--extravagant in concept, exuberant in spirit, elaborate in detail--flourished in seventeenth-century Europe, and through the ages has continued to stir us with its vitality and dynamism and its mood of barely suppressed passion. In the architecture of St. Peter's in Rome, St. Paul's in London, and Santa Maria della Salute in Venice as well as in the works of Michelangelo, Bernini, and Rubens, the Baroque spirit lives today. Now graphic artists can add Baroque flair to almost any graphic project with this magnificent collection of royalty-free motifs.The seventeenth-century French artist Jacques Stella (1596-1657) embodies the Baroque sensibility. Early in his career, Stella spent seven years in Florence, working for Medici Prince Cosimo II and enjoying the acquaintance and advice of the master engraver Jacques Callot. He spent another ten years in Rome, where he came under the artistic influence of his friend Nicolas Poussin. On his return to France, championed by Cardinal Richelieu, he became court painter to Louis XIII, and founded a career that makes him esteemed as one of the major French artists of the seventeenth century. This book presents engravings executed by Stella's niece after drawings of Classical motifs probably made by Stella during his years in Italy. These engravings, first published in Paris in 1658, comprise a magnificent sourcebook of ready-to-use Baroque design, filled with highly embellished individual ornaments, decorative motifs, and a dazzling array of border elements.Included are lush florals and foliates, fruits, leaves, birds, shells, acorns, and more--as individual ornaments and rosettes, as repeating motifs in a frieze, and in other useful arrangements. Now this sturdy, inexpensive edition makes them available to a wide audience for convenient reproduction as well as for study, inspiration, and enjoyment.Dover (1987) selection of plates from Divers Ornements d'Architectures, Recueillis et Dessegnes Apres l'Antique par Mr. Stella, Peintre Ordinaire du Roy et Chevalier de Son Ordre de St. Michel, originally published in Paris, 1658.

Important writings by the leading theorist of anarchism, including the brief but moving "Spirit of Revolt," "Law and Authority," an argument for social control through custom and education, and other documents. An invaluable addition to the libraries of instructors, students, and anyone interested in history, government, and anarchist thought.

"One of the clandestine classics of our century."--The New York TimesThis is the legendary collage masterpieces of Max Ernst (b. 1891), one of the leading figures of the surrealistic movement and among the most original artists of the 20th century. From old catalog and pulp novel illustrations, Ernst produced this series of 182 bizarre and darkly humorous collage scenes of classic dreams and erotic fantasies which seem mysteriously to lure the unconscious into view: Stern, proper-looking women sprout giant sets of wings, serpents appear in the drawing -room and bed chamber, a baron has the head of a lion, a parlor floor turns to water on which some people can apparently walk while others drown.Une Semaine De Bonté is divided into seven parts, one for each day of the week, with each section illustrating one of Ernst's "seven deadly elements." "Oedipus," "The Court of the Dragon," and "Three Visible Poems" are among the startling episodes of Ernst's week. The Dada and surrealist epigraphs which introduce each section appear in this edition in both French and English.Une Semaine De Bonté first appeared in 1934 in a series of five pamphlets of fewer than 1,000 copies each, and has never been reprinted before this present edition. Previously available only to a few libraries and collectors, this is a major source and great treat for anyone interested in the surrealists and their work, in collage, visual illusion, dream visions, and the interpretations of dreams.

This 1788 work, based on belief in the immortality of the soul and the existence of God, established Kant as a vindicator of the truth of Christianity. A seminal text in the history of moral philosophy, it offers the most complete statement of Kant's theory of free will and a full development of his practical metaphysics.

Works by Villon, Ronsard, Voltaire, Mallarme, Verlaine, Rimbaud, Apollinaire, many more. Full French texts with literal English translations on facing pages. Biographical, critical information on each poet. Introduction. 31 black-and-white illustrations.

Major work on ethics, by one of the most influential thinkers of the last 2 centuries, deals with master/slave morality and modern man's current moral practices; the evolution of man's feelings of guilt and bad conscience; and how ascetic ideals help maintain human life under certain conditions.

Forty-five authentic illustrations of clothing from the 5th through mid-15th centuries, from the simple aprons, kirtles, and tunics of peasants to the bejeweled and fur-trimmed attire of the nobility. Introduction. Captions.

Eloquent, exceptionally erudite history of the "Queen of Weapons." Traces sword's origin -- from prehistory to its full growth during early Roman Empire. Discusses earliest weapons of stone, bone, horn and wood as well as variations: sabre, broadsword, cutlass, scimitar and more. Enhanced by nearly 300 excellent line drawings.

Classic treatment by a master teacher features 430 pencil and charcoal illustrations depicting fundamental features of human anatomy. Topics include shading, curvature, proportion, foreshortening, muscular tension, and much more.

Stimulating, thought-provoking utopian fantasy about a young man who's put into a hypnotic trance in the late 19th century and awakens in the year 2000 to find crime, war, and want nonexistent.

Fitzgerald's first novel, This Side of Paradise (1920) was an immediate, spectacular success and established his literary reputation. Perhaps the definitive novel of that "Lost Generation," it tells the story of Amory Blaine, a handsome, wealthy Princeton student who halfheartedly involves himself in literary cults, "liberal" student activities, and a series of empty flirtations with young women. When he finally does fall truly in love, however, the young woman rejects him for another. After serving in France during the war, Blaine returns to embark on a career in advertising. Still young, but already cynical and world-weary, he exemplifies the young men and women of the '20s, described by Fitzgerald as "a generation grown up to find all gods dead, all wars fought, all faiths in man shaken."

Andrea Palladio (1508-1580) was one of the most celebrated architects of the Renaissance, so important that the term Palladian has been applied to a particular style of architecture that adheres to classical concepts. The wide spread of Palladianism was due partly to the private and public buildings he constructed in Italy, the designs of which were copied throughout Europe. But of even greater consequence was his remarkable magnum opus, I Quattro Libri dell'Architettura; translated into every major Western European language in the two centuries following its publication in 1570, it has been one of the most influential books in the history of architecture. The Four Books of Architecture offers a compendium of Palladio's art and of the ancient Roman structures that inspired him. The First Book is devoted to building materials and techniques and the five orders of architecture: Tuscan, Doric, Ionic, Corinthian, and Composite. Palladio indicates the characteristic features of each order and supplies illustrations of various architectural details. The Second Book deals with private houses and mansions, almost all of Palladio's own design. Shown and described are many of his villas in and near Venice and Vicenza (including the famous Villa Capra, or The Rotunda, the Thiene Palace, and the Valmarana Palace). Each plate gives a front view drawing of the building and the general floor plan. The Third Book is concerned with streets, bridges, piazzas, and basilicas, most of which are of ancient Roman origin. In the Fourth Book, Palladio reproduces the designs of a number of ancient Roman temples. Plates 51 to 60 are plans and architectural sketches of the Pantheon.In all, the text is illustrated by over 200 magnificently engraved plates, showing edifices, either of Palladio's own design or reconstructed (in these drawings) by him from classical ruins and contemporary accounts. >