Books published by EDINBURGH UNIVERSITY PRESS

Deploys recent philosophical scholarship on feminist epistemology as an interpretive lens

[headline]Rethinks the relationship between architecture, literature and (in)visibility in the nineteenth-century city Ben Moore presents a new approach to reading urban modernity in nineteenth-century literature, by bringing together hidden, mobile and transparent features of city space as part of a single system he calls 'invisible architecture'. Resisting narratives of the nineteenth-century as progressing from concealment to transparency, he instead argues for a dynamic interaction between these tendencies. Across two parts, this book addresses a range of apparently disparate buildings and spaces. Part I offers new readings of three writers and their cities: Elizabeth Gaskell and Manchester, Charles Dickens and London, and Émile Zola and Paris, focusing on the cellar-dwelling, the railway and river, and the department store respectively. Part II takes a broader view by analysing three spatial forms that have not usually been considered features of nineteenth-century modernity: the Gothic cathedral, the arabesque and white walls. Through these readings, the book extends our understanding of the uneven modernity of this period. [bio]Ben Moore is Assistant Professor in English Literature at the University of Amsterdam, Netherlands. He is the author of Human Tissue in the Realist Novel, 1850-1895 (2023) and Co-Editor of the Gaskell Journal. His work has appeared in journals including Victorian Literature and Culture, Modernism/modernity, Modern Language Review and the Journal of Victorian Culture, as well as in various handbooks and edited collections.

[headline]This field-defining collection maps key intersections between sound studies and literary studies Collections on sound studies have seldom explored the vexed relationship between literature - a medium largely defined by its silence - and the dynamics and technologies of sound. This Companion is designed to help sound studies scholars grapple with the auditory capacities of text and encourage literary scholars to take full cognisance of the rich soundscapes mapped, or created, by texts read quietly. The essays assembled here consider a broad range of sound studies topics, including music in writing; the inscription of listening; worlding through sound; military and industrial noise; the gender of sound; racialised soundscapes; theatrical sounds; literature and sound media; and sonic epistemology. Helen Groth and Julian Murphet present a comprehensive set of new research on the relationship between sound and writing over time from a range of eminent, established and emerging sound studies scholars. [bios]Helen Groth is Professor of English in the School of Arts and Media, University of New South Wales. She is the author of Victorian Photography and Literary Nostalgia (2004) and Moving Images: Nineteenth-Century Reading and Screen Practices (2013), co-author of Dreams and Modernity: A Cultural History (2013) and co-editor of the forthcoming collection Writing the Global Riot: Literature in a Time of Crisis (2023). Julian Murphet is Jury Professor of English Language and Literature at the University of Adelaide. He is the author of the forthcoming Modern Character: 1888-1905 (2023) and Prison Writing in the Twentieth Century: A Literary Guide (Edinburgh University Press, 2023).

An important resource for educators who desire to use literary texts in cultivating vocational exploration among students or in scholarship on vocation.

Uncovers alternative ways of seeing the environment from the Romantic period.

Offers the first study of toxic masculinity in the context of ancient Greece and Rome

Examines Olive Schreiner's writing, networks and legacies in new global, historical and contemporary contexts