Books published by EDINBURGH UNIVERSITY PRESS

Explores the entangled histories of left-wing movements across the Arab world, Europe and Afro-Asian areas of resistance Relocating the Arab Left in transnational dynamics and revolutionary networks, this book examines the circulation of people, symbols, and ideas between the Arab world, Europe and Afro-Asian areas of resistance. Based on an analysis of textual and audio-visual materials, this book sheds light on the resilience of Arab radical and democratic traditions that took shape despite local and global wars, state coercion, neo-liberal globalisation and repeated failures. Interrogating commonly accepted categories - in particular the category of 'Left' - the collection also invites reflection on how a re-engagement with the 'Long Sixties' relates to today's political landscape and conception of history and temporality. - A transnational history of the Arab Left, this book opens new avenues for research on the Cold War, the Sixties and national emancipation struggles - Features an interdisciplinary team of scholars that bring into conversation a wide range of concerns including radicalisation processes, revolutionary hopes, neoliberal globalisation, Islam and the Left, the legacy of Marxism, communism and left-wing politics in general - Examines the interventions of a wide range of leftist parties and groups in the Middle East, including the Syrian Baath Party, League for Combating Zionism, Israeli Communist Party (MAKI), Syrian-Lebanese Communist Party, Tunisian Communist Party, Egyptian Communist Workers' Party, Socialist Lebanon and the Organisation of the Communist Action in Lebanon - Traces the political involvement of Arab Left figures such as Khaled Bakdash, Mahdi Ben Barka, Clovis Maksoud, Husayn Muruwwah and Khalid Ahmad Zaki Laure Guirguis is Associate Professor and Research Fellow at the Aarhus Institute of Advanced Studies (AIAS) and Associate Researcher at the Institute for Research on the Arab and Muslim World (IREMAM, Aix-en-Provence).

Explores the vibrant, divided and evolving field of Islamic studies in Europe and North America The study of Islam and Muslims has expanded greatly in Europe and North America in recent decades and has become a passionately debated and divided field. This collection critically assesses the development of the field of Islamic Studies and its place in society. Featuring contributions from anthropologists, historians and scholars of religion, each chapter contains new empirical material and discusses approaches to the study of Islam, past and present. The book situates Islamic Studies within broader discussions of the construction of identity and its political implications in Europe and North America. Authors also address tensions between normative and non-normative approaches to the study of Islam and Muslims and consider how these might be reconciled. Key features  Covers topics ranging from gender and secularism to pop music and modern science  Discusses contemporary and historical approaches in Islamic Studies  Features contributions from leading scholars studying Islam and Muslims, including Shahzad Bashir, Hadi Enayat, Juliane Hammer, Aaron Hughes, Carool Kersten, Susanne Olsson and Jonas Otterbeck  Addresses the role of both Muslims and non-Muslims in the ongoing construction of Islam Philip Wood is Professor of History at The Aga Khan University, Institute for the Study of Muslim Civilisations. Leif Stenberg is Dean and Professor of Islamic Studies at The Aga Khan University, Institute for the Study of Muslim Civilisations.

Explores the complex life of the most controversial and enigmatic Scot of his generation, and his contribution to Scottish life and letters R. B. Cunninghame Graham was a well-known and hugely influential figure in late 19th- and early 20th-century Scottish politics and literature. This book explores Graham's early political views, his time as a Member of Parliament, his disillusionment with the Liberal Party and his reputation as the first declared 'socialist' MP. Using documentary evidence and tangible philosophical links, the book traces Graham's early political influences derived directly or indirectly from key 19th-century figures, particularly William Morris. It also examines Graham's anti-imperialist, anti-colonial and anti-racist speeches and writings, and his active support for women's rights and universal suffrage. Lachlan Munro strips away the mythology surrounding Graham to reveal an altogether more complex picture, exploring his political and literary achievements, during a time of enormous political, economic and cultural upheaval - the reverberations of which are still ongoing. Lachlan Munro is the editor of An Eagle in a Hen-House: Selected Political Speeches and Writings of R. B. Cunninghame Graham (2017).

Offers a literary and cultural-historical analysis of the Posthomerica This collection offers a new collaborative reading of Quintus Smyrnaeus' Posthomerica: a major, fascinating Greek epic written at the height of the Roman Empire. Building on the surge of interest in imperial Greek poetry seen in the past decades, this volume applies multiple approaches - literary, theoretical and historical - to ask new questions about this mysterious, challenging poet and to re-evaluate his role in the cultural history of his time. Bringing together experienced imperial epic scholars and new voices in this growing field, the chapters reveal Quintus' crucial place within the inherited epic tradition and his role in shaping the literary politics of Late Antique society. Silvio Bär is Professor of Classics at the University of Oslo. Emma Greensmith is Associate Professor of Classical Languages and Literature at the University of Oxford and a Fellow of St John's College. Leyla Ozbek is Research Fellow of Greek Language and Literature at the Scuola Normale Superiore of Pisa.

