Books published by EDINBURGH UNIVERSITY PRESS

Giorgio Agamben's form-of-life discloses the possibility of a new understanding of political and legal life. This book places 'form-of-life' in the context of contemporary philosophy, re-imagining some of the basic categories of human socialities- such as work, rights, obligation, property and use.

Provides a deeper understanding of the comforts of reading literature

Sets out an innovative agenda for approaching literary critique While connecting to the 'post-critique' debate, this study draws on Italian Theory to provide an alternative critical method in literary studies, including the ethical underpinnings of critique. It proposes that critique is an attitude and stance towards others and a set of dispositions toward the object of study, such as indocility, receptiveness, openness to transformation, awareness of relationality, attention to language, attunement to the body, distance, displacement, externality and wonder. It deals with the link between modernism and theory as an important object of intellectual history and it elaborates on the potential of feminism and psychoanalysis to open up affirmative resources in language. Drawing on archival materials, the book includes sustained readings of Benjamin, Butler, Foucault, Jameson, Dimock, Esposito, Saussure, Virno, Hélène Cixous, Lacan, as well as T. S. Eliot, James Joyce, Clarice Lispector, the Digital Book Project by Airan Kang and the photography of George Platt Lynes. Mena Mitrano is Associate Professor of American literature and language in the Department of Linguistics and Comparative Cultural Studies at Ca' Foscari University of Venice. She is the author of Gertrude Stein: Woman Without Qualities (2005) and In the Archive of Longing: Susan Sontag's Critical Modernism (Edinburgh University Press 2016).

Examines state-middle class reciprocities in the making, persistence and failure of the Egyptian social contract

This book presents a provocative and timely reconsideration of modern Scottish literature in the light of ecological thought. Louisa Gairn demonstrates how successive generations of Scottish writers have both reflected on and contributed to the development of international ecological theory and philosophy. Provocative re-readings of works by authors including Robert Louis Stevenson, John Muir, Nan Shepherd, John Burnside, Kathleen Jamie and George Mackay Brown demonstrate the significance of ecological thought across the spectrum of Scottish literary culture. This book traces the influence of ecology as a scientific, philosophical and political concept in the work of these and other writers and in doing so presents an original outlook on Scottish literature from the mid-nineteenth century to the present. In this age of environmental crisis, Ecology and Modern Scottish Literature reveals a heritage of ecological thought which should be recognised as of vital relevance both to Scottish literary culture and to the wider field of green studies. Key Features *Considers both 'canonical' and less well known Scottish writers, including Gaelic poets and mountaineering literature, Robert Louis Stevenson and John Muir, and contemporary authors Kathleen Jamie and John Burnside *The first book to consider Scottish literature in the light of ecological and green thought *Engages with a major topical issue and sets the study of Scottish writing within the broader context of international green approaches to literary studies *Encourages reflection on the links between literary studies and perspectives drawn from the disciplines of environmental history, anthropology, philosophy and cultural geography Louisa Gairn holds a PhD from the University of St Andrews and is a contributor to The Edinburgh Companion to Contemporary Scottish Literature, ed. Berthold Schoene (Edinburgh University Press, 2007). She lives and works in Edinburgh.

Anti- and non-fascist ethics are situated in the framework of Deleuze and Guattari's philosophy and of the scholarship that followed The philosophy that Deleuze and Guattari propose is engaged and situated and requires us to map urgent issues, not by opposing ourselves to it, but by mapping how it is part of the everyday, and of ourselves. The global rise of fascism today demands careful analysis. The concepts and themes that Deleuze and Guattari gave us, within the scope of their work, is immensely helpful in capturing its micropolitics and macropolitics. The range of international contributors to this volume have a keen eye on the practices of fascism today and, in line with Deleuze's thinking, they show us how fascism works. Organised into three parts: the first part - 21st century fascisms - focuses on the global threats of technologies and algorithmic realities; the second part - situated fascisms - analyses fascisms at work in different parts of the contemporary world; the third part deals with patriarchal fascism and offers concrete case-studies of sexualized and genderized modes of oppression. Rosi Braidotti is a Distinguished University Professor at Utrecht University. Rick Dolphijn is an Associate Professor at Utrecht University.