Introduces and explores a wide range of fresh approaches to comparative study of Shakespeare and Montaigne.

Develops an idea that has yet to be properly explained - Muslim democracy Ravza Altuntaş-Çakır proposes a framework of Muslim democracy that reconciles public claims made by Muslims with the normative and practical demands of democratic regimes. This book examines the ideals, institutions and processes that shape the development of a concrete Muslim-based democratic system - a form of democracy that recognises the centrality of religion in Muslim societies. Questioning the customary characterisations of Islam's compatibility with democracy, the book adopts a comparative political theory approach that initiates a dialogue between Muslim and Western political thought. It systematically studies debates concerning Muslim political thought, multiculturalism, secularism, the public sphere and constitutionalism, which enables an exploration of Muslim democracy through a political theory approach, rather than a theological one. Key Features - Constructs a Muslim democracy framework, inspired by Muslim and Western multiculturalist political thought - Provides an inclusive typology of Muslim political thought to discover essential norms for democratic thinking - Provides an inclusive typology of multiculturalism elaborating upon its capacity to reconcile democracy with religion - Synthesises these theoretical concepts and values to provide interpretative tools for a comparative political of Muslim democracy - Offers a scholarly construction of the notion of a political theory of Muslim democracy Ravza Altuntaş-Çakır is a Lecturer in the Political Science and International Relations Department, Istanbul Sabahattin Zaim University.

Showcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources - including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records and original oral testimonies- to explore the challenges and pleasures of conducting research in this field. Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video. Kate Egan is Senior Lecturer in Film and Media at Northumbria University, UK Martin Ian Smith is an independent researcher from Durham, UK. He has a PhD in Film Studies from Northumbria University Jamie Terrill is a Research Associate at Lancaster University, UK

Reinterprets the making of the modern Middle East by studying its borderlands The emergence of the modern Middle East is the result of three complementary historical developments: the disintegration of the Ottoman Empire, the institution of British and French control in its stead and the nationalist challenges to this colonial scramble. The introduction of international borders that accompanied this process is commonly portrayed as the drawing of lines in the sand, an artificial partitioning that brought diplomatic closure to an otherwise contested historical space. For the past two decades, insights gained from the burgeoning field of borderlands studies have enabled a new generation of scholars to challenge such popular depictions. For them, the region's borderlands were not sites of peripheral activity, but rather liminal spaces criss-crossed by global flows and circulations central to state- and nation-formation across the Middle East. Regimes of Mobility offers a select number of case studies that highlight the connectedness of the politics of borderlands throughout the interwar Middle East. Key features - Evidence-driven case studies cover borderlands in Turkey, Iraq, Syria, Palestine, and Transjordan - Informed by discussions in borderland and mobility studies, and by global and environmental history - Brings late Ottomanists into conversation with historians of the interwar Middle East Jordi Tejel is Research Professor in Contemporary History at the University of Neuchâtel. Ramazan Hakkı Öztan is Assistant Professor at the Atatürk Institute for Modern Turkish History at Boğaziçi University, Istanbul.

New studies on the interaction of various media in ancient Greek art.

Disordered Violence looks at how gender, race, and heteronormative expectations of public life shape Western understandings of terrorism as irrational, immoral and illegitimate. Caron Gentry examines the profiles of 8 well-known terrorist actors, including Andreas Baader, Bernardine Dohrn, Leila Khaled, Dhanu, Anders Breivik, Nidal Hasan and Aafia Siddiqui. Gentry looks for gendered, racial, and sexualised assumptions in how their stories are told. Additionally, she interrogates how the current counterterrorism focus upon radicalisation is another way of constructing terrorists outside of the Western ideal. Finally, the book argues that mainstream Terrorism Studies must contend with the growing misogynist and racialised violence against women.