Reflects the extraordinary scope and topicality of Lukács and Frankfurt School thought This book examines the heritage of critical theory from the Hungarian Marxist philosopher Georg Lukács through the early Frankfurt School up to current issues of authoritarian politics and democratisation. Interweaving discussion of art and literature, utopian thought, and the dialectics of high art and mass culture, it offers unique perspectives on an interconnected group of left-wing intellectuals who sought to understand and resist their society's systemic impoverishment of thought and experience. Starting from Lukács's reflections on art, utopia, and historical action, it progresses to the Frankfurt School philosopher Theodor W. Adorno's analyses of music, media, avant-garde and kitsch. It concludes with discussions of erotic utopia, authoritarianism, postsocialism and organised deceit in show trials - topics for which the legacy of Lukács and Frankfurt School critical theory continue to be relevant today. Tyrus Miller is Professor of Art History and English at University of California, Irvine. His publications include Modernism and the Frankfurt School (Edinburgh University Press, 2014) and Late Modernism: Politics, Fiction, and the Arts Between the World Wars (1999).

Critically examines the work of Qu b cois filmmakers Denis Villeneuve

Presents a new perspective on Hannah Arendt as a political thinker and actor This book uncovers the deeply practical aspect of Arendt's thinking and introduces her works as exercises in political thinking. Treated in this way, Arendt becomes the reader's dialogue partner, whose judgements and opinions remain open for reflection and discussion. The book provides insights into not only her theory and its current relevance, but also her practice of reflective judgement. Maria Robaszkiewicz is Assistant Professor at the Department of Philosophy, University of Paderborn, Germany. Michael Weinman is Professor of Philosophy at Bard College Berlin.

Explores changing attitudes to the holy through a study of 5 centuries of Bosnian Hajj literature Bosnian Hajj Literature: Multiple Paths to the Holy focuses on conceptualisations, images and descriptions of Hajj and Islamic geography by Bosnian Muslim authors in different writing genres from the 16th to the 21st centuries. It shows how meanings of Hajj differed across time, while its significance for the believers remained unchanged. The analysis of conceptualisations includes looking into meanings that are ascribed to rites, narratives used to explain the ritual, emotional expressions that are connected to the pilgrimage, and social meanings attached to the gathering. On another level, because Hajj entails a journey as well, the book observes changes in the perception of travel - including mechanisms of narrative and descriptive inclusion and exclusion, the image of Others (generally non-Muslims, but occasionally Muslim women), the role of transportation, food and lodging. Finally, the book shows what Bosnia meant for pilgrims in the creation of the sacred Islamic geography. This is the first critical and theoretically grounded book-length study of Hajj literature as a medium. Covering a period of several centuries and encompassing literature written in several languages, it redefines the ways pilgrimage can be understood and offers new methods for investigating the meaning and importance of Hajj for generations of premodern and modern believers. Dzenita Karic is a senior researcher at the Berlin Institute for Islamic Theology, Humboldt Universität zu Berlin.

Antoinetta Angelidi directed four full-length fiction films: Idées Fixes / Dies Irae (1977), Topos (1985), The Hours: A Square Film (1995) and Thief or Reality (2001), which have been screened at international film festivals and contemporary art museums. Angelidi's work has become synonymous with Greek Experimental Cinema, while her films and her theoretical writings have been the subject of numerous film courses, critical essays and retrospectives. The inversion and juxtaposition of codes, as well as the dream-mechanism and the uncanny, comprise her main creative strategies. The complexity of cinematic heterogeneity and the narrative multiplicity of different filmic elements which characterize her work are examined in depth in this edited collection dedicated to Antoinetta Angelidi's oeuvre. Penny Bouska is an Adjunct Professor at the School of Film at Aristotle University of Thessaloniki Sotiris Petridis is a Postdoc Researcher at Aristotle University of Thessaloniki, Greece

An innovative history of medical mission from the perspective of the history of emotions

Investigates the role of memory in forming ethnic and national identities in the early twentieth-century Tasman World

Reconsiders contemporary Disney animation through the critical lens of genre theory

'The horror film is often read as a low-budget and disreputable genre that is disparaged by critics and loved by only a small core of committed fans. However, there has always been a high end to horror, a high end that is made up of both art films and prestigious productions from the major studios. In this book, then, Church offers a crucial contribution to an understanding of this trend through his analysis of recent developments in its history. Grounded in an analysis of the reception contexts within which these films are produced, mediated, and consumed, this book is a must for those interested in contemporary film culture in general and the horror film in particular.' Mark Jancovich, University of East Anglia 'With this book, David Church confirms his status as one of the most interesting contemporary scholars working on horror and on taste politics. Church expands the notion of art-horror and shows the links between contemporary post-horror and 1940s woman's films, melodrama, science fiction and European art cinema, with great chapters devoted to the post-horror connection between family and intimate relationships to epistemic violence. Meticulously researched and theorized, this is a book that, like the films it analyzes, rewards multiple readings. A thumping good read.' Joan C. Hawkins, Indiana University Horror cinema has long been a popular but culturally denigrated genre. This assumption has been challenged by a new wave of films that mix arthouse minimalism with established genre conventions. Dubbed 'elevated horror' or 'post-horror', films such as The Babadook, It Follows, The Witch, Get Out, Hereditary, Midsommar, and mother! represent an emerging nexus of taste, politics, and style that has earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema. David Church is a film and media scholar specializing in genre studies, taste cultures, and histories of film circulation. Cover image: A Ghost Story. Photo: Andrew Droz Palermo. Courtesy of David Lowery / Sailor Bear

Galt's tragi-comic novel of conflicted desires presented in historical, legal, and local contexts.

The Ayrshire Legatees; The Steam-Boat; The Gathering of the West

Studies the making and unmaking of the Ottoman Empire's Kurdish nobility This book is a study of the rise and fall of Kurdish nobility in the Ottoman Empire from the 16th to the 19th centuries. Focusing on one noble family based in Palu, a fortressed town in Kurdistan, the book provides the first systematic, longue durée analysis of the Kurdish hereditary nobility in the Ottoman Empire. The author offers a fresh perspective on what enabled the Kurdish nobility to survive for so long; the dynamics of Ottoman-Kurdish relations on the ground; the processes that brought the privileged status of the Kurdish nobles to an end; and the consequences of the destruction of the Kurdish nobility. The abolishment of the Kurdish begs' hereditary privileges and the confiscation of their lands triggered a 5 decade-long conflict between begs, Armenian financiers, Armenian and Muslim sharecroppers and the Ottoman state over the fertile lands of Palu. The Kurdish Nobility in the Ottoman Empire examines the escalation of the intercommunal conflict in Palu within the context of the changing careers - and diminishing wealth and authority - of the Palu begs and the growing hostility between them and the district's Armenian population. Nilay Özok-Gündoğan is an Assistant Professor in the Department of History at Florida State University.

Explores the relationship between US presidents, sport and athleticism in the twentieth and twenty-first centuries This book presents an overview of the symbiotic relationship between US presidents and some of the nation's most popular pastimes. Starting with Theodore Roosevelt's significant role in linking the presidency with advocacy of - and active participation in - sports, this book traces how occupants of the White House continued to develop these connections in various guises across the following century for both pleasure and political purposes. Split into three thematic sections, the book approaches the topic from different but related angles to create a multidimensional portrait of the evolving relationship among the US presidency, sports and individual athletes, from the dawn of the twentieth century through to the Trump administration. Adam Burns is Head of History and Politics at Bristol Grammar School in the UK. Rivers Gambrell is a research fellow at the Rothermere American Institute at the University of Oxford.