'The scholarship is of the highest quality. A fine book.' Stephanie Cronin, St Antony's College, University of Oxford 'A rich and original work dedicated to one of the most compelling issues within late imperial history.' Ryan Gingeras, Naval Postgraduate School 'A crucial addition not just to the conversation about how these empires disintegrated but also to the analysis of the fractured and violent nation-states that replaced them.' Laura Robson, Penn State University 'A highly readable collection of cutting-edge research on agents of change.' Isa Blumi, Stockholm University A study of the frontier cultures of revolution that shaped the making of the modern Middle East Rebels, revolutionaries and racketeers played central roles in the violent process of imperial disintegration as it unfolded in the frontiers of the Ottoman, Habsburg, Romanov and Qajar empires. This is a history of these transgressive actors from the late 19th century to the interwar years, a time marked by similar, if-not-shared, revolutionary experiences and repertoires of contention across the connected geography of the Balkans, the Middle East and the Caucasus. Contributions by leading scholars engage with themes of historical and cultural legacies, contentious interactions within imperial regimes, and the biographical trajectory of men and women who challenged the political status quo of their time. Ramazan Hakkı Öztan teaches history at the Atatürk Institute for Modern Turkish History at Boğaziçi University, Istanbul. Alp Yenen is Assistant Professor of Modern Turkish History and Culture at the Institute for Area Studies at Leiden University. Front cover: Die Wölfe (Balkankrieg) [The Wolves (Balkan War), Franz Marc, 1913. Image courtesy of Wikimedia Commons/Charles Clifton, James G. Forsyth, and Charles W. Goodyear Funds 1951 Back cover: Stoyko Bakalov cheta, 1905, unknown photographer, image courtesy of Wikimedia Commons Key Features removed to make space: Key Features - Uses a novel conceptual framework that charts the rise of transgressive politics in the frontiers of empires - Includes a variety of biographical approaches to the key disruptive figures during the crisis of imperial and post-imperial regimes in the region - Represents a connected geography of imperial collapse and nation-state formation in 12 case study chapters - Engages with scholarship on intercommunal violence, revolutionary politics, and subaltern agency

The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.

PPC spine 22mm, 274 x 374mm 'A wonderfully wide-ranging collection of essays, critical and yet hopeful, presenting a compelling cultural map of the "New Turkey" and in so doing making a significant contribution to the globalisation of Turkish cultural studies.' John Storey, Emeritus Professor of Cultural Studies, University of Sunderland Investigates the relationship between culture, politics and power in present-day Turkey Since coming to power, President Erdoğan's Justice and Development Party (AKP) have focused on narrating their vision of a 'New Turkey' - an ideal that has resulted in the politicisation of popular culture and people's everyday lives. Exposing the strategy of Turkey's ruling elite to obtain cultural hegemony, this book examines the AKP's efforts to rewrite Turkish public memory by promoting its ideas through TV series, movies, propaganda videos, school curricula and material culture in urban public spaces. It also explores the tactics of cultural resistance developed by the politically weak to counter the ruling elite's dominant culture of pious conservatism. Key Features - Provides a comprehensive view of the politics of culture in Turkey under the rule of the AKP - Analyses the success of authoritarian populism and the decline of democracy in Turkey from a cultural studies perspective - Brings together 16 empirical studies which explore a variety of cultural aspects, from heavy metal music and arthouse films to headscarf politics and national memory Pierre Hecker is a Senior Researcher and Lecturer at the Centre for Near and Middle Eastern Studies (CNMS), Philipps-University Marburg. Ivo Furman is Assistant Professor at the Faculty of New Media and Communication, Istanbul Bilgi University. Kaya Akyıldız is Assistant Professor at the Department of Sociology, Istanbul Bahçeşehir University. Cover image: (c) Sumeyye Kesgin, Turkish illustrator and comic book artist, co-creator of Elsewhere series by Image Comics. (Instagram: @kesgin1 and Twitter: sumeyyekesgin1). Cover design: www.paulsmithdesign.com [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-9028-3 Barcode

Provides unique access to the key elements of David Sellar's pioneering contribution to Scottish legal history This collection brings together in one volume the principal essays of David Sellar (1941-2019) on Scottish legal history, focused upon the influence of Celtic, Canon, English and customary law in the development of Scots law. It includes a paper written during Sellar's time as Lord Lyon King of Arms (2008-2014) but left unpublished at his death, along with a general introduction by Hector L. MacQueen. Sellar was a pioneering historian of Scots law who rejected previous interpretations of the subject as a series of false starts and rejected experiments. He emphasised instead the continuity of legal development, with change a process of integration of external influences from very early times on. Sellar's approach, articulated mainly through essays published in diverse places over four decades, has had significant influence upon our general understanding of legal history in Scotland as well as leading to appreciation elsewhere of its comparative significance. By gathering the major essays in a single collection, this book demonstrates the scope and reach of Sellar's overall contribution. It provides an opportunity to view Sellar's work as a whole and to access his distinctive perspective on the overall trajectory of Scottish law. Hector L. MacQueen is Emeritus Professor of Private Law at the University of Edinburgh